Isbn: 9780870709494 - sturtevant: double trouble (12 resultados)

Hardcover. Condición: Very Good. It's a well-cared-for item that has seen limited use. The item may show minor signs of wear. All the text is legible, with all pages included. It may have slight markings and/or highlighting.

Hardcover. Condición: Good. Good - Bumped and creased book with tears to the extremities, but not affecting the text block, may have remainder mark or previous owner's name - GOOD Oversized.

Hardcover. Condición: New. The item is brand new, never used or read. It's in perfect condition and may include supplements and/or access codes or come shrink-wrapped.

Hardcover. Condición: Near Fine. 187 pages, Folio. Minor shelfwear. Some scuffing and fading on paper band. Tightly bound, no marks. Volume is in Near Fine condition.

Hardcover. Condición: VG+. Quarto. Hardcover. Illustrated boards. No jacket, as issued, but missing belly band. 187 pages : illustrations (chiefly color) ; 31 cm. Known for her early repetitions of the work of her contemporaries including Jasper Johns, Roy Lichtenstein, Claes Oldenburg, James Rosenquist and Andy Warhol, Elaine Sturtevant (1924-2014) turned the visual logic of Pop art back on itself, using Duchamp's model of the readymade to probe uncomfortably at the workings of art history in real time. Yet the aspect of her work that allowed her to be described as the one artist who can't be copied--her chameleon-like embrace of other artists' art--is also what has allowed her to be largely overlooked in the history of postwar American art. Featuring previously unpublished drawings and sketches from the artists archive, the book includes an essay by the exhibition curator that provides a comprehensive overview of the artist's practice while situating it more concretely within American culture.…

Hardcover. Condición: New. LIKE NEW FIRST EDITION A fine copy in illustrated boards with a fine wraparound band.

hardcover. Condición: Very Good. Oversized hardcover without a dust jacket. Overall very good condition. Cover is crisp. Corners are square and binding is tight. Pages are clean and bright. 187 pages. This is an oversized book, so extra shipping with be necessary for priority or international shipping. We ship every day from a real neighborhood bookstore. This description is written by an actual person, who is holding the book in front of them to make sure it?s properly described. Please contact us with questions or if you would like to see photographs.…

Hardcover. 187 pages. Retrospective monograph on American artist Elaine Sturtevant published in conjunction an exhibition that ran November 9, 2014 through February 22, 2015 at Museum of Modern Art and March through July 2015 at the Museum of Contemporary Art in Los Angeles. Features a foreword by Glenn D. Lowry, an essay by Peter Eleey, and the text of a previously unpublished interview with Sturtevant by Bruce Hainley and Michael Lobel. Incluees 72 color and 30 black and white illustrations, biographical information and bibliographical information. A fine copy in illustrated boards with a fine wraparound band. No dust jacket as issued. As new and still largely in the publisher's shrinkwrap.…

Eleey, Peter. STURTEVANT: Double Trouble. 200 pages, including 130 color plates. 4to, boards. New York, Museum of Modern Art, 2014.

Hardback. Condición: Very Good. Known for her early 'repetitions' of the work of her contemporaries - including Jasper Johns, Roy Lichtenstein, Claes Oldenburg, James Rosenquist and Andy Warhol - Sturtevant turned the visual logic of Pop art back on itself, using Duchamp's model of the readymade to probe uncomfortably at the workings of art history in real time. Yet the aspect of her work that allowed her to be described as 'the one artist who can't be copied' - her chameleon-like embrace of other artists' art - is also what has allowed her to be largely overlooked in the history of postwar American art. As a woman making versions of the work of better-known male artists, she has passed almost unnoticed through the hierarchies of mid-century modernism and postmodernism, at once absent from these histories while nevertheless articulating their structures. Despite a rising reputation in Europe, Sturtevant is still largely unknown in her home country. Published to accompany the first retrospective of her work in a US museum since 1973, at The Museum of Modern Art, this publication considers Sturtevant as a uniquely American artist, with political concerns inflected specifically by her upbringing and adult life in the US. Featuring previously unpublished drawings and sketches from the artist's archive, the book includes an essay by the exhibition curator that provides a comprehensive overview of the artist's practice while situating it more concretely within American culture.…

Hardback. Condición: Very Good. Known for her early 'repetitions' of the work of her contemporaries - including Jasper Johns, Roy Lichtenstein, Claes Oldenburg, James Rosenquist and Andy Warhol - Sturtevant turned the visual logic of Pop art back on itself, using Duchamp's model of the readymade to probe uncomfortably at the workings of art history in real time. Yet the aspect of her work that allowed her to be described as 'the one artist who can't be copied' - her chameleon-like embrace of other artists' art - is also what has allowed her to be largely overlooked in the history of postwar American art. As a woman making versions of the work of better-known male artists, she has passed almost unnoticed through the hierarchies of mid-century modernism and postmodernism, at once absent from these histories while nevertheless articulating their structures. Despite a rising reputation in Europe, Sturtevant is still largely unknown in her home country. Published to accompany the first retrospective of her work in a US museum since 1973, at The Museum of Modern Art, this publication considers Sturtevant as a uniquely American artist, with political concerns inflected specifically by her upbringing and adult life in the US. Featuring previously unpublished drawings and sketches from the artist's archive, the book includes an essay by the exhibition curator that provides a comprehensive overview of the artist's practice while situating it more concretely within American culture.…

Hardcover. Condición: New.