9780801472978 - For the End of Time: The Story of the Messiaen Quartet de Rischin, Rebecca (33 resultados)

Condición: Very Good. A bright, square, and overall a nice copy.

Paperback. Condición: Good. Good - Bumped and creased book with tears to the extremities, but not affecting the text block, may have remainder mark or previous owner's name - GOOD PAPERBACK Standard-sized.

paperback. Condición: Good. Clean Pages. Slight bumping. Proceeds benefit the Pima County Public Library system, which serves Tucson and southern Arizona.

Paperback or Softback. Condición: New. For the End of Time: The Story of the Messiaen Quartet. Book.

Condición: New. Brand New! Not Overstocks or Low Quality Book Club Editions! Direct From the Publisher! We're not a giant, faceless warehouse organization! We're a small town bookstore that loves books and loves it's customers! Buy from Lakeside Books!

Soft cover. Condición: Very Good.

Paperback. Condición: New. Olivier Messiaen (1908'1992) was one of the great composers of the twentieth century. The premiere of the French composer's Quartet for the End of Time on January 15, 1941 at -4 degrees Fahrenheit in Stalag VIII A, a Nazi prison camp, has been called one of the great stories of twentieth-century music. A devout Catholic with an interest in mysticism and the supernatural, Messiaen was also a poet and an accomplished amateur ornithologist. He mixed sounds as a painter mixes colors, associating specific shades with certain modes and chords. This book is the first comprehensive history of the composition and premiere of the Quartet for the End of Time. Based on testimonies by the musicians and their families, witnesses to the premiere, former prisoners, and on documents from Stalag VIII A, For the End of Time examines the events that led to the Quartet's composition, the experiences of the musicians in the camp, the contradictory accounts, the composer's interpretive preferences, and the musicians'problems in execution and how they affected the premiere and subsequent performances. Rebecca Rischin explores the musicians'life in the prison camp, their relationships with each other and with the German camp officials, and their intriguing fortunes before and after the momentous premiere. For the End of Time is distinguished by Rischin's extensive interviews and intimate correspondence with camp survivors who witnessed the Quartet's premiere and members of the Messiaen circle, including the cellist Etienne Pasquier and the violinist Jean Le Boulaire, relatives of the clarinetist Henri Akoka, and Messiaen's widow, Yvonne Loriod. The book is generously illustrated with photographs of the musicians, press releases from the premiere, autographs, letters, and pen-and-ink drawings of the camp's layout. Included are wartime photos of the camp and its prisoners along with present-day views of the camp site, which Rischin visited in 1995.

Condición: New.

Paper Back. Condición: As New. Written by Olivier Messiaen in the German prison camp Stalag VIII A, the 'Quartet for the End of Time' premiered on 15 January 1941. The musicians (on piano, clarinet, cello and violin) played broken instruments, dressed in ragged clothing and wooden clogs, before an audience of five thousand. To quote Messiaen, 'The most diverse classes of society were mingled: farmers, factory workers, intellectuals, professional servicemen, doctors, [and] priests. Never before have I been listened to with such attention and understanding.' Inspired by the first six verses from the tenth chapter of Revelation, the Quartet attests to, in the words of acclaimed clarinetist and professor of music Rebecca Rischin, 'the eternal freedom of the spirit over the temporal captivity of the body.' Rischin examines the fascinating history of the Quartet and its players, encompassing the events that led to its composition and first performance, the experiences of the musicians in the prison camp and the composer's relationship with the German camp officials, whose love of music made the Quartet's composition and performance possible. She also follows the fortunes of the musicians after the momentous premiere. A devoted Catholic, Messiaen 'imagined the moment in which there would be no more Time, in which Time would rejoin Eternity.' Three appendices include the composer's preface to the work, selected discography, and additional commentary. 175 pp.

Paperback. Condición: New. Olivier Messiaen (1908'1992) was one of the great composers of the twentieth century. The premiere of the French composer's Quartet for the End of Time on January 15, 1941 at -4 degrees Fahrenheit in Stalag VIII A, a Nazi prison camp, has been called one of the great stories of twentieth-century music. A devout Catholic with an interest in mysticism and the supernatural, Messiaen was also a poet and an accomplished amateur ornithologist. He mixed sounds as a painter mixes colors, associating specific shades with certain modes and chords. This book is the first comprehensive history of the composition and premiere of the Quartet for the End of Time. Based on testimonies by the musicians and their families, witnesses to the premiere, former prisoners, and on documents from Stalag VIII A, For the End of Time examines the events that led to the Quartet's composition, the experiences of the musicians in the camp, the contradictory accounts, the composer's interpretive preferences, and the musicians'problems in execution and how they affected the premiere and subsequent performances. Rebecca Rischin explores the musicians'life in the prison camp, their relationships with each other and with the German camp officials, and their intriguing fortunes before and after the momentous premiere. For the End of Time is distinguished by Rischin's extensive interviews and intimate correspondence with camp survivors who witnessed the Quartet's premiere and members of the Messiaen circle, including the cellist Etienne Pasquier and the violinist Jean Le Boulaire, relatives of the clarinetist Henri Akoka, and Messiaen's widow, Yvonne Loriod. The book is generously illustrated with photographs of the musicians, press releases from the premiere, autographs, letters, and pen-and-ink drawings of the camp's layout. Included are wartime photos of the camp and its prisoners along with present-day views of the camp site, which Rischin visited in 1995.

PAP. Condición: New. New Book. Shipped from UK. Established seller since 2000.

Condición: Very Good. This book has been examined carefully and the cover and pages are in very good condition. It is clean and tight inside.paperbackUsed - Very Good.

Paperback. Condición: Very Good. The book has been read, but is in excellent condition. Pages are intact and not marred by notes or highlighting. The spine remains undamaged.

Paperback. Condición: new. Paperback. The clarinetist Rebecca Rischin has written a captivating book.Her research dispels several long-cherished myths about the 1941 premiere.Rischin lovingly brings to life the other musicians-Etienne Pasquier, cellist; Henri Akoka, clarinetist; and Jean Le Boulaire, violinist-who played with Messiaen, the pianist at the premiere."-Alex Ross, The New Yorker "This book offers a wealth of new information about the circumstances under which the Quartet was created. Based on original interviews with the performers, witnesses to the premiere, and documents from the prison camp, this first comprehensive history of the Quartet's composition and premiere held my interest from beginning to end.For the End of Time touches on many things: faith, friendship, creativity, grace in a time of despair, and the uncommon human alliances that wartime engenders."-Arnold Steinhardt, Chamber Music"The clarification of the order of composition of the movements is just one of the minor but cumulatively significant ways in which Rischin modifies the widely accepted account of the events at Stalag VIII A.For the End of Time is a thorough and readable piece of investigative journalism that clarifies some important points about the Quartet's genesis."-Michael Downes, Times Literary Supplement The premiere of Olivier Messiaen's Quartet for the End of Time on January 15, 1941, has been called one of the great stories of twentieth-century music. Composed while Messiaen (1908-1992) was imprisoned by the Nazis in Stalag VIII A, the work was performed under the most trying of circumstances: the temperature, inferior instruments, and the general conditions of life in a POW camp.Based on testimonies by the musicians and their families, witnesses to the premiere, former prisoners, and on documents from Stalag VIII A, For the End of Time examines the events that led to the Quartet's composition, the composer's interpretive preferences, and the musicians' problems in execution and how they affected the premiere and subsequent performances. Rebecca Rischin explores the musicians' life in the prison camp, their relationships with each other and with the German camp officials, and their intriguing fortunes before and after the momentous premiere.This paperback edition features supplementary texts and information previously unavailable to the author about the Quartet's premiere, Vichy and the composer, the Paris premiere, a recording featuring Messiaen as performer, and an updated bibliography and discography. The clarinetist Rebecca Rischin has written a captivating book. Her research dispels several long-cherished myths about the 1941 premiere. Rischin lovingly brings to life the other musicians-Etienne Pasquier, cellist; Henri Akoka. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.

Condición: new.

Condición: very good. Gut/Very good: Buch bzw. Schutzumschlag mit wenigen Gebrauchsspuren an Einband, Schutzumschlag oder Seiten. / Describes a book or dust jacket that does show some signs of wear on either the binding, dust jacket or pages.

Condición: New. pp. 224 46 Illus.

Paperback. Condición: Brand New. updated edition. 224 pages. 8.75x6.00x0.50 inches. In Stock.

Paperback. Condición: Brand New. updated edition. 224 pages. 8.75x6.00x0.50 inches. In Stock.

Condición: New. Num Pages: 224 pages, 46, black & white line drawings. BIC Classification: AVGC6; JWXR. Category: (P) Professional & Vocational; (UP) Postgraduate, Research & Scholarly; (UU) Undergraduate. Dimension: 228 x 152 x 15. Weight in Grams: 344. . 2006. updated edition with new material. Paperback. . . . .

Paperback. Condición: New.

Condición: New. In.

Condición: New. Num Pages: 224 pages, 46, black & white line drawings. BIC Classification: AVGC6; JWXR. Category: (P) Professional & Vocational; (UP) Postgraduate, Research & Scholarly; (UU) Undergraduate. Dimension: 228 x 152 x 15. Weight in Grams: 344. . 2006. updated edition with new material. Paperback. . . . . Books ship from the US and Ireland.

Condición: New. pp. 224.

Paperback. Condición: New. Olivier Messiaen (1908'1992) was one of the great composers of the twentieth century. The premiere of the French composer's Quartet for the End of Time on January 15, 1941 at -4 degrees Fahrenheit in Stalag VIII A, a Nazi prison camp, has been called one of the great stories of twentieth-century music. A devout Catholic with an interest in mysticism and the supernatural, Messiaen was also a poet and an accomplished amateur ornithologist. He mixed sounds as a painter mixes colors, associating specific shades with certain modes and chords. This book is the first comprehensive history of the composition and premiere of the Quartet for the End of Time. Based on testimonies by the musicians and their families, witnesses to the premiere, former prisoners, and on documents from Stalag VIII A, For the End of Time examines the events that led to the Quartet's composition, the experiences of the musicians in the camp, the contradictory accounts, the composer's interpretive preferences, and the musicians'problems in execution and how they affected the premiere and subsequent performances. Rebecca Rischin explores the musicians'life in the prison camp, their relationships with each other and with the German camp officials, and their intriguing fortunes before and after the momentous premiere. For the End of Time is distinguished by Rischin's extensive interviews and intimate correspondence with camp survivors who witnessed the Quartet's premiere and members of the Messiaen circle, including the cellist Etienne Pasquier and the violinist Jean Le Boulaire, relatives of the clarinetist Henri Akoka, and Messiaen's widow, Yvonne Loriod. The book is generously illustrated with photographs of the musicians, press releases from the premiere, autographs, letters, and pen-and-ink drawings of the camp's layout. Included are wartime photos of the camp and its prisoners along with present-day views of the camp site, which Rischin visited in 1995.

Condición: NEW.

Condición: New. The clarinetist Rebecca Rischin has written a captivating book. Her research dispels several long-cherished myths about the 1941 premiere. Rischin lovingly brings to life the other musicians-Etienne Pasquier, cellist Henri Akoka.&Uumlber d.

Paperback. Condición: new. Paperback. The clarinetist Rebecca Rischin has written a captivating book.Her research dispels several long-cherished myths about the 1941 premiere.Rischin lovingly brings to life the other musicians-Etienne Pasquier, cellist; Henri Akoka, clarinetist; and Jean Le Boulaire, violinist-who played with Messiaen, the pianist at the premiere."-Alex Ross, The New Yorker "This book offers a wealth of new information about the circumstances under which the Quartet was created. Based on original interviews with the performers, witnesses to the premiere, and documents from the prison camp, this first comprehensive history of the Quartet's composition and premiere held my interest from beginning to end.For the End of Time touches on many things: faith, friendship, creativity, grace in a time of despair, and the uncommon human alliances that wartime engenders."-Arnold Steinhardt, Chamber Music"The clarification of the order of composition of the movements is just one of the minor but cumulatively significant ways in which Rischin modifies the widely accepted account of the events at Stalag VIII A.For the End of Time is a thorough and readable piece of investigative journalism that clarifies some important points about the Quartet's genesis."-Michael Downes, Times Literary Supplement The premiere of Olivier Messiaen's Quartet for the End of Time on January 15, 1941, has been called one of the great stories of twentieth-century music. Composed while Messiaen (1908-1992) was imprisoned by the Nazis in Stalag VIII A, the work was performed under the most trying of circumstances: the temperature, inferior instruments, and the general conditions of life in a POW camp.Based on testimonies by the musicians and their families, witnesses to the premiere, former prisoners, and on documents from Stalag VIII A, For the End of Time examines the events that led to the Quartet's composition, the composer's interpretive preferences, and the musicians' problems in execution and how they affected the premiere and subsequent performances. Rebecca Rischin explores the musicians' life in the prison camp, their relationships with each other and with the German camp officials, and their intriguing fortunes before and after the momentous premiere.This paperback edition features supplementary texts and information previously unavailable to the author about the Quartet's premiere, Vichy and the composer, the Paris premiere, a recording featuring Messiaen as performer, and an updated bibliography and discography. The clarinetist Rebecca Rischin has written a captivating book. Her research dispels several long-cherished myths about the 1941 premiere. Rischin lovingly brings to life the other musicians-Etienne Pasquier, cellist; Henri Akoka. Shipping may be from our Sydney, NSW warehouse or from our UK or US warehouse, depending on stock availability.

Taschenbuch. Condición: Neu. Neuware - Olivier Messiaen (1908'1992) was one of the great composers of the twentieth century. The premiere of the French composer's Quartet for the End of Time on January 15, 1941 at -4 degrees Fahrenheit in Stalag VIII A, a Nazi prison camp, has been called one of the great stories of twentieth-century music. A devout Catholic with an interest in mysticism and the supernatural, Messiaen was also a poet and an accomplished amateur ornithologist. He mixed sounds as a painter mixes colors, associating specific shades with certain modes and chords.

Paperback. Condición: New. Olivier Messiaen (1908'1992) was one of the great composers of the twentieth century. The premiere of the French composer's Quartet for the End of Time on January 15, 1941 at -4 degrees Fahrenheit in Stalag VIII A, a Nazi prison camp, has been called one of the great stories of twentieth-century music. A devout Catholic with an interest in mysticism and the supernatural, Messiaen was also a poet and an accomplished amateur ornithologist. He mixed sounds as a painter mixes colors, associating specific shades with certain modes and chords. This book is the first comprehensive history of the composition and premiere of the Quartet for the End of Time. Based on testimonies by the musicians and their families, witnesses to the premiere, former prisoners, and on documents from Stalag VIII A, For the End of Time examines the events that led to the Quartet's composition, the experiences of the musicians in the camp, the contradictory accounts, the composer's interpretive preferences, and the musicians'problems in execution and how they affected the premiere and subsequent performances. Rebecca Rischin explores the musicians'life in the prison camp, their relationships with each other and with the German camp officials, and their intriguing fortunes before and after the momentous premiere. For the End of Time is distinguished by Rischin's extensive interviews and intimate correspondence with camp survivors who witnessed the Quartet's premiere and members of the Messiaen circle, including the cellist Etienne Pasquier and the violinist Jean Le Boulaire, relatives of the clarinetist Henri Akoka, and Messiaen's widow, Yvonne Loriod. The book is generously illustrated with photographs of the musicians, press releases from the premiere, autographs, letters, and pen-and-ink drawings of the camp's layout. Included are wartime photos of the camp and its prisoners along with present-day views of the camp site, which Rischin visited in 1995.