ISBN: 9780834801325 - japanese design: through textile patterns (20 resultados)

Paperback. Condición: Good.

Paperback. Condición: Good.

Condición: Good. Pages intact with minimal writing/highlighting. The binding may be loose and creased. Dust jackets/supplements are not included. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

Paperback. Condición: Fair. No Jacket. Former library book; Readable copy. Pages may have considerable notes/highlighting. ~ ThriftBooks: Read More, Spend Less.

Paperback. Condición: Acceptable. Stained Satisfaction 100% guaranteed.

Condición: Very Good. Estado de la sobrecubierta: 47298787. 1761585909. 10/27/2025 5:25:09 PM.

Condición: Good. Former library copy. Pages intact with minimal writing/highlighting. The binding may be loose and creased. Dust jackets/supplements are not included. Includes library markings. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

Softcover. Condición: Very Good. Solid VG softcover. 4th printing, 1982.

Paperback. Condición: Like New. First Edition. First Edition, Fifth Printing (1984). Not price-clipped. Published by Weatherhill, 1978. Octavo. Paperback. Book is like new. 100% positive feedback. 30 day money back guarantee. NEXT DAY SHIPPING! Excellent customer service. Please email with any questions. All books packed carefully and ship with free delivery confirmation/tracking. All books come with free bookmarks. Ships from Sag Harbor, New York.…

Soft cover. Condición: New. 1st Edition. 2nd printing. Ships from California.

Paperback. Condición: Very Good. No Dustjacket. Later Edition. ISBN 0834801329. Trade Paperback. Later Printing. Very Good Condition. Tight sound unmarked copy with minor rubs and creases to edges and corners of covers, slight browning to edges of interior pages. No Signature.

Soft cover. Condición: Near Fine. Stated sixth printing of lovely volume examining Japanese artwork through kimonos and other textile craft. Tight, bright, unmarked -- a vague bit of humidity-stiffness toward the crown of early pages is all that separates this from "as new" designation. See photos.

Paperback. Condición: As New. 1st Edition. 272 pp., Illus, Blue & Pink Illus Paperback, Fine as New, 1st ed (Stated).

Soft cover. Condición: Near Fine. Estado de la sobrecubierta: Published w/out dj. 1st Edition. Book has light wrinkling lower front panel and some light edge wear. First edition, inscribed by author on title page. "Reproductions of 198 outstanding stencil patterns in use, 50 b&w photos of traditional woodblock prints showing the patterns in use, notes interpreting and commenting on each pattern and an informative introduction.". Inscribed by Author(s).…

Trade Paperback. Condición: Near Fine. A clean, unmarked book with a tight binding. 272 pages, most filled with full page b&w prints of designs and prints from Japanese kimonos and artwork, in chapters that include: Water related patterns, Sky related, Abstract patterns, Flower patterns, Tree and leaf, Garden and Chrysanthemum patterns. Keywords: Stencils Dye Dyeing, Kimono, Kimonos, Katagami, Handmade, Patterns, Woodblock, Prints, Interpretation, Flower, Tree, Leaf, Garden, Chrysanthemum.…

Soft cover. Condición: Fine. Estado de la sobrecubierta: Published w/out dj. 1st Edition. NYC: Weatherhill, 1978. 1st edition, inscribed by author on title page, F/. Paperback has very little wear. 253 pages of graphic reproductions of stencil patterns and woodblock prints. Interpretive notes and comments on each pattern. Includes glossary-index. Nice copy, 272 pp. Inscribed by Author(s).…

Condición: very good. Gently used. May include previous owner's signature or bookplate on the front endpaper, sticker on back and/or remainder mark on text block.

Condición: New. Satisfaction Guaranteed or your money back.

Trade paperback. Condición: Good. Third Printing [stated]. The format is approximately 6 inches by 8.25 inches. 272 pages. Decorative cover. Illustrations (Black and White). Glossary. Slightly cocked. Signed with location (Tokyo) by the author on the title page. Photos in black and white used as stencil for printing Japanese fabrics. Authentic traditional fabric designs in motifs including water, sky abstract, flower, leaf, tree, garden and chrysanthemum patterns. Frances Blakemore (1906 1997; also published as Frances Baker and Frances Wismer) was an American-born artist, writer, curator, and art collector who spent more than 50 years of her life in Japan. In 1929 she exhibited a set of linoleum block prints at an exhibition of the Northwest Printmakers and won the Purchase Prize for her print, High Water at Moore's Point, Chelan. In 1940 she left Japan to avoid being interned, and spent WWII in Hawaii, working for the Office of War Information designing airborne leaflet propaganda for distribution in Japan She returned to Tokyo in 1946 and went to work for the Civil Information and Education (CI&E) Division of the Supreme Commander for the Allied Powers (SCAP) during the occupation of Japan, designing brochures and posters to promote the reconstruction project. In 1954 she married Thomas Blakemore, an American-born corporate lawyer. She and her husband founded the Franell Gallery (1965-1984), located in the Hotel Okura Tokyo. She also collected Japanese textiles and stencils, which were exhibited throughout the United States and Australia. In the 1970s, she published two books on Japanese design, both of which were reprinted. Japanese patterns come in many forms and all have a hidden meaning. Very much found on the kimono and other Japanese clothing, they are called wagara. Most of the traditional Japanese patterns dates back to the 8th century and are inspired by nature, of which the symbolism is very strong in Japanese culture. In Japanese culture, there is a real language of patterns, each representing one or more Japanese symbols - the kimono wouldn't be so fascinating without these magnificent historical Japanese designs that constitute the richness of Japanese art. Geometric Japanese patterns are great classics found on many Japanese fabrics. They can be self-sufficient or serve as a background for a more elaborate pattern. Timeless, some geometric patterns are extremely ancient and yet still used today to adorn modern Japanese kimonos. In Japan, each flower has its own meaning according to its appearance and characteristics. Thus, each flower is associated to a specific Japanese symbol, a virtue, an emotion. Japanese also have a word to name this: Hanakotoba which means "language of flowers".…

Condición: gut. Japanese Design Through Textile Patterns In englischer Sprache. pages.