Librería: GreatBookPrices, Columbia, MD, Estados Unidos de America
EUR 148,18
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Idioma: Inglés
Publicado por Duke University Press, US, 2018
ISBN 10: 0822369877 ISBN 13: 9780822369875
Librería: Rarewaves.com USA, London, LONDO, Reino Unido
EUR 150,57
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Añadir al carritoHardback. Condición: New. In Tropical Riffs Jason Borge traces how jazz helped forge modern identities and national imaginaries in Latin America during the mid-twentieth century. Across Latin America jazz functioned as a conduit through which debates about race, sexuality, nation, technology, and modernity raged in newspapers, magazines, literature, and film. For Latin American audiences, critics, and intellectuals-who often understood jazz to stem from social conditions similar to their own-the profound penetration into the fabric of everyday life of musicians like Duke Ellington, Dizzy Gillespie, and Charlie Parker represented the promises of modernity while simultaneously posing a threat to local and national identities. Brazilian antijazz rhetoric branded jazz as a problematic challenge to samba and emblematic of Americanization. In Argentina jazz catalyzed discussions about musical authenticity, race, and national culture, especially in relation to tango. And in Cuba, the widespread popularity of Chano Pozo and DÁmaso PÉrez Prado popularity challenged the United States' monopoly on jazz. Outlining these hemispheric flows of ideas, bodies, and music, Borge elucidates how "America's art form" was, and remains, a transnational project and a collective idea.
Idioma: Inglés
Publicado por Duke University Press, North Carolina, 2018
ISBN 10: 0822369877 ISBN 13: 9780822369875
Librería: Grand Eagle Retail, Bensenville, IL, Estados Unidos de America
EUR 150,61
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Añadir al carritoHardcover. Condición: new. Hardcover. In Tropical Riffs Jason Borge traces how jazz helped forge modern identities and national imaginaries in Latin America during the mid-twentieth century. Across Latin America jazz functioned as a conduit through which debates about race, sexuality, nation, technology, and modernity raged in newspapers, magazines, literature, and film. For Latin American audiences, critics, and intellectuals-who often understood jazz to stem from social conditions similar to their own-the profound penetration into the fabric of everyday life of musicians like Duke Ellington, Dizzy Gillespie, and Charlie Parker represented the promises of modernity while simultaneously posing a threat to local and national identities. Brazilian antijazz rhetoric branded jazz as a problematic challenge to samba and emblematic of Americanization. In Argentina jazz catalyzed discussions about musical authenticity, race, and national culture, especially in relation to tango. And in Cuba, the widespread popularity of Chano Pozo and Damaso Perez Prado popularity challenged the United States' monopoly on jazz. Outlining these hemispheric flows of ideas, bodies, and music, Borge elucidates how "America's art form" was, and remains, a transnational project and a collective idea. Jason Borge traces how jazz helped forge modern identities and national imaginaries in Latin America during the mid-twentieth century, showing how throughout the region, jazz functioned as a conduit through which debates about race, sexuality, nation, technology, and modernity raged in newspapers, magazines, literature, and film. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.
EUR 150,28
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Añadir al carritoHRD. Condición: New. New Book. Shipped from UK. Established seller since 2000.
Librería: GreatBookPricesUK, Woodford Green, Reino Unido
EUR 136,77
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Librería: THE SAINT BOOKSTORE, Southport, Reino Unido
EUR 136,78
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Añadir al carritoHardback. Condición: New. New copy - Usually dispatched within 4 working days.
Idioma: Inglés
Publicado por Duke University Press Books, 2018
ISBN 10: 0822369877 ISBN 13: 9780822369875
Librería: Brook Bookstore On Demand, Napoli, NA, Italia
EUR 144,31
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Librería: GreatBookPrices, Columbia, MD, Estados Unidos de America
EUR 158,94
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EUR 122,02
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Añadir al carritoGebunden. Condición: New. Jason Borge traces how jazz helped forge modern identities and national imaginaries in Latin America during the mid-twentieth century, showing how throughout the region, jazz functioned as a conduit through which debates about race, sexuality, nation, techn.
Librería: GreatBookPricesUK, Woodford Green, Reino Unido
EUR 159,60
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Librería: Kennys Bookshop and Art Galleries Ltd., Galway, GY, Irlanda
EUR 161,65
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Añadir al carritoCondición: New. 2018. Illustrated. Hardback. . . . . .
Librería: Revaluation Books, Exeter, Reino Unido
EUR 196,87
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Añadir al carritoHardcover. Condición: Brand New. 296 pages. 9.50x6.25x0.75 inches. In Stock.
Idioma: Inglés
Publicado por Duke University Press, US, 2018
ISBN 10: 0822369877 ISBN 13: 9780822369875
Librería: Rarewaves.com UK, London, Reino Unido
EUR 140,10
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Añadir al carritoHardback. Condición: New. In Tropical Riffs Jason Borge traces how jazz helped forge modern identities and national imaginaries in Latin America during the mid-twentieth century. Across Latin America jazz functioned as a conduit through which debates about race, sexuality, nation, technology, and modernity raged in newspapers, magazines, literature, and film. For Latin American audiences, critics, and intellectuals-who often understood jazz to stem from social conditions similar to their own-the profound penetration into the fabric of everyday life of musicians like Duke Ellington, Dizzy Gillespie, and Charlie Parker represented the promises of modernity while simultaneously posing a threat to local and national identities. Brazilian antijazz rhetoric branded jazz as a problematic challenge to samba and emblematic of Americanization. In Argentina jazz catalyzed discussions about musical authenticity, race, and national culture, especially in relation to tango. And in Cuba, the widespread popularity of Chano Pozo and DÁmaso PÉrez Prado popularity challenged the United States' monopoly on jazz. Outlining these hemispheric flows of ideas, bodies, and music, Borge elucidates how "America's art form" was, and remains, a transnational project and a collective idea.
Librería: Kennys Bookstore, Olney, MD, Estados Unidos de America
EUR 206,96
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Añadir al carritoCondición: New. 2018. Illustrated. Hardback. . . . . . Books ship from the US and Ireland.
Idioma: Inglés
Publicado por Duke University Press Mär 2018, 2018
ISBN 10: 0822369877 ISBN 13: 9780822369875
Librería: AHA-BUCH GmbH, Einbeck, Alemania
EUR 167,99
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Añadir al carritoBuch. Condición: Neu. Neuware - In Tropical Riffs Jason Borge traces how jazz helped forge modern identities and national imaginaries in Latin America during the mid-twentieth century. Across Latin America jazz functioned as a conduit through which debates about race, sexuality, nation, technology, and modernity raged in newspapers, magazines, literature, and film. For Latin American audiences, critics, and intellectuals-who often understood jazz to stem from social conditions similar to their own-the profound penetration into the fabric of everyday life of musicians like Duke Ellington, Dizzy Gillespie, and Charlie Parker represented the promises of modernity while simultaneously posing a threat to local and national identities. Brazilian antijazz rhetoric branded jazz as a problematic challenge to samba and emblematic of Americanization. In Argentina jazz catalyzed discussions about musical authenticity, race, and national culture, especially in relation to tango. And in Cuba, the widespread popularity of Chano Pozoand DÁmaso PÉrez Pradopopularity challenged the United States' monopoly on jazz. Outlining these hemispheric flows of ideas, bodies, and music, Borge elucidates how 'America's art form' was, and remains, a transnational project and a collective idea.
Idioma: Inglés
Publicado por Duke University Press, North Carolina, 2018
ISBN 10: 0822369877 ISBN 13: 9780822369875
Librería: AussieBookSeller, Truganina, VIC, Australia
EUR 222,28
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Añadir al carritoHardcover. Condición: new. Hardcover. In Tropical Riffs Jason Borge traces how jazz helped forge modern identities and national imaginaries in Latin America during the mid-twentieth century. Across Latin America jazz functioned as a conduit through which debates about race, sexuality, nation, technology, and modernity raged in newspapers, magazines, literature, and film. For Latin American audiences, critics, and intellectuals-who often understood jazz to stem from social conditions similar to their own-the profound penetration into the fabric of everyday life of musicians like Duke Ellington, Dizzy Gillespie, and Charlie Parker represented the promises of modernity while simultaneously posing a threat to local and national identities. Brazilian antijazz rhetoric branded jazz as a problematic challenge to samba and emblematic of Americanization. In Argentina jazz catalyzed discussions about musical authenticity, race, and national culture, especially in relation to tango. And in Cuba, the widespread popularity of Chano Pozo and Damaso Perez Prado popularity challenged the United States' monopoly on jazz. Outlining these hemispheric flows of ideas, bodies, and music, Borge elucidates how "America's art form" was, and remains, a transnational project and a collective idea. Jason Borge traces how jazz helped forge modern identities and national imaginaries in Latin America during the mid-twentieth century, showing how throughout the region, jazz functioned as a conduit through which debates about race, sexuality, nation, technology, and modernity raged in newspapers, magazines, literature, and film. Shipping may be from our Sydney, NSW warehouse or from our UK or US warehouse, depending on stock availability.
Librería: THE SAINT BOOKSTORE, Southport, Reino Unido
EUR 155,89
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Añadir al carritoHardback. Condición: New. This item is printed on demand. New copy - Usually dispatched within 5-9 working days.
Librería: Revaluation Books, Exeter, Reino Unido
EUR 169,59
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Añadir al carritoHardcover. Condición: Brand New. 296 pages. 9.50x6.25x0.75 inches. In Stock. This item is printed on demand.