9780847817092 - James Rosenquist: Time Dust - Complete Graphics 1962-92 [Idioma Inglés] de Glenn, Constance W.; Rosenquist James (14 resultados)

Condición: good. The book is in good condition with all pages and cover intact, including the dust jacket if originally issued. The spine may show light wear. Pages may contain some notes or highlighting, and there might be a "From the library of" label. Boxed set packaging, shrink wrap, or included media like CDs may be missing.

Condición: Good. Pages intact with minimal writing/highlighting. The binding may be loose and creased. Dust jackets/supplements are not included. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

hardcover. Condición: Very Good.

Hardcover. Condición: Near Fine. Estado de la sobrecubierta: Very Good. 1st Edition. Small name label ffep.

Hardcover. Black cloth. Color pictorial dj. xv, 180 pp. 25 bw, 150 color plates. Published in conjunction with an exhibition that began at the Walker Art Center in Minneapolis in March 1993 and went to nine other locations. Extensive bibliography. Terrific book on this artist. "James Rosenquist is an internationally renowned artist who first achieved wide recognition as a result of his pioneering contributions to Pop Art in the 1960s and 1970s. Like many artists of his circle, particularly Andy Warhol and Roy Lichtenstein, Rosenquist has been fascinated with the visual language and ephemera of mass-reproduction. In Rosenquist's case, his interest was manifested in an art derived from popular imagery sources yet committed to the expression of his personal concerns as an artist and a printmaker. He has tested the limits of the medium in order to achieve, on the one hand, subtle nuances unique to particular techniques, and, on the other, the vast billboard scale that is his signature style." "This book traces Rosenquist's entire career, from his early work as a sign painter to the creation of what is thought to be the world's largest print, Time Dust, completed in 1992. An important historical text by Constance Glenn explores such contemporary issues as the role of the mass-media, the appropriation of its techniques and imagery, and the origin and demand for multiple images, as well as presenting in depth the artist's evolution as painter and printmaker. The 150 colorplates include - in addition to landmark paintings - numerous examples of previously unpublished sketches and prints, as well as many of Rosenquist's famous works, such as the great installation print F-111. The book includes a catalogue raisonne of the artist's 229 prints and an extensive bibliography."--BOOK JACKET. VG- (Majority of pages lightly creased at bottom right-hand corner.).

Hardcover. Condición: Fine. Estado de la sobrecubierta: Fine. First Edition. cloth, hardcover in dust jacket., no flaws or wear - clean, unmarked, tightly bound.; published in assoc. with the university art museum, california state univ., long beach and is also an exhibition catalogue.; xv-180pp., 150 color plates plus 229 prints in the catalogue raisonne., important reference on rosenquist's graphic oeuvre through 1992.; laid-in are paper notes on certain prints by a private dealer. Size: Square 4to. Catalogue Raisonne.

Hardcover with dustjacket, 180 pages, as new condition; clean and crisp; no internal marks. Foreign shipping will be extra.

hardcover. Condición: New. In shrink wrap. Looks like an interesting title!

Hardcover. Condición: Near Fine. First Edition. Inscribed By Artist: James Rosenquist. Near fine first edition with near fine dust jacket. Size: 4to - over 9¾" - 12" tall. Inscribed By Artist.

Condición: New. Satisfaction Guaranteed or your money back.

Hardcover. Condición: Used - Very Good. 1993 Spans the painter's career up to the world's largest print.

Glenn, Constance W. JAMES ROSENQUIST: Time Dust. The Complete Graphics, 1962-1992. 180 pp., 25 b&w and 150 color illustrations. 4to, cloth. New York, Rizzoli International, 1993. The long awaited catalogue raisonné, covering his career from a sign painter to the world's largest print, TIME DUST, in 1991. Documenting over 300 prints with an extensive bibliography.

Condición: Near Fine. Estado de la sobrecubierta: Very Good. First Edition, First Printing. THE MONUMENTAL WORLD OF ROSENQUIST IN PRINT A major catalogue raisonné documenting three decades of James Rosenquist's graphic work, published at the height of renewed institutional interest in American Pop Art during the early 1990s. The volume surveys Rosenquist's complete print production from 1962 through the monumental Time Dust project of 1992, reproducing 229 prints with 259 illustrations, approximately 150 in color. Boldly signed and inscribed by Rosenquist in 1993 on the half-title 'for Bill Ornstein,' adding strong association and presentation appeal. Produced in conjunction with a traveling exhibition organized by the University Art Museum, California State University, Long Beach, the book reflects the growing scholarly reassessment of Rosenquist's role within postwar American art and large-scale experimental printmaking. PHYSICAL DESCRIPTION: Black cloth binding with bright blue spine titles and blind-stamped front cover title. Square quarto format, 10 x 10 inches. 180 pages. Profusely illustrated throughout with approximately 259 illustrations, many in color. Extensive bibliography and catalogue documentation. CONDITION: Near Fine / Very Good. Bindings are tight and secure. Text is clean; light, even age-toning. Minimal shelf handling wear. Dust jacket unclipped with modest handling wear but no chips or tears. Presents exceptionally well in a new protective Mylar sleeve. Signed and inscribed by James Rosenquist on the half-title page. HISTORICAL SIGNIFICANCE - James Rosenquist emerged as one of the central figures of American Pop Art alongside Andy Warhol, Roy Lichtenstein, and Claes Oldenburg. His background in billboard painting profoundly shaped his oversized fragmented compositions and his engagement with mass-media imagery. The publication of this catalogue raisonné coincided with expanding institutional recognition of postwar American printmaking and workshop collaborations such as Tyler Graphics and Graphicstudio. Rosenquist's works are held by major institutions including The Metropolitan Museum of Art and Tate Modern. The volume chronicles Rosenquist's transformation from commercial billboard painter into one of the defining visual voices of American Pop Art. Unlike Warhol's cool repetition or Lichtenstein's comic-strip precision, Rosenquist's work exploded into fractured, cinematic juxtapositions drawn from advertising, politics, technology, and consumer culture. Particular attention is given to the artist's print collaborations with Tyler Graphics and other experimental workshops that pushed the scale and technical possibilities of contemporary printmaking. The culminating work, Time Dust (1992), represented an extraordinary achievement in modern print production - an immense multi-sheet composition requiring 82 colors and multiple printing processes. The project has frequently been cited among the most ambitious prints ever produced in the twentieth century. SUBJECTS: James Rosenquist, Pop Art, American printmaking, catalogue raisonné, Tyler Graphics, contemporary art monographs, signed art books, large-scale printmaking, exhibition catalogues, 1990s American art, Graphicstudio, postwar American art, Pop Art, Contemporary Art, Exhibition Catalogues, Art Reference, Printmaking. Signed.

Hardcover. Condición: Fine. Estado de la sobrecubierta: Fine. 1st. Cloth, xv, 180 pages, illustrations (some colour); 26 cm. Exhibition held at the Walker Art Center, Minneapolis, Minnesota, March 7 and May 10, 1993 and others. Published in conjunction with the exhibition organized by the University Art Museum, California State University, Long Beach. SIGNED. Boldly signed by James Rosenquist (1933-2017) on the half-title page, no dedication. A fine copy. Dust jacket protected in a mylar cover. Dust jacket protected in a mylar cover. OVERSIZE! Additional shipping charges may be requested for international & priority orders. Richly illustrated with colour plates. *** "James Rosenquist is an internationally renowned artist who first achieved wide recognition as a result of his pioneering contributions to Pop Art in the 1960s and 1970s. Like many artists of his circle, particularly Andy Warhol and Roy Lichtenstein, Rosenquist has been fascinated with the visual language and ephemera of mass-reproduction. In Rosenquist's case, his interest was manifested in an art derived from popular imagery sources yet committed to the expression of his personal concerns as an artist and a printmaker. He has tested the limits of the medium in order to achieve, on the one hand, subtle nuances unique to particular techniques, and, on the other, the vast billboard scale that is his signature style. This book traces Rosenquist's entire career, from his early work as a sign painter to the creation of what is thought to be the world's largest print, Time Dust, completed in 1992. An important historical text by Constance Glenn explores such contemporary issues as the role of the mass-media, the appropriation of its techniques and imagery, and the origin and demand for multiple images, as well as presenting in depth the artist's evolution as painter and printmaker. The 150 colorplates include - in addition to landmark paintings - numerous examples of previously unpublished sketches and prints, as well as many of Rosenquist's famous works, such as the great installation print F-111. The book includes a catalogue raisonne of the artist's 229 prints and an extensive bibliography." - Publisher. Size: 4to. SIGNED. Collectible.