9780823242603 - A Common Strangeness: Contemporary Poetry, Cross-Cultural Encounter, Comparative Literature (Verbal Arts: Studies in Poetics) de Edmond, Jacob (22 resultados)

Paperback. Condición: Very Good. No Jacket. May have limited writing in cover pages. Pages are unmarked. ~ ThriftBooks: Read More, Spend Less.

Paperback. Condición: Good. First Paperback Edition. First ~11 pages have some pen markings. Spine is uncreased, binding tight and sturdy; light cover wear. From a personal collection: NOT ex-lib. Ships from Dinkytown in Minneapolis, Minnesota.

Soft cover. Condición: Fine. 1st Edition. Fordham University Press Press trade paperback, 2013-2nd printing, clean/tight, No marks/creases or signs of use; Fine (like New). We will bubble wrap the book and ship it in a New BOX- Not a plastic bag like the zombie sellers. "A Common Strangeness: Contemporary Poetry, Cross-Cultural Encounter, Comparative Literature".

paperback. Condición: Good. Good with wear and markings. Looks like an interesting title!

PAP. Condición: New. New Book. Shipped from UK. Established seller since 2000.

Condición: New.

Paperback. Condición: New. Why is our world still understood through binary oppositions-East and West, local and global, common and strange-that ought to have crumbled with the Berlin Wall? What might literary responses to the events that ushered in our era of globalization tell us about the rhetorical and historical underpinnings of these dichotomies? In A Common Strangeness, Jacob Edmond exemplifies a new, multilingual and multilateral approach to literary and cultural studies. He begins with the entrance of China into multinational capitalism and the appearance of the Parisian flâneur in the writings of a Chinese poet exiled in Auckland, New Zealand. Moving among poetic examples in Russian, Chinese, and English, he then traces a series of encounters shaped by economic and geopolitical events from the Cultural Revolution, perestroika, and the June 4 massacre to the collapse of the Soviet Union, September 11, and the invasion of Iraq. In these encounters, Edmond tracks a shared concern with strangeness through which poets contested old binary oppositions as they reemerged in new, post-Cold War forms.

Condición: As New. Unread book in perfect condition.

Paperback. Condición: New. Why is our world still understood through binary oppositions-East and West, local and global, common and strange-that ought to have crumbled with the Berlin Wall? What might literary responses to the events that ushered in our era of globalization tell us about the rhetorical and historical underpinnings of these dichotomies? In A Common Strangeness, Jacob Edmond exemplifies a new, multilingual and multilateral approach to literary and cultural studies. He begins with the entrance of China into multinational capitalism and the appearance of the Parisian flâneur in the writings of a Chinese poet exiled in Auckland, New Zealand. Moving among poetic examples in Russian, Chinese, and English, he then traces a series of encounters shaped by economic and geopolitical events from the Cultural Revolution, perestroika, and the June 4 massacre to the collapse of the Soviet Union, September 11, and the invasion of Iraq. In these encounters, Edmond tracks a shared concern with strangeness through which poets contested old binary oppositions as they reemerged in new, post-Cold War forms.

Paperback. Condición: Brand New. 1st edition. 292 pages. 9.00x6.00x0.75 inches. In Stock.

Paperback. Condición: New.

Condición: New. In.

Condición: New. Examines poetic responses to the transition from the late Cold War period to the post-Cold War era of globalization, focusing on the work of Bei Dao and Yang Lian from China, Arkadii Dragomoshchenko and Dmitrii Prigov from Russia, and Charles Bernstein and Lyn Hejinian from the United States. Series: Verbal Arts: Studies in Poetics. Num Pages: 284 pages, 19 b/w illus. BIC Classification: DSBH; DSC. Category: (G) General (US: Trade). Dimension: 226 x 150 x 20. Weight in Grams: 468. . 2012. Paperback. . . . .

Condición: New.

Condición: As New. Unread book in perfect condition.

Paperback / softback. Condición: New. New copy - Usually dispatched within 4 working days.

Condición: New. Examines poetic responses to the transition from the late Cold War period to the post-Cold War era of globalization, focusing on the work of Bei Dao and Yang Lian from China, Arkadii Dragomoshchenko and Dmitrii Prigov from Russia, and Charles Bernstein and Lyn Hejinian from the United States. Series: Verbal Arts: Studies in Poetics. Num Pages: 284 pages, 19 b/w illus. BIC Classification: DSBH; DSC. Category: (G) General (US: Trade). Dimension: 226 x 150 x 20. Weight in Grams: 468. . 2012. Paperback. . . . . Books ship from the US and Ireland.

Condición: NEW.

Kartoniert / Broschiert. Condición: New. Examines poetic responses to the transition from the late Cold War period to the post-Cold War era of globalization, focusing on the work of Bei Dao and Yang Lian from China, Arkadii Dragomoshchenko and Dmitrii Prigov from Russia, and Charles Bernstein and .

Paperback. Condición: New. Why is our world still understood through binary oppositions-East and West, local and global, common and strange-that ought to have crumbled with the Berlin Wall? What might literary responses to the events that ushered in our era of globalization tell us about the rhetorical and historical underpinnings of these dichotomies? In A Common Strangeness, Jacob Edmond exemplifies a new, multilingual and multilateral approach to literary and cultural studies. He begins with the entrance of China into multinational capitalism and the appearance of the Parisian flâneur in the writings of a Chinese poet exiled in Auckland, New Zealand. Moving among poetic examples in Russian, Chinese, and English, he then traces a series of encounters shaped by economic and geopolitical events from the Cultural Revolution, perestroika, and the June 4 massacre to the collapse of the Soviet Union, September 11, and the invasion of Iraq. In these encounters, Edmond tracks a shared concern with strangeness through which poets contested old binary oppositions as they reemerged in new, post-Cold War forms.

Taschenbuch. Condición: Neu. Neuware - Why is our world still understood through binary oppositions-East and West, local and global, common and strange-that ought to have crumbled with the Berlin Wall What might literary responses to the events that ushered in our era of globalization tell us about the rhetorical and historical underpinnings of these dichotomies In A Common Strangeness, Jacob Edmond exemplifies a new, multilingual and multilateral approach to literary and cultural studies. He begins with the entrance of China into multinational capitalism and the appearance of the Parisian flâneur in the writings of a Chinese poet exiled in Auckland, New Zealand. Moving among poetic examples in Russian, Chinese, and English, he then traces a series of encounters shaped by economic and geopolitical events from the Cultural Revolution, perestroika, and the June 4 massacre to the collapse of the Soviet Union, September 11, and the invasion of Iraq. In these encounters, Edmond tracks a shared concern with strangeness through which poets contested old binary oppositions as they reemerged in new, post-Cold War forms.

Paperback. Condición: New. Why is our world still understood through binary oppositions-East and West, local and global, common and strange-that ought to have crumbled with the Berlin Wall? What might literary responses to the events that ushered in our era of globalization tell us about the rhetorical and historical underpinnings of these dichotomies? In A Common Strangeness, Jacob Edmond exemplifies a new, multilingual and multilateral approach to literary and cultural studies. He begins with the entrance of China into multinational capitalism and the appearance of the Parisian flâneur in the writings of a Chinese poet exiled in Auckland, New Zealand. Moving among poetic examples in Russian, Chinese, and English, he then traces a series of encounters shaped by economic and geopolitical events from the Cultural Revolution, perestroika, and the June 4 massacre to the collapse of the Soviet Union, September 11, and the invasion of Iraq. In these encounters, Edmond tracks a shared concern with strangeness through which poets contested old binary oppositions as they reemerged in new, post-Cold War forms.