9780847862412 - Brand New: Art and Commodity in the 1980s (18 resultados)

Hardcover with dustjacket, 192 pages, very good condition, clean and crisp; no internal marks. Foreign shipping may be extra.

Condición: Very Good +. Estado de la sobrecubierta: Near Fine. New York: Rizzoli Electa, 2018. First Edition. Quarto. 192 pages. Color illustrations throughout. Printed dust jacket. Glossy white boards. Published in conjunction with the 2018 gallery exhibition at the Hirshhorn Museum in Washington, DC. Dust jacket is lightly rubbed at edges. A touch of smudging to boards at front and light wear along bottom edge. Binding is sound and pages unmarked.

Condición: New. 2018. Hardcover. . . . . .

Hardback. Condición: New. This groundbreaking book, accompanying a major exhibition at the Hirshhorn, tells the story of the evolution of New York s downtown art scene in the 1980s from a DIY counterculture in the East Village to a legitimate gallery business in SoHo. Coinciding with the rise of modern branding and the onset of the information age, artists focus on commodities and consumerism began as satire but came to be much more complex: commodities and associated phenomena, such as advertising, now served as vessels for ideas, politics, and personal relationships in brand-new types of painting, sculpture, photography, installation, and performance. In a book full of visual surprises, newly commissioned essays shed new light on this pivotal period: curator Gianni Jetzer provides a comprehensive overview, while Leah Pires illuminates lesser-known conceptual collaborations, and Bob Nickas offers an eyewitness account of the East Village gallery scene. These texts, together with an illustrated chronology, provide a fresh account of the moment at which contemporary artists such as Felix Gonzalez-Torres, Peter Halley, Jeff Koons, Barbara Kruger, Sherrie Levine, Richard Prince, and Cindy Sherman grabbed the ball from Andy Warhol and ran with it, changing the rules of the game forever.

Hardcover. Condición: New. An eye-opening book about the 1980s New York art scene, its far-reaching effects on contemporary art, and the rise of some of the biggest names in the art world today. This groundbreaking book, accompanying a major exhibition at the Hirshhorn, tells the story of the evolution of New York's downtown art scene in the 1980s--from a DIY counterculture in the East Village to a legitimate gallery business in SoHo. Coinciding with the rise of modern branding and the onset of the information age, artists' focus on commodities and consumerism began as satire but came to be much more complex: commodities and associated phenomena, such as advertising, now served as vessels for ideas, politics, and personal relationships in 'brand-new' types of painting, sculpture, photography, installation, and performance. In a book full of visual surprises, newly commissioned essays shed new light on this pivotal period: curator Gianni Jetzer provides a comprehensive overview, while Leah Pires illuminates lesser-known conceptual collaborations, and Bob Nickas offers an eyewitness account of the East Village gallery scene. These texts, together with an illustrated chronology, provide a fresh account of the moment at which contemporary artists such as Felix Gonzlez-Torres, Peter Halley, Jeff Koons, Barbara Kruger, Sherrie Levine, Richard Prince, and Cindy Sherman grabbed the ball from Andy Warhol and ran with it, changing the rules of the game forever.

HRD. Condición: New. New Book. Shipped from UK. Established seller since 2000.

Condición: New. 2018. Hardcover. . . . . . Books ship from the US and Ireland.

Hardcover. Condición: new. Hardcover. This groundbreaking catalog, accompanying a major exhibition at the Hirshhorn, examines the rise of Neo-Conceptualism and the corresponding clash of art and commerce that characterised New York art in the 1980s. Presenting the works of artists such as Jeff Koons and Richard Prince alongside contemporaries Vito Acconci, Ashley Bickerton, Barbara Bloom, Jessica Diamond, General Idea, Felix Gonzalez-Torres, Peter Halley, Jeff Koons, Peter Nagy, Joel Otterson, Richard Prince, Pruitt-Early, Cindy Sherman, Meyer Vaisman and Julia Wachtel, Brand New provides insight into this pivotal decade and the corresponding rise of some of the biggest names today.Fueled by a series of political, cultural and technological shifts, the 1980s brought about a golden era of contemporary art, with the nation's newfound economic prosperity setting the stage for the re-evaluation of the art object. Newly commissioned essays capture the connecting threads: Within the environment of the 1980s, material goods were seen as a demonstration of power and financial wealth, while the artist was associated with cultural capital. For the first time, art and commodity conflated, with everyday objects such as vacuum cleaners, clocks, tires and drums becoming contingent channels for storytelling rather than stand-alone works. At the same time, the artists themselves became brands, in many cases resulting in the interdependence between public persona and artistic output. Coinciding with the height of the information age and the rise of modern branding, what began as satire came to define the world today. The market variations of the 1980s triggered an important change, as artists simultaneously subverted and embraced this increased commodification by essentially branding both their art and personas. This important book documents a period of downtown New York art history that had far-reaching effects on contemporary art practice and contributed to the rise of some of the biggest names in the art world today. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.

Hardcover. Condición: New.

Hardcover. Condición: Brand New. 192 pages. 11.00x9.25x1.00 inches. In Stock.

Condición: Very good.

Condición: New.

Hardcover. Condición: new. Hardcover. This groundbreaking catalog, accompanying a major exhibition at the Hirshhorn, examines the rise of Neo-Conceptualism and the corresponding clash of art and commerce that characterised New York art in the 1980s. Presenting the works of artists such as Jeff Koons and Richard Prince alongside contemporaries Vito Acconci, Ashley Bickerton, Barbara Bloom, Jessica Diamond, General Idea, Felix Gonzalez-Torres, Peter Halley, Jeff Koons, Peter Nagy, Joel Otterson, Richard Prince, Pruitt-Early, Cindy Sherman, Meyer Vaisman and Julia Wachtel, Brand New provides insight into this pivotal decade and the corresponding rise of some of the biggest names today.Fueled by a series of political, cultural and technological shifts, the 1980s brought about a golden era of contemporary art, with the nation's newfound economic prosperity setting the stage for the re-evaluation of the art object. Newly commissioned essays capture the connecting threads: Within the environment of the 1980s, material goods were seen as a demonstration of power and financial wealth, while the artist was associated with cultural capital. For the first time, art and commodity conflated, with everyday objects such as vacuum cleaners, clocks, tires and drums becoming contingent channels for storytelling rather than stand-alone works. At the same time, the artists themselves became brands, in many cases resulting in the interdependence between public persona and artistic output. Coinciding with the height of the information age and the rise of modern branding, what began as satire came to define the world today. The market variations of the 1980s triggered an important change, as artists simultaneously subverted and embraced this increased commodification by essentially branding both their art and personas. This important book documents a period of downtown New York art history that had far-reaching effects on contemporary art practice and contributed to the rise of some of the biggest names in the art world today. Shipping may be from our UK warehouse or from our Australian or US warehouses, depending on stock availability.

192 pages; illustrated. Hardback 28.4x23.6cms. ISBN: 9780847862412. This exhibition presents a focused history of the decade, bringing rarely displayed works from U.S. and European collections together for the first time since the '80s. Among the artists featured, there are some of today's most influential figures: Ashley Bickerton, Jessica Diamond, Peter Halley, Jeff Koons, Barbara Kruger, Joel Otterson, Richard Prince, Erika Rothenberg, Sarah Charlesworth, Haim Steinbach, Meyer Vaisman and Julia Wachtel, as well as artist collectives and projects such as ACT UP Gran Fury, The Offices, General Idea, Fashion Moda and Guerrilla Girls. Three major installations have been recreated for the first time in thirty years, including seminal works by Gretchen Bender, Barbara Bloom and Krzysztof Wodiczko.

Hardback. Condición: New. This groundbreaking book, accompanying a major exhibition at the Hirshhorn, tells the story of the evolution of New York s downtown art scene in the 1980s from a DIY counterculture in the East Village to a legitimate gallery business in SoHo. Coinciding with the rise of modern branding and the onset of the information age, artists focus on commodities and consumerism began as satire but came to be much more complex: commodities and associated phenomena, such as advertising, now served as vessels for ideas, politics, and personal relationships in brand-new types of painting, sculpture, photography, installation, and performance. In a book full of visual surprises, newly commissioned essays shed new light on this pivotal period: curator Gianni Jetzer provides a comprehensive overview, while Leah Pires illuminates lesser-known conceptual collaborations, and Bob Nickas offers an eyewitness account of the East Village gallery scene. These texts, together with an illustrated chronology, provide a fresh account of the moment at which contemporary artists such as Felix Gonzalez-Torres, Peter Halley, Jeff Koons, Barbara Kruger, Sherrie Levine, Richard Prince, and Cindy Sherman grabbed the ball from Andy Warhol and ran with it, changing the rules of the game forever.

Hardcover. Condición: new. Hardcover. This groundbreaking catalog, accompanying a major exhibition at the Hirshhorn, examines the rise of Neo-Conceptualism and the corresponding clash of art and commerce that characterised New York art in the 1980s. Presenting the works of artists such as Jeff Koons and Richard Prince alongside contemporaries Vito Acconci, Ashley Bickerton, Barbara Bloom, Jessica Diamond, General Idea, Felix Gonzalez-Torres, Peter Halley, Jeff Koons, Peter Nagy, Joel Otterson, Richard Prince, Pruitt-Early, Cindy Sherman, Meyer Vaisman and Julia Wachtel, Brand New provides insight into this pivotal decade and the corresponding rise of some of the biggest names today.Fueled by a series of political, cultural and technological shifts, the 1980s brought about a golden era of contemporary art, with the nation's newfound economic prosperity setting the stage for the re-evaluation of the art object. Newly commissioned essays capture the connecting threads: Within the environment of the 1980s, material goods were seen as a demonstration of power and financial wealth, while the artist was associated with cultural capital. For the first time, art and commodity conflated, with everyday objects such as vacuum cleaners, clocks, tires and drums becoming contingent channels for storytelling rather than stand-alone works. At the same time, the artists themselves became brands, in many cases resulting in the interdependence between public persona and artistic output. Coinciding with the height of the information age and the rise of modern branding, what began as satire came to define the world today. The market variations of the 1980s triggered an important change, as artists simultaneously subverted and embraced this increased commodification by essentially branding both their art and personas. This important book documents a period of downtown New York art history that had far-reaching effects on contemporary art practice and contributed to the rise of some of the biggest names in the art world today. Shipping may be from our Sydney, NSW warehouse or from our UK or US warehouse, depending on stock availability.

Condición: New.

Condición: New.