9780826417435 - The Who Sell Out (33 1/3) de Dougan, John (37 resultados)

Condición: good. Fast Free Shipping â" Good condition. It may show normal signs of use, such as light writing, highlighting, or library markings, but all pages are intact and the book is fully readable. A solid, complete copy that's ready to enjoy.

Paperback. Condición: Good. No Jacket. Pages can have notes/highlighting. Spine may show signs of wear. ~ ThriftBooks: Read More, Spend Less.

paperback. Condición: Good.

paperback. Condición: Fine.

Condición: Good. Pages intact with minimal writing/highlighting. The binding may be loose and creased. Dust jackets/supplements are not included. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

paperback. Condición: Very Good. Cover and edges may have some wear.

Condición: New.

Paperback. Condición: new. Paperback. Released in the U.S. in January 1968, The Who Sell Out was, according to critic Dave Marsh, a complete backfire--the album sold well, but not spectacularly [and was] ultimately a nostalgic in-joke: Who but a pop intellectual could appreciate such a thing? Further rarifying its in-joke status was its unapologetic Englishness; 13 tracks stitched together in a mock pirate radio broadcast, without a DJ, with cool, anglocentric commercials to boot. In the 36 years since its release, Sell Out, though still not the best selling release in The Whos catalog, has been embraced by a growing number of fans who regard it as the bands best work, one of the few recordings of the late 1960s that best represents the ambitious aesthetic possibilities of the concept album without becoming mired in a bog of smug, self-aggrandizing, high art aspirations. Sell Out, powerfully and ecstatically, articulates the nexus of pop music and pop culture.As much as it is an expression of the bands expanding sonic palette, Sell Out also functions as a critique of the rock and roll lifestyle. Not the cliched mantra of sex, drugs, and rock and roll but in the ways that commercial advertising fabricates a youth-oriented cultural reality by hawking pimple cream, deodorant, food, musical equipment, etc., and linking it with rock and roll. In this sense Sell Out is a reflective work, one that struggles with rock and roll as a cultural expression that aspires to aesthetic permanence while marketed as ephemera. From this conflict emerges a pop art masterpiece. Fascinating study of The Who's pop art masterpiece and British pirate radio of the 1960s. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.

Condición: As New. Unread book in perfect condition.

Paperback. Condición: New. Released in the U.S. in January 1968, "The Who Sell Out" was, according to critic Dave Marsh, 'a complete backfire.the album sold well, but not spectacularly [and was] ultimately a nostalgic in-joke'. Who but a pop intellectual could appreciate such a thing? Further rarifying its in-joke status was its unapologetic Englishness; 13 tracks stitched together in a mock pirate radio broadcast, without a DJ, with cool, anglocentric commercials to boot. In the 36 years since its release, "Sell Out", though still not the best selling release in "The Who's" catalog, has been embraced by a growing number of fans who regard it as the band's best work; one of the few recordings of the late 1960s that best represents the ambitious aesthetic possibilities of the concept album; without becoming mired in a bog of smug, self-aggrandizing, high art aspirations. "Sell Out", powerfully and ecstatically, articulates the nexus of pop music and pop culture. As much as it is an expression of the band's expanding sonic palette, "Sell Out" also functions as a critique of the rock and roll lifestyle.Not the cliched mantra of sex, drugs, and rock and roll but in the ways that commercial advertising fabricates a youth-oriented cultural reality by hawking pimple cream, deodorant, food, musical equipment, etc., and linking it with rock and roll. In this sense, "Sell Out" is a reflective work, one that struggles with rock and roll as a cultural expression that aspires to aesthetic permanence while marketed as ephemera. From this conflict, emerges a pop art masterpiece.

Paperback. Condición: New. Released in the U.S. in January 1968, "The Who Sell Out" was, according to critic Dave Marsh, 'a complete backfire.the album sold well, but not spectacularly [and was] ultimately a nostalgic in-joke'. Who but a pop intellectual could appreciate such a thing? Further rarifying its in-joke status was its unapologetic Englishness; 13 tracks stitched together in a mock pirate radio broadcast, without a DJ, with cool, anglocentric commercials to boot. In the 36 years since its release, "Sell Out", though still not the best selling release in "The Who's" catalog, has been embraced by a growing number of fans who regard it as the band's best work; one of the few recordings of the late 1960s that best represents the ambitious aesthetic possibilities of the concept album; without becoming mired in a bog of smug, self-aggrandizing, high art aspirations. "Sell Out", powerfully and ecstatically, articulates the nexus of pop music and pop culture. As much as it is an expression of the band's expanding sonic palette, "Sell Out" also functions as a critique of the rock and roll lifestyle.Not the cliched mantra of sex, drugs, and rock and roll but in the ways that commercial advertising fabricates a youth-oriented cultural reality by hawking pimple cream, deodorant, food, musical equipment, etc., and linking it with rock and roll. In this sense, "Sell Out" is a reflective work, one that struggles with rock and roll as a cultural expression that aspires to aesthetic permanence while marketed as ephemera. From this conflict, emerges a pop art masterpiece.

Condición: NEW.

Condición: new.

Paperback. Condición: New. (33 1/3 series). The concept behind 'Sell Out' - a collection of Who songs that tied together with fake advertising and real promotional jingles simjulating a pirate radio broadcast from offshore station Radio London - along with beingtimely and brilliant, indicated that significant cultural changes were in the offing. Not the least of which was the reality that the BBC would again control British pop music radio. As for The Who, 'Sell Out' signaled the beginning ofthe end of their career as a pop band, and spectacularly announced their transition into a world-conquering rock band, a metamorphosis made complete with the release of 'Tommy' ion 1969. 131p.

Condición: New. pp. 144 1st Edition.

Condición: New. pp. 144.

Paperback. Condición: Brand New. 1st edition. 144 pages. 6.50x4.75x0.50 inches. In Stock.

Condición: New. Since its release, "Sell Out", though still not the best selling release in "The Who's" catalog, has been embraced by a growing number of fans. As much as it is an expression of the band's expanding sonic palette, this work also functions as a critique of the rock and roll lifestyle. Series: 33 1/3. Num Pages: 144 pages. BIC Classification: AVGP. Category: (G) General (US: Trade). Dimension: 171 x 123 x 9. Weight in Grams: 144. Series: 33 1/3. 144 pages. Since its release, "Sell Out", though still not the best selling release in "The Who's" catalog, has been embraced by a growing number of fans. As much as it is an expression of the band's expanding sonic palette, this work also functions as a critique of the rock and roll lifestyle. Cateogry: (G) General (US: Trade). BIC Classification: AVGP. Dimension: 171 x 123 x 9. Weight: 140. . 2006. 1st Edition. Paperback. . . . .

Condición: New. Since its release, "Sell Out", though still not the best selling release in "The Who's" catalog, has been embraced by a growing number of fans. As much as it is an expression of the band's expanding sonic palette, this work also functions as a critique of the rock and roll lifestyle. Series: 33 1/3. Num Pages: 144 pages. BIC Classification: AVGP. Category: (G) General (US: Trade). Dimension: 171 x 123 x 9. Weight in Grams: 144. Series: 33 1/3. 144 pages. Since its release, "Sell Out", though still not the best selling release in "The Who's" catalog, has been embraced by a growing number of fans. As much as it is an expression of the band's expanding sonic palette, this work also functions as a critique of the rock and roll lifestyle. Cateogry: (G) General (US: Trade). BIC Classification: AVGP. Dimension: 171 x 123 x 9. Weight: 140. . 2006. 1st Edition. Paperback. . . . . Books ship from the US and Ireland.

Condición: New. In English.

Condición: New. pp. 144.

Paperback / softback. Condición: New. New copy - Usually dispatched within 4 working days.

Paperback. Condición: New.

Paperback. Condición: New.

Condición: New.

Paperback. Condición: New.

Condición: As New. Unread book in perfect condition.

Paperback. Condición: new. Paperback. Released in the U.S. in January 1968, The Who Sell Out was, according to critic Dave Marsh, a complete backfire--the album sold well, but not spectacularly [and was] ultimately a nostalgic in-joke: Who but a pop intellectual could appreciate such a thing? Further rarifying its in-joke status was its unapologetic Englishness; 13 tracks stitched together in a mock pirate radio broadcast, without a DJ, with cool, anglocentric commercials to boot. In the 36 years since its release, Sell Out, though still not the best selling release in The Whos catalog, has been embraced by a growing number of fans who regard it as the bands best work, one of the few recordings of the late 1960s that best represents the ambitious aesthetic possibilities of the concept album without becoming mired in a bog of smug, self-aggrandizing, high art aspirations. Sell Out, powerfully and ecstatically, articulates the nexus of pop music and pop culture.As much as it is an expression of the bands expanding sonic palette, Sell Out also functions as a critique of the rock and roll lifestyle. Not the cliched mantra of sex, drugs, and rock and roll but in the ways that commercial advertising fabricates a youth-oriented cultural reality by hawking pimple cream, deodorant, food, musical equipment, etc., and linking it with rock and roll. In this sense Sell Out is a reflective work, one that struggles with rock and roll as a cultural expression that aspires to aesthetic permanence while marketed as ephemera. From this conflict emerges a pop art masterpiece. Fascinating study of The Who's pop art masterpiece and British pirate radio of the 1960s. Shipping may be from our Sydney, NSW warehouse or from our UK or US warehouse, depending on stock availability.

Paperback. Condición: New. Released in the U.S. in January 1968, "The Who Sell Out" was, according to critic Dave Marsh, 'a complete backfire.the album sold well, but not spectacularly [and was] ultimately a nostalgic in-joke'. Who but a pop intellectual could appreciate such a thing? Further rarifying its in-joke status was its unapologetic Englishness; 13 tracks stitched together in a mock pirate radio broadcast, without a DJ, with cool, anglocentric commercials to boot. In the 36 years since its release, "Sell Out", though still not the best selling release in "The Who's" catalog, has been embraced by a growing number of fans who regard it as the band's best work; one of the few recordings of the late 1960s that best represents the ambitious aesthetic possibilities of the concept album; without becoming mired in a bog of smug, self-aggrandizing, high art aspirations. "Sell Out", powerfully and ecstatically, articulates the nexus of pop music and pop culture. As much as it is an expression of the band's expanding sonic palette, "Sell Out" also functions as a critique of the rock and roll lifestyle.Not the cliched mantra of sex, drugs, and rock and roll but in the ways that commercial advertising fabricates a youth-oriented cultural reality by hawking pimple cream, deodorant, food, musical equipment, etc., and linking it with rock and roll. In this sense, "Sell Out" is a reflective work, one that struggles with rock and roll as a cultural expression that aspires to aesthetic permanence while marketed as ephemera. From this conflict, emerges a pop art masterpiece.

Paperback. Condición: new. Paperback. Released in the U.S. in January 1968, The Who Sell Out was, according to critic Dave Marsh, a complete backfire--the album sold well, but not spectacularly [and was] ultimately a nostalgic in-joke: Who but a pop intellectual could appreciate such a thing? Further rarifying its in-joke status was its unapologetic Englishness; 13 tracks stitched together in a mock pirate radio broadcast, without a DJ, with cool, anglocentric commercials to boot. In the 36 years since its release, Sell Out, though still not the best selling release in The Whos catalog, has been embraced by a growing number of fans who regard it as the bands best work, one of the few recordings of the late 1960s that best represents the ambitious aesthetic possibilities of the concept album without becoming mired in a bog of smug, self-aggrandizing, high art aspirations. Sell Out, powerfully and ecstatically, articulates the nexus of pop music and pop culture.As much as it is an expression of the bands expanding sonic palette, Sell Out also functions as a critique of the rock and roll lifestyle. Not the cliched mantra of sex, drugs, and rock and roll but in the ways that commercial advertising fabricates a youth-oriented cultural reality by hawking pimple cream, deodorant, food, musical equipment, etc., and linking it with rock and roll. In this sense Sell Out is a reflective work, one that struggles with rock and roll as a cultural expression that aspires to aesthetic permanence while marketed as ephemera. From this conflict emerges a pop art masterpiece. Fascinating study of The Who's pop art masterpiece and British pirate radio of the 1960s. Shipping may be from our UK warehouse or from our Australian or US warehouses, depending on stock availability.