9780813529608 - Mirroring Evil: Nazi Imagery/Recent Art (22 resultados)

Condición: Good. 1 Edition. Former library copy. Pages intact with minimal writing/highlighting. The binding may be loose and creased. Dust jackets/supplements are not included. Includes library markings. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

Condición: Good. 1 Edition. Pages intact with minimal writing/highlighting. The binding may be loose and creased. Dust jackets/supplements are not included. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

paperback. Condición: Very Good. Connecting readers with great books since 1972! Used books may not include companion materials, and may have some shelf wear or limited writing. We ship orders daily and Customer Service is our top priority!

Paperback. Condición: As New. No Jacket. Pages are clean and are not marred by notes or folds of any kind. ~ ThriftBooks: Read More, Spend Less.

Paperback. Condición: Very Good. Connecting readers with great books since 1972! Used books may not include companion materials, and may have some shelf wear or limited writing. We ship orders daily and Customer Service is our top priority!

Softbound. Condición: Very Good. Quarto, glossy paper covers, xviii, 164 pp., b/w and color illustrations, artist biographies, contributors, bibliography, credits Director's Preface by Joan Rosenbaum. Foreword: Looking into the Mirrors of Evil by James E. Young. Articles are "The Nazi Occupation of the White Cube: Transgressive Images/ Moral Ambiguity/ Contemporary Art," Kleeblatt, "Acts of Impersonation: Barbaric Spaces as Theater," Sidra DeKoven Ezrahi, "Childhood, Art, and Evil," Ellen Handler Spitz, "'Avant-Garde and Kitsch' Revisited: On the Ethics of Representation," Lisa Satlzman, "Playing the Holocaust," Ernst van Alphen, "Playing it Safe?: The Display of Transgressive Art in the Museum," Reesa Greenberg." Reflection on the Works of Art are "Keeping One's Hands Clean: Six Commissioned Portraits of a Perpetrator. Christine Borland's L'Homme Double, 1997." "Male Fantasies of Hitler: Confusing Gender and Identity. Roee Rosen's 'Live and Die as Eva Braun,' 1995" "Transforming Images into Symbols: Mischa Kuball's 'Hitler Cabinet,' 1990, "The Conflation of Good and Evil: Piotr Uklanski's 'The Nazis,' 1998," "A Feminist Rejoinder to Uklanski's 'The Nazis': Elke Krystufek's 'Economical Love' Series, 1998," "Impersonating the Victim: Consorting with History. Alan Schechner's 'Barcode to Concentration Camp Morph,' 1994 and 'It's the Real Thing - self-Portrait at Buchenwald, 1993," "Impossible Bedfellows: Adolf Hitler and Marcel Duchamp. Rudolf Herz's 'Zugswang,' 1995," "The Villain Speak's the Victim's Language. Boaz Arad's 'Safam,' 2000 and 'Marcel Marcel,' 2000," "Fascinating Fascism: Then and Now? Maciej Toporowicz's 'Eternity #14,' 1991," "Mirror's of Innocence and Violence: Alain Sechas 'Enfants Gates,' 1997," "Zbigniew Libera's 'Lego Concentration Camp Set,' 1996" "Faswhioning Terror. Tom Sachs 'Giftgas Giftset,' 1998 and 'Prada Deathcamp' 1998," and "Staging Depravity. Mat Collishaw's 'Burnt Almonds (Gustav and Helga),' 2000.".

paperback. Condición: Good. Good paperback, bumped/creased with shelfwear; may have previous owner's name inside. Standard-sized.

Softcover, 164 pages; good condition; pages lightly wavy at bottom edge; no internal marks. Foreign shipping may be extra.

paperback. Condición: Very Good.

Paperback. Condición: Very Good. Very good copy, as pictured. Quarto. Illustrated. Weisman Art Museum copy (formerly). Due to size or weight, this item may require additional postage for international or priority shipping.

Large Softcover. Condición: Very Good to Near Fine. First Edition. The exhibition catalogue published in conjunction with the 2002 exhibition at The Jewish Museum in New York in which 13 international artists who use Nazi imagery in their work explore the nature of evil. Catalogue essays discuss moral ambiguity in art, responsibility in exhibiting controversial art as well as the complicated issues of creating such artworks. First edition, first printing. 163 pages, 8 1/2 x 11 inches, 22 full color plates, numerous other black & white illustrations. Artists include Christine Borland, Mischa Kuball, Roee Rosen, Tom Sachs, and Piotr Uklanski. Also a forword by James E. Young, a bibliography and artists' biographies. Laid-in is a New Yorker cartoon by Art Spiegelman, titled "Duchamp Is Our Misfortune" from the March 25, 2002, New Yorker. Laminated card covers, showing Kuball's 1990 installation, "Hitler's Cabinet," on the front cover, show only a touch of bumping at front corners, o/w minimal surface and edgewear. Text is clean and unmarked, tight and square, not remaindered. A collectable copy. [Sorry, due to the catalogue's size and weight, we cannot accept priority orders or orders from outside the U.S.].

Paperback. Condición: Fine. 8.5 X 0.5 X 11 inches; Just a touch of bump at a corner, remains a very nice attractive like new book.

Soft Cover. Condición: Near Fine.

Paperback. Condición: Fine. 1st. xviii, 164 pages, [16] pages of plates, illustrations (some colour); 28 cm. Catalogue of an exhibition opening at the Jewish Museum in New York in March, 2002. Firm binding, clean inside copy. *** "Mirroring Evil: Nazi Imagery/Recent Art features the work by thirteen internationally recognized artists who use imagery from the Nazi era to explore the nature of evil. Their works are a radical departure from previous art about the Holocaust, which centered on tragic images of victims. Instead, these artists dare to invite the viewer into the world of the perpetrators. The viewer, therefore, faces an unsettling moral dilemma: How is one to react to these menacing and indicting images, drawn from a history that can never be forgotten? The artists represented in Mirroring Evil impel us to examine what these images of Nazism might mean in our lives today. Essays in the catalogue explore themes of moral ambiguity in makers and viewers of art, institutional responsibility in exhibiting controversial artworks, and the complicated issues of representing or even imagining the perpetrators. Entries about the individual artworks discuss in greater depth the artistic, ethical, and historical complexity of the images that the artists dare to engage." - Publisher. *** CONTENTS: Foreword: Looking into the Mirrors of Evil, by James E. Young; The Nazi Occupation of The White Cube: Transgressive Images/Moral Ambiguity/Contemporary Art, by Norman L. Kleebatt; Acts of Impersonation: Barbaric Spaces as Theater, by Sidra DeKoven Ezrahi; Childhood, Art, and Evil, by Ellen Handler Spitz; "Avant-Garde and Kitsch" Revisited: On the Ethics of Representation, by Lisa Saltzman; Playing the Holocaust, by Ernst van Alphen; Playing it Safe? The Display of Transgressive Art in the Museum, by Reesa Greenberg; Keeping One's Hands Clean: Six Commissioned Portraits of a Perpetrator: Christine Borland's L'Homme Double, 1997; Male Fantasies of Hitler: Confusing Gender and Identity: Roee Rosen's Live and Die as Eva Braun, 1995; Transforming Images into Symbols: Mischa Kuball's Hitler's Cabinet, 1990; The Conflation of Good and Evil: Piotr Uklanski's The Nazis, 1998; A Feminist Rejoinder to Uklanski's The Nazis: Elke Krystufek's Economical Love Series, 1998; Impersonating the Victim: Consorting with History: Alan Schechner's Barcode to Concentration Camp Morph, 1994, and It's the Real Thing--Self-Portrait at Buchenwald, 1993; Impossible Bedfellows: Adolf Hitler and Marcel Duchamp: Rudolf Herz's Zugzwang, 1995; The Villain Speaks the Victim's Language: Boaz Arad's Safam, 2000, and Marcel Marcel, 2000; Fascinating Fascism: Then or Now? Maciej Toporowicz's Eternity #14, 1991; Mirrors of Innocence and Violence: Alain Sechas's Enfants Gates, 1997; Toying with Terror: Zbigniew Libera's LEGO Concentration Camp Set, 1996; Fashioning Terror: Tom Sachs's Giftgas Giftset, 1998, and Prada Deathcamp, 1998; Staging Depravity, Mat Collishaw's Burnt Almonds (Gustav and Helga), 2000. Size: 4to. Collectible.

Trade Paperback. Condición: Used - Very Good. Mirroring Evil: Nazi Imagery/Recent Art features the work by thirteen internationally recognized artists who use imagery from the Nazi era to explore the nature of evil. Their works are a radical departure from previous art about the Holocaust, which centered on tragic images of victims. Instead, these artists dare to invite the viewer into the world of the perpetrators. The viewer, therefore, faces an unsettling moral dilemma: How is one to react to these menacing and indicting images, drawn from a history that can never be forgotten? The artists represented in Mirroring Evil impel us to examine what these images of Nazism might mean in our lives today.Essays in the catalogue explore themes of moral ambiguity in makers and viewers of art, institutional responsibility in exhibiting controversial artworks, and the complicated issues of representing or even imagining the perpetrators. Entries about the individual artworks discuss in greater depth the artistic, ethical, and historical complexity of the images that the artists dare to engage.

paperback. Condición: Like New. First Paperback Edition. Publisher: Jewish Museum, New York, 2001. FINE softcover in pictorial wraps, as issued. First Softcover Edition, First Printing. As new. Pristine.

1st edition. 4to.xviii + 164pp. Colour and b/w. illustrations. Paperback in original pictorial wrapps. with black and grey spine. ISBN 0813529603 US$17.

Paperback. Condición: New in shrinkwrap. Beige and color-illustrated wraps with brown and black lettering. xvii, 164 pp. Illustrations. Catalogue of an exhibition from March 17 - June 30, 2002 at The Jewish Museum, New York.

Softcover. First Edition, First Printing. pp. xviii, 164. 4to. Richly illustrated with black-and-white, and colour photographs, portraits, illustrations, facsimiles, et al. Lightest rubbing to the covers, neat ink name to the corner of the ffep, else, very good+, to, near fine. Mirroring Evil: Nazi Imagery/Recent Art features the work by thirteen internationally recognized artists who use imagery from the Nazi era to explore the nature of evil. Their works are a radical departure from previous art about the Holocaust, which centered on tragic images of victims. Instead, these artists dare to invite the viewer into the world of the perpetrators. The viewer, therefore, faces an unsettling moral dilemma: How is one to react to these menacing and indicting images, drawn from a history that can never be forgotten? The artists represented in Mirroring Evil impel us to examine what these images of Nazism might mean in our lives today. Essays in the catalogue explore themes of moral ambiguity in makers and viewers of art, institutional responsibility in exhibiting controversial artworks, and the complicated issues of representing or even imagining the perpetrators. Entries about the individual artworks discuss in greater depth the artistic, ethical, and historical complexity of the images that the artists dare to engage.

Couverture souple. Condición: Très bon état. Livre en anglais. In-4 broché 27,9 cm sur 21,6. 180 pages. Neuf, sous blister. Très bon état d'occasion. in-4°.

Softcover. Sehr guter Zustand. BITTE BEACHTEN: KEIN VERSAND AUSSERHALB EU - PLEASE NOTE: NO SHIPPING OUTSIDE EUROPEAN UNION. Broschur, XVIII, 164 Seiten, mit zahlreichen Abbildungen. / Paperback, XVIII, 164 pages, with numerous illustrations. 28 x 22 cm. Gewicht: 1100.

paperback. Condición: New. In shrink wrap. Looks like an interesting title!