Librería: Center Line Books, San Rafael, CA, Estados Unidos de America
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Añadir al carritoSoft cover. Condición: Very Good. xi, 391 pages, index, bib. VG.
Idioma: Inglés
Publicado por Voltaire Foundation in association with Liverpool University Press, 2018
ISBN 10: 0729412067 ISBN 13: 9780729412063
Librería: The Defunct Design Book Store, Middletown, CT, Estados Unidos de America
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Añadir al carritoSoft cover. Condición: Near Fine. No Jacket. Very light wear.
Librería: Majestic Books, Hounslow, Reino Unido
EUR 120,11
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Añadir al carritoCondición: New. pp. 422.
Librería: GreatBookPrices, Columbia, MD, Estados Unidos de America
EUR 125,59
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Añadir al carritoCondición: New.
Idioma: Inglés
Publicado por LUP - Voltaire Foundation, 2018
ISBN 10: 0729412067 ISBN 13: 9780729412063
Librería: PBShop.store UK, Fairford, GLOS, Reino Unido
EUR 126,13
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Añadir al carritoPAP. Condición: New. New Book. Shipped from UK. Established seller since 2000.
Librería: Brook Bookstore On Demand, Napoli, NA, Italia
EUR 124,12
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Añadir al carritoCondición: new.
Librería: Books Puddle, New York, NY, Estados Unidos de America
EUR 133,36
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Añadir al carritoCondición: New. pp. 422.
Librería: GreatBookPrices, Columbia, MD, Estados Unidos de America
EUR 137,11
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Añadir al carritoCondición: As New. Unread book in perfect condition.
Librería: GreatBookPricesUK, Woodford Green, Reino Unido
EUR 126,12
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Añadir al carritoCondición: New.
Idioma: Inglés
Publicado por Voltaire Foundation in Association with Liverpool University Press, 2018
ISBN 10: 0729412067 ISBN 13: 9780729412063
Librería: Kennys Bookshop and Art Galleries Ltd., Galway, GY, Irlanda
EUR 134,97
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Añadir al carritoCondición: New. 2018. paperback. . . . . .
Librería: GreatBookPricesUK, Woodford Green, Reino Unido
EUR 138,08
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Añadir al carritoCondición: As New. Unread book in perfect condition.
Idioma: Inglés
Publicado por Voltaire Foundation, GB, 2018
ISBN 10: 0729412067 ISBN 13: 9780729412063
Librería: Rarewaves.com USA, London, LONDO, Reino Unido
EUR 157,83
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Añadir al carritoPaperback. Condición: New. In eighteenth-century Europe, artistic production was characterised by significant geographical and cultural transfer. For innumerable musicians, composers, singers, actors, authors, dramatists and translators - and the works they produced - state borders were less important than style, genre and canon. Through a series of multinational case studies a team of authors examines the mechanisms and characteristics of cultural and artistic adaptability to demonstrate the complexity and flexibility of theatrical and musical exchanges during this period.By exploring questions of national taste, so-called cultural appropriation and literary preference, contributors examine the influence of the French canon on the European stage - as well as its eventual rejection -, probe how and why musical and dramatic materials became such prized objects of exchange, and analyse the double processes of transmission and literary cross-breeding in translations and adaptations. Examining patterns of circulation in England, France, the Netherlands, Germany, Scandinavia, Russia, Bohemia, Austria, Italy and the United States, authors highlight:the role of migrant musicians in breaching national boundaries and creating a 'musical cosmopolitanism';the emergence of a specialised market in which theatre agents and local authorities negotiated contracts and productions, and recruited actors and musicians;the translations and rewritings of major plays such as Sheridan's The School for scandal, Schiller's Die Räuber and Kotzebue's Menschenhass und Reue;the refashioning of indigenous and 'national' dramas in Europe under French Revolutionary and imperial rule.
Idioma: Inglés
Publicado por Liverpool University Press, 2018
ISBN 10: 0729412067 ISBN 13: 9780729412063
Librería: THE SAINT BOOKSTORE, Southport, Reino Unido
EUR 142,59
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Añadir al carritoPaperback / softback. Condición: New. New copy - Usually dispatched within 4 working days.
Librería: Revaluation Books, Exeter, Reino Unido
EUR 145,23
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Añadir al carritoPaperback. Condición: Brand New. 391 pages. 8.75x5.75x1.00 inches. In Stock.
Idioma: Inglés
Publicado por Voltaire Foundation in Association with Liverpool University Press, 2018
ISBN 10: 0729412067 ISBN 13: 9780729412063
Librería: Kennys Bookstore, Olney, MD, Estados Unidos de America
EUR 171,77
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Añadir al carritoCondición: New. 2018. paperback. . . . . . Books ship from the US and Ireland.
Idioma: Inglés
Publicado por Liverpool University Press, GB, 2018
ISBN 10: 0729412067 ISBN 13: 9780729412063
Librería: Rarewaves.com UK, London, Reino Unido
EUR 148,88
Cantidad disponible: 2 disponibles
Añadir al carritoPaperback. Condición: New. In eighteenth-century Europe, artistic production was characterised by significant geographical and cultural transfer. For innumerable musicians, composers, singers, actors, authors, dramatists and translators - and the works they produced - state borders were less important than style, genre and canon. Through a series of multinational case studies a team of authors examines the mechanisms and characteristics of cultural and artistic adaptability to demonstrate the complexity and flexibility of theatrical and musical exchanges during this period.By exploring questions of national taste, so-called cultural appropriation and literary preference, contributors examine the influence of the French canon on the European stage - as well as its eventual rejection -, probe how and why musical and dramatic materials became such prized objects of exchange, and analyse the double processes of transmission and literary cross-breeding in translations and adaptations. Examining patterns of circulation in England, France, the Netherlands, Germany, Scandinavia, Russia, Bohemia, Austria, Italy and the United States, authors highlight:the role of migrant musicians in breaching national boundaries and creating a 'musical cosmopolitanism';the emergence of a specialised market in which theatre agents and local authorities negotiated contracts and productions, and recruited actors and musicians;the translations and rewritings of major plays such as Sheridan's The School for scandal, Schiller's Die Räuber and Kotzebue's Menschenhass und Reue;the refashioning of indigenous and 'national' dramas in Europe under French Revolutionary and imperial rule.