Isbn: 9780893811570 - making of a collection (15 resultados)

hardcover. Condición: Good. Ex-library book with stickers and/or stamps throughout.

Condición: Good. 1St Edition. Former library copy. Pages intact with minimal writing/highlighting. The binding may be loose and creased. Dust jackets/supplements are not included. Includes library markings. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.…

Hardcover. Condición: Very Good. Aperture January 1985 Binding: Hardcover.

Hardcover. Condición: Very Good. Estado de la sobrecubierta: Very Good. 1st Edition. no edition or printing stated - assume 1st, light soiling to top /bottom edges of boards with a little wear to top corner of rear board, dj shows very light wear with some scuffing to top corners and a few short shallow scratches - no tears, chips, creases and original price intact, full page reproductions of black & white with a few color photographs from many of the major artists from the beginning of the photographic process to the time of publication.…

Hardcover with dustjacket, 152 pages, very good condition except for light tape residue at bottom of dj spine and previous owner's stamp on first blank page, otherwise clean and crisp, no internal marks. Shipping may be extra for this large, heavy book.

Hardcover. Condición: Fine. Estado de la sobrecubierta: Fine. Nice crisp copy in like jacket. Great photos.****.

Hardcover. Condición: Very Good. Estado de la sobrecubierta: Very Good. First. 152 pages.

Hardcover. First edition, first printing. Fine cloth-bound hardcover with a couple of light bumps to the bottom edges of the boards in a Near Fine dust jacket with touches of wear at the extremities. All dust jackets are protected by a clear mylar cover. BOOKS SHIP THE NEXT BUSINESS DAY, WRAPPED IN PADDING, IN A BOX. Compiled with text by Carroll T. Hartwell. 152 pages; color and b&w plates throughout; 9.75 x 11.5 inches. Documents the creation of a truly remarkable collection of photographs at the Minneapolis Institute of Arts and the simultaneous development of the Ted Hartwell's curatorial mind and eye. Overseas sales and expedited shipping will require extra postage for this volume.…

Hardbound. Condición: VG/Good+ some fading to dj. Oatmeal cloth with silver lettering; maroon illus. dj; 151 pp. with color and bw photos. a beautiful history of photography.

Hardcover. Condición: Used - Very Good. Slight scratching/scuffing on dust jacket. Out of print.

Hardcover. Condición: Sehr gut. Estado de la sobrecubierta: Sehr gut.

Hardcover. Condición: Good. Ex-library book, usual markings. Hardback with dust cover. Some bending to book. Clean text, sound binding. Quick dispatch from UK seller.

origi.Leinenband mit Schutzumschlag, 4°, 151 Seiten. Schutzumschlag bestossen, Schnitt angestaubt sonst guter Zustand.

Condición: New. Satisfaction Guaranteed or your money back.

Condición: Sehr gut. 151 S. Umschlag leicht berieben, sonst gutes Exemplar. - In the mid-1960s, The Minneapolis Institute of Arts was in the vanguard of museums that recognized the importance of photography as a fine art-an art that demanded to be collected and exhibited for a wider audience. While major institutions, such as The Museum of Modern Art and the Art Institute of Chicago, had created formidable photography collections and exhibition programs, few other, smaller institutions had followed their lead. The Minneapolis Institute of Arts was an exception. Its decisive turn, in 1964, toward establishing a permanent place for photography was a major shift that reflected the changing position that photography held in the inner sanctum of museum art. For a relatively young medium with no real history, beginning a collection was, in part, contributing to its evolving history. Entrusted to the supervision of a young, then untried curator, Carroll T. Hartwell, the museum began to acquire photographs that, in the aggregate, would reflect both photography's greatest traditions, as embodied in the pioneering works of Frederick H. Evans, Hill and Adamson, and Julia Margaret Cameron; its modern giants of this century, including Walker Evans, Robert Frank, and Lee Friedlander; and its boldest forays, as revealed in the works of the contemporary photographers Reed Estabrook, Frank Gohlke, Marsha Burns, Nicholas Nixon, William Eggleston, and many others. Minneapolis's attention to current photographers is dramatically reflected in this volume. While the significance of the medium's traditions has always been a recurrent thread through the collection, its broader character reflects a modern sensibility that refers to the distinct aesthetic character and value of picture making, the camera, and camera vision. ISBN 0893811572 Sprache: Deutsch Gewicht in Gramm: 1550 Mit zahlr. auch farb. Abb. Originalleinen mit Schutzumschlag.…