Isbn: 9780870705212 - prints of the twentieth century: a history (27 resultados)

paperback. Condición: Very Good.

paperback. Condición: Very Good.

Condición: Good. Good condition. A copy that has been read but remains intact. May contain markings such as bookplates, stamps, limited notes and highlighting, or a few light stains.

Condición: Good. Pages intact with minimal writing/highlighting. The binding may be loose and creased. Dust jackets/supplements are not included. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

paperback. Condición: Very Good. Connecting readers with great books since 1972! Used books may not include companion materials, and may have some shelf wear or limited writing. We ship orders daily and Customer Service is our top priority.

paperback. Condición: Very Good. Connecting readers with great books since 1972! Used books may not include companion materials, and may have some shelf wear or limited writing. We ship orders daily and Customer Service is our top priority.

softcover. Condición: Fine copy. 1st. 8vo, 216 pp. Profusely illustrated (ilustrador).

Paperback. Condición: VG-. 216pp. Index, Illus. Yellowing, light wear.

Soft cover. Condición: Very Good. No Jacket. Covers very tanned. Otherwise a clean, unmarked copy.

Paperback. Condición: Good. Oxford University Press 1976-01-01 00:00:00 Paperback. Sunning to wraps. Clean, bright text block. Tight binding.

Softcover. Condición: Very Good. No Dust Jacket. Softcover, 216 pages in near fine condition. faint rubbing to cover edges. Illustrated by works from the collection of The Museum of Modern Art. The most inclusive history of contemporary printmaking by acknowledged masters as well lesser known. A glossary of printmaking techniques included.; 8vo - over 7¾" - 9¾" tall.…

paperback. Condición: Very Good. Condition Notes: Clean, unmarked copy with some edge wear. Good binding. Dust jacket included if issued with one. We ship in recyclable American-made mailers. 100% money-back guarantee on all orders.

Paperback. Condición: Very Good. First Edition. New York: The Museum of Modern Art, 1976. First edition of this well-illustrated history of printmaking in the twentieth century, covering such subjects as: Expressionism, Les Fauves, Cubism and Early Abstract Movements, Dada and Surrealism, The School of Paris, Revival of Lithography, Picasso after Cubism, Pop Art, Op Art, Kinetic, Concrete and Conceptual Art, much more. Illustrated in both color and in black and white. Printed softcover, 216 pages. Some light age-yellowing and light soil to the covers, internally about fine with firm binding and clean pages free from names or other markings. First Edition. Soft Cover. Very Good. 8vo - over 7¾" - 9¾" tall.…

Softcover. Condición: Very Good. Very Good softcover.

Paperback. Condición: Very Good. Oxford University Press 1976-01-01 00:00:00 Binding: Trade Paperback 216 pgs. W index. Illustrator: Color & b&w PublishPlace: NY Size: 8 vo.

Trade Paperback. Condición: Like New. Published 1976. 216 pp. Clean, fresh copy with very minor shelf wear on front and back cover, crisp pages and clean text. Malcolm Varon (Cover Photo) (ilustrador).

Paperback. Condición: Very Good. Prompt Shipment, shipped in Boxes, Tracking PROVIDEDMinor foxing to foreedge, else very good-used book.

paperback. Condición: Very Good. Condition Notes: Clean, unmarked copy with some edge wear. Good binding. Dust jacket included if issued with one. We ship in recyclable American-made mailers. 100% money-back guarantee on all orders.

Soft cover. Condición: Near Fine. (Wrappers have light discoloration; Plates and Text are clean, neat and tight). Book.

paperback. Condición: Good. Our good condition books are generally good for reading but not for gifting or collecting. They could have imperfections such as creasing, fanning, inscriptions, margin notes, yellowing, staining on edge or cover or pages, bumps, scuffs, etc etc (sometimes multiple of these). It's a wide category that encompasses anything that isn't almost-new down to anything that is slightly better than poor. We would NOT recommend gifting Good books - these should be considered reading copies. Our books are dispatched from a Yorkshire former cotton mill. We list via barcode/ISBN so please note that the images are stock images and may not be the exact copy you receive, furthermore the details about edition and year might not be accurate as many publishers reuse the same ISBN for multiple editions and as we simply scan a barcode or enter an ISBN we do not check the validity of the edition data when listing. If you're looking for an exact edition please don't order (at least not without checking with us first, although we don't always have time to check). We aim to dispatch prompty, the service used will depend on order value and book size. We can ship to most countries, see our shipping policies. Payment is via Abe only.…

Soft cover. Condición: Fine. No Jacket. 216 pages : illustrations (some color) ; 22 cm ; ISBN: 0870705210 ((pbk.)); 9780870705212 ((pbk.)) LCCN: 75-34694 ; LC: NE490; Dewey: 769/.904 ; OCLC: 2455593 ; color pictorial stiff paper wrappers ; Contents: ntroduction: Some nineteenth-century influences -- Expressionism in France and Germany up to World War I: Fauves, Die Brücke, Der Blaue Reiter -- Cubism and early abstract movements -- Postwar expressionism and nonobjective art in Germany -- Dada and Surrealism -- Independent directions: the school of Paris and the revival of lithography -- Picasso after Cubism -- Between the wars: Mexico, the United States, Japan -- Printmaking after World War II: the persistence of Expressionism and Surrealism -- The flourishing of lithography in the U.S.A.: the prints of Pop art -- New models of expression: Op, kinetic, Concrete, Conceptual -- Glossary of printmaking terms. ; name on front endpaper, else FINE. Book. …

Condición: New. Satisfaction Guaranteed or your money back.

Condición: Good. 8vo., wraps. 76 pp. Ill. color & black & white plates. Stamped ex-lib. copy P. Iannetti. Moderate wear; text block partially detached at spine; loose leafs. Fair.

Condición: Good. 8vo., wraps. 54 pp. Fr. Ill. color plates throughout. Exhib. au Musée des beaux-Arts de Turin, 12 May - 8 Jun, 1987. VG.

Condición: Good. 8vo., wraps. 72 pp., with addenda, "Missing, Presumed Destroyed: Seven Reconstructions," by Chalk and "Of Lost Works," by Tatlin. Ill. color & black & white plates. Stamped ex-lib. copy P. Iannetti. Exhib. 1 Jul - 26 Sep, 1981. VG.

Paperback. Condición: New. In shrink wrap. Looks like an interesting title.

Taschenbuch. Condición: Very Good. Kleiner Fleck an der Schnittkante / Small stain on the cutting edge---. nein.