Isbn: 9780801894954 - being and becoming visible: women, performance, and visual culture (a feminist formations reader) (7 resultados)

Paperback. Condición: Very Good. No Jacket. May have limited writing in cover pages. Pages are unmarked. ~ ThriftBooks: Read More, Spend Less.

Paperback. Condición: Good. some shelfwear but still NICE! - may have remainder mark or previous owner's name Standard-sized.

Paperback. Condición: Very Good. Very Good - Crisp, clean, unread book with some shelfwear/edgewear, may have a remainder mark - NICE Standard-sized.

Paperback. Condición: Very Good. 1. Minimal shelf wear, clean internals. May have remainder mark.

Condición: New. Instructors in feminist, cultural, and media studies who are looking for global perspectives will find that this fresh and provocative volume encourages students to see new connections among a variety of trends in contemporary scholarship. Editor(s): Mesropova, Olga M.; Weber-Feve, Stacey. Series: A Feminist Formations Reader. Num Pages: 288 pages, 18, 18 black & white halftones. BIC Classification: AN; JFC; JFSJ. Category: (UP) Postgraduate, Research & Scholarly; (UU) Undergraduate. Dimension: 229 x 152 x 17. Weight in Grams: 386. . 2010. paperback. Not a first edition copy. . . . Books ship from the US and Ireland. …

Condición: New. Instructors in feminist, cultural, and media studies who are looking for global perspectives will find that this fresh and provocative volume encourages students to see new connections among a variety of trends in contemporary scholarship. Editor(s): Mesropova, Olga M.; Weber-Feve, Stacey. Series: A Feminist Formations Reader. Num Pages: 288 pages, 18, 18 black & white halftones. BIC Classification: AN; JFC; JFSJ. Category: (UP) Postgraduate, Research & Scholarly; (UU) Undergraduate. Dimension: 229 x 152 x 17. Weight in Grams: 386. . 2010. paperback. Not a first edition copy. . . . …

Paperback. Condición: Fine. xv, 264 pages, illustrations; 24 cm. A Feminist Formations Reader. Tight, clean copy. *** "Instructors in feminist, cultural, and media studies who are looking for global perspectives will find that this fresh and provocative volume encourages students to see new connections among a variety of trends in contemporary scholarship." - Publisher. *** CONTENTS: Feminist exhibitionism: when the women's studies professor is a curator, by Margaret D. Stetz; SPECTATORS, SPECTACLES, AND CULTURAL ICONS. Diana Doubled: the fairytale princess and the photographer, by Jill R. Chancey; Alice Neel's portraits of mother work, by Denise Bauer; Practical perfection: the nanny negotiates gender, class, and family contradictions in 1960s popular culture, by Anne McLeer; Millions Love Lucy: commodification and the Lucy phenomenon, by Lori Landay; EXPLICIT SELVES, EXPLICIT BODIES. Fractured borders: women's cancer and feminist theater, by Mary K. DeShazer; Representing domestic violence: ambivalence and difference in What's love got to do with it, by Diane Shoos; The missing story of ourselves: poor women, power, and the politics of feminist representation, by Vivyan C. Adair ; Fashion photography and women's modernity in Weimar Germany: the case of Yva, by Mila Ganeva; ICONOGRAPHIES OF COMMAND IDENTITY. Iconographies of gender, poverty, and power in contemporary South African visual culture, by Kim Miller; Cultural trauma, memory, and gendered collective action: the case of women of the storm following Hurricane Katrina, by Emmanuel David; The representation of the indigenous other in Daughters of the dust and The piano, by Caroline Brown. Size: 8vo.…