9780714823812 - Gombrich on the Renaissance. Ediz. illustrata. Symbolic Images (Vol. 2): Symbolic Images, Volume 2 de Gombrich, Ernst H. (43 resultados)

Condición: Very Good. Ships from the UK. Used book that is in excellent condition. May show signs of wear or have minor defects.

Paperback. Condición: Very Good. No Jacket. Former library book; May have limited writing in cover pages. Pages are unmarked. ~ ThriftBooks: Read More, Spend Less 1.8.

Paperback. Condición: Very Good. No Jacket. May have limited writing in cover pages. Pages are unmarked. ~ ThriftBooks: Read More, Spend Less 1.8.

Paperback. Condición: Very Good. No Jacket. May have limited writing in cover pages. Pages are unmarked. ~ ThriftBooks: Read More, Spend Less 1.8.

Paperback. Condición: Very Good. The book has been read, but is in excellent condition. Pages are intact and not marred by notes or highlighting. The spine remains undamaged.

Condición: Good. Most items will be dispatched the same or the next working day. A copy that has been read but remains in clean condition. All of the pages are intact and the cover is intact and the spine may show signs of wear. The book may have minor markings which are not specifically mentioned.

Condición: Good. Volume 2. This is an ex-library book and may have the usual library/used-book markings inside.This book has soft covers. In good all round condition. Please note the Image in this listing is a stock photo and may not match the covers of the actual item,850grams, ISBN:9780714823812.

Paper. Condición: Very Good. With 170 illustrations. Volume 1 also available from bookseller. Black & white plates. Very good paperback copy in protective cover. xii, 244pp. Size: 8vo - over 7¾" - 9¾" tall. Book.

Paperback. Condición: Gut. XII, 244 p. Ein gutes und sauberes Exemplar / A good and clean copy. - CONTENTS Preface Introduction: Aims and Limits of Iconology The Elusiveness of MeaningIconography and IconologyThe Theory of DecorumThe Dictionary FallacyPhilosophies of Symbolism Levels of Meaning?The Psycho-analytic ApproachCodes and AllusionsThe Genres Appendix: Annibale Caro's Programme for Taddeo Zuccaro Tobias and the Angel Botticelli's Mythologies: A Study in the Neo-Platonic Symbolism of his Circle A Postscript as a Preface Introduction The 'Primavera' Past InterpretationsThe Historical Approach: Ficino's Letter to Botticelli's PatronApuleius' Description of VenusMisreadings of the Text?Description and Symbolism in ApuleiusThe Graces and the Problem of ExegesisThe Typological Approach The Platonic Academy and Botticelli's Art Ficino and Botticelli's PatronMars and VenusPallas and the CentaurThe Birth of VenusThe Villa Lemmi FrescoesFicino and Art Appendix: Three unpublished letters by Lorenzo di Pierfrancesco de' Medici An Interpretation of Mantegna's 'Parnassus' Raphael's Stanza della Segnatura and the Nature of its Symbolism Hypnerotomachiana Bramante and the Hypnerotomachia Poliphili The Belvedere Garden as a Grove of Venus Giulio Romano and Sebastiano del Piombo The Sala dei Venti in the Palazzo del Te The Subject of Poussin's Orion Icones Symbolicae: Philosophies of Symbolism and their Bearing on Art Introduction I. The Personification of Ideas II. The Didactic Tradition The Society of ConceptsThe AttributesDescription and Definition in Medieval ArtRipa and the Aristotelian Tradition III. Neo-Platonism: Giarda and his Antecedents The Platonic UniverseThe Christian InterpretationDionysius the AreopagiteThe Two WaysAnalogical SymbolismThe Mystical Image IV. The Confluence of Traditions The Philosophy of the ImpresaThe Function of MetaphorThe Paradox and the Transcendence of Language V. Meaning and Magic The Symbol's PowerEffect and AuthenticityApparitions and PortentsArt and Belief VI. The Heritage From Giarda to GalileoThe Age of ReasonAllegory versus Symbol The Revival of Neo-Platonism from Creuzer to Jung Appendix: Introduction to Christophoro Giarda, Bibliothecae Alexandrinae leones Symbolicae Notes Bibliographical Note List of Illustrations Index. ISBN 9780714823812 Sprache: Englisch Gewicht in Gramm: 873.

Soft cover. Condición: As New. Unused copy.

Condición: Fair. Volume 2. This is an ex-library book and may have the usual library/used-book markings inside.This book has soft covers. Clean from markings. In fair condition, suitable as a study copy. Please note the Image in this listing is a stock photo and may not match the covers of the actual item,900grams, ISBN:9780714823812.

Condición: Good. Item in good condition. Textbooks may not include supplemental items i.e. CDs, access codes etc.

Condición: Very Good. Large 8vo softcover 242pp index, b/w illus. very good, faded spine.

Condición: New. In.

Condición: New.

Condición: New.

Condición: New.

Paperback. Condición: New. In this second volume of his classic essays on the Renaissance, E H Gombrich focuses on a theme of central importance: visual symbolism. He opens with a searching introduction ('The Aims and Limits of Iconology'), and follows with detailed studies of Botticelli, Mantegna, Raphael, Poussin and others. The volume concludes with an extended study of the philosophies of symbolism, demonstrating that the ideas which preoccupied the philosophers of the Renaissance are still very much alive today.Like its predecessor, Norm and Form, this volume is indispensable for all students of Renaissance art and thought as a work that has itself helped to shape the evolving discipline of art history. Reflecting the author's abiding concern with standards, values and problems of method, it also has a wider interest as an introduction to the fundamental questions involved in the interpretation of images.

Condición: Very good.

Paperback or Softback. Condición: New. Gombrich on the Renaissance, Vol. 2 1.94. Book.

Condición: As New. Unread book in perfect condition.

Condición: As New. Unread book in perfect condition.

Paperback. Condición: new. Excellent Condition.Excels in customer satisfaction, prompt replies, and quality checks.

Paperback. Condición: New. In this second volume of his classic essays on the Renaissance, E H Gombrich focuses on a theme of central importance: visual symbolism. He opens with a searching introduction ('The Aims and Limits of Iconology'), and follows with detailed studies of Botticelli, Mantegna, Raphael, Poussin and others. The volume concludes with an extended study of the philosophies of symbolism, demonstrating that the ideas which preoccupied the philosophers of the Renaissance are still very much alive today.Like its predecessor, Norm and Form, this volume is indispensable for all students of Renaissance art and thought as a work that has itself helped to shape the evolving discipline of art history. Reflecting the author's abiding concern with standards, values and problems of method, it also has a wider interest as an introduction to the fundamental questions involved in the interpretation of images.

Paperback. Condición: New. In this second volume of his classic essays on the Renaissance, E H Gombrich focuses on a theme of central importance: visual symbolism. He opens with a searching introduction ('The Aims and Limits of Iconology'), and follows with detailed studies of Botticelli, Mantegna, Raphael, Poussin and others. The volume concludes with an extended study of the philosophies of symbolism, demonstrating that the ideas which preoccupied the philosophers of the Renaissance are still very much alive today.Like its predecessor, Norm and Form, this volume is indispensable for all students of Renaissance art and thought as a work that has itself helped to shape the evolving discipline of art history. Reflecting the author's abiding concern with standards, values and problems of method, it also has a wider interest as an introduction to the fundamental questions involved in the interpretation of images.

Paperback. Condición: New. In this second volume of his classic essays on the Renaissance, E H Gombrich focuses on a theme of central importance: visual symbolism. He opens with a searching introduction ('The Aims and Limits of Iconology'), and follows with detailed studies of Botticelli, Mantegna, Raphael, Poussin and others. The volume concludes with an extended study of the philosophies of symbolism, demonstrating that the ideas which preoccupied the philosophers of the Renaissance are still very much alive today.Like its predecessor, Norm and Form, this volume is indispensable for all students of Renaissance art and thought as a work that has itself helped to shape the evolving discipline of art history. Reflecting the author's abiding concern with standards, values and problems of method, it also has a wider interest as an introduction to the fundamental questions involved in the interpretation of images.

Paperback. Condición: new. Paperback. In this second volume of his classic essays on the Renaissance, E H Gombrich focuses on a theme of central importance: visual symbolism. He opens with a searching introduction ('The Aims and Limits of Iconology'), and follows with detailed studies of Botticelli, Mantegna, Raphael, Poussin and others. The volume concludes with an extended study of the philosophies of symbolism, demonstrating that the ideas which preoccupied the philosophers of the Renaissance are still very much alive today. Like its predecessor, Norm and Form, this volume is indispensable for all students of Renaissance art and thought as a work that has itself helped to shape the evolving discipline of art history. Reflecting the author's abiding concern with standards, values and problems of method, it also has a wider interest as an introduction to the fundamental questions involved in the interpretation of images. These classic studies on the interpretation of images are essential reading for all students of Renaissance art; they also take their rightful place as seminal texts that have themselves helped to shape the evolving discipline of art history. Many of the essays focus on the greatest artists of the Renaissance — notably Botticelli, Leonardo, Raphael and Michelangelo — and all reflect the author's deep and abiding concern with standards, values and problems of method. Yet Gombrich never loses sight of the works of art he is investigating, and he brings to all his analyses and interpretations an original and powerful intelligence, unfailing clarity of expression and immense learning. These four volumes have a permanent value and represent a vitally important humanistic tradition in scholarship and criticism. Shipping may be from our UK warehouse or from our Australian or US warehouses, depending on stock availability.

Condición: New. pp. 340.

Trade Paperback. Condición: Used - Very Good. These classic studies on the interpretation of images are essential reading for all students of Renaissance art; they also take their rightful place as seminal texts that have themselves helped to shape the evolving discipline of art history. Many of the essays focus on the greatest artists of the Renaissance -- notably Botticelli, Leonardo, Raphael and Michelangelo -- and all reflect the author's deep and abiding concern with standards, values and problems of method. Yet Gombrich never loses sight of the works of art he is investigating, and he brings to all his analyses and interpretations an original and powerful intelligence, unfailing clarity of expression and immense learning. These four volumes have a permanent value and represent a vitally important humanistic tradition in scholarship and criticism.

Paperback. Condición: new. Paperback. In this second volume of his classic essays on the Renaissance, E H Gombrich focuses on a theme of central importance: visual symbolism. He opens with a searching introduction ('The Aims and Limits of Iconology'), and follows with detailed studies of Botticelli, Mantegna, Raphael, Poussin and others. The volume concludes with an extended study of the philosophies of symbolism, demonstrating that the ideas which preoccupied the philosophers of the Renaissance are still very much alive today. Like its predecessor, Norm and Form, this volume is indispensable for all students of Renaissance art and thought as a work that has itself helped to shape the evolving discipline of art history. Reflecting the author's abiding concern with standards, values and problems of method, it also has a wider interest as an introduction to the fundamental questions involved in the interpretation of images. These classic studies on the interpretation of images are essential reading for all students of Renaissance art; they also take their rightful place as seminal texts that have themselves helped to shape the evolving discipline of art history. Many of the essays focus on the greatest artists of the Renaissance — notably Botticelli, Leonardo, Raphael and Michelangelo — and all reflect the author's deep and abiding concern with standards, values and problems of method. Yet Gombrich never loses sight of the works of art he is investigating, and he brings to all his analyses and interpretations an original and powerful intelligence, unfailing clarity of expression and immense learning. These four volumes have a permanent value and represent a vitally important humanistic tradition in scholarship and criticism. Shipping may be from our Sydney, NSW warehouse or from our UK or US warehouse, depending on stock availability.