Isbn: 9780801859984 - new york modern: the arts and the city (17 resultados)

Hardcover. Condición: Good. Estado de la sobrecubierta: Good Dust Jacket. 1st Edition. 448 pp. Tightly bound. Corners not bumped. Text is free of markings. No ownership markings. Good dust jacket. The jacket no longer shows as glossy as when new. First Edition / First Printing. 9,8,7,6,5,4,3,2,1. This copy is smyth sewn. Smyth sewing is a method of bookbinding where groups of folded pages (referred to as signatures) are stitched together using binder thread. Each folded signature is sewn together individually with multiple stitches and then joined with other signatures to create the complete book block. This is the traditional and best method of bookbinding. …

hardcover. Condición: Very Good. Used - Very Good.

Condición: Good. Pages intact with minimal writing/highlighting. The binding may be loose and creased. Dust jackets/supplements are not included. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

hardcover. Condición: Good. Torn/worn dj. Good hardcover with some shelfwear; may have previous owner's name inside. Oversized.

Hardcover with dustjacket, 450 pages; very good condition, except moderate rubbing to dj; gift inscription; no other internal marks. Foreign shipping may be extra.

Hardcover. Condición: Fine. Estado de la sobrecubierta: fine. First edition. First printing. Fine in fine dust jacket. Large 8vo. (7 1/2" x 10") hardcover in red cloth with spine lettered in silver. xx+ 448 pp. with index. Illustrated with photographs and reproductions. In paining, sculpture, photography, film, music, dance, theater, and architecture, 20th century New York artists redefined what it meant to be "modern". An excellent work in which the authors explore how the varies features and urban experience in New York inspired the works of such artists as Isadora Duncan, Alfred Steiglitz, Georgia O'Keefe, Eugene O'Neill, Duke Ellington, Jackson Pollack, Miles Davis, John Coltrane, James Baldwin, Diane Arbus, Allen Ginsberg and many more. …

hardcover. Condición: fine. near fine. Illustrated. xx + 448 pages, large 8vo, red cloth, d.w. Baltimore: The Johns Hopkins Press, (1999). A fine copy in a near fine dust wrapper.

Hardcover. Condición: Very Good. Estado de la sobrecubierta: Very Good. 1st Edition. Silver titles on red cloth covers, 448 pages including notes and index plus 20 pages of introductory material. Large heavy book requires additional postage for priority and international shipment.

Hardcover. Condición: Near Fine. Near Fine. 1st. Cloth, xx, 448 pages, illustrations; 26 cm. Near fine. Firm binding, clean inside copy. Spine slightly rolled at the crown. Dust jacket, lightly rubbed, protected in a mylar cover. *** "New York City's crowded streets and energetic people, its vast population and enormous extremes of wealth and poverty, its towering buildings and technological marvels have marked it as the quintessential modern city since the turn of the century. Artists in particular identified with New York's newness, believing that it embodied the future and celebrated the excitement of the modern urban lives they both witnessed and led. In New York Modern, William B. Scott and Peter M. Rutkoff explore how the varied features of the urban experience in New York inspired the works of artists such as Isadora Duncan, Alfred Stieglitz, Georgia O'Keeffe, Eugene O'Neill, Duke Ellington, Clifford Odets, Elia Kazan, Miles Davis, John Coltrane, Jackson Pollock, Merce Cunningham, John Cage, Allen Ginsberg, Arthur Miller, James Baldwin, and Diane Arbus, who together shaped twentieth-century American culture. In painting, sculpture, photography, film, music, dance, theater, and architecture, New York artists redefined what it meant to be 'modern.' Rooted in the urban realism of Walt Whitman, Thomas Eakins, and Edith Wharton, New York artists combined the revolutionary ideas and styles of European modernism with vernacular images drawn from American commercial, folk, and popular culture in their attempts to respond to the cacophony of voices and blur of images drawn from the city's bars and cafes, tenements and townhouses, skyscrapers and docks. Handsomely illustrated and engagingly written, New York Modern documents the impressive collective legacy of New York's artists in capturing the energy and emotions of the urban experience. / William B. Scott and Peter M. Rutkoff teach history and American studies at Kenyon College, where they held the NEH Chair as Distinguished Teaching Professors from 1997 to 2000. Together, they are also the authors of New School: A History of the New School for Social Research, 1917-1970. In addition, Rutkoff is the author of Revanche and Revision: The Origins of the Radical Right in France, 1880-1900 and Scott the author of In Pursuit of Happiness: American Conceptions of Property." - Publisher. *** CONTENTS: Before the modern: the New York renaissance; Times Square: urban realism for a new New York; Paris and New York: from cubism to dada; Bohemian ecstasy: modern art and culture; New York modern: art in the jazz age; Rhapsody in black: New York modern in Harlem; Modernism versus New York modern: MoMA and the Whitney; True believers on Union Square: politics and art in the 1930s; Behind the American scene: music, dance, and the second Harlem renaissance; New York blues: the bebop revolution; Homage to the Spanish Republic: abstract expressionism and the New York avant-garde; Life without father: postwar New York drama; Renovating the modern: monuments and insurgents. Size: 4to. Collectible.…

Hardcover. Condición: Fine. Estado de la sobrecubierta: Fine. 1st Edition. Near Fine copy in Fine dustwrapper. First printing with full number line. Pages, covers and jacket are crisp, intact and unmarked except for stained pages edges towards bottom of the book. This stain is visible when book is closed only, pages inside appear unread. 448 pages, B/W illustrations, Bibliography, Notes and Index. Handsomely illustrated and engagingly written, New York Modern documents the impressive collective legacy of New York's artists in capturing the energy and emotions of the urban experience. 1st Printing 1st Printing 1st Printing.…

Hardcover. Condición: Very Good. Estado de la sobrecubierta: Very Good. 1st Edition. SIGNED by both Authors! (signatures only). First printing, hardcover in jacket, 448 pages, many historical b + w photographs and illustrations. Condition: some rubbing to the jacket, light wear along edges and corners. Modest reference wear, book is very solid and bright. Signed by Author.…

Hardcover. Condición: new. New Copy. Customer Service Guaranteed.

Soft cover. Condición: As New. No Jacket. 1st Edition. History of the New York Style from 1930s to 1980s Uncorrected proof copy.

Soft cover. Condición: As New. Estado de la sobrecubierta: Fine. 1st Edition. Examples of the New York Style that defined Modernist art circa 1950s.

Hardcover. Condición: As New. Estado de la sobrecubierta: As New. 1st Edition. Type: Book xx pp., 448 pp., crimson cloth bddg. with silver-stamped titling on spine. In New York Modern, William B. Scott and Peter M. Rutkoff explore how the varied features of the urban experience in New York inspired the works of artists such as Isadora Duncan, Alfred Stieglitz, Georgia O'Keeffe, Eugene O'Neill, Duke Ellington, Clifford Odets, Elia Kazan, Miles Davis, John Coltrane, Jackson Pollock, Merce Cunningham, John Cage, Allen Ginsberg, Arthur Miller, James Baldwin, and Diane Arbus, who together shaped twentieth-century American culture. In painting, sculpture, photography, film, music, dance, theater, and architecture, New York artists redefined what it meant to be 'modern.' AS NEW Photo scan available. Shipments to USA, USPS via Canada Post Express; FREE OF CUSTOMS OR DUTY CHARGE.…

Hardcover. Condición: Fine. Estado de la sobrecubierta: SLIGHTLY FRAYED (FINE). First Edition.

Condición: New. Satisfaction Guaranteed or your money back.