Idioma: Inglés
Publicado por Princeton University Press, 2000
ISBN 10: 0691024642 ISBN 13: 9780691024646
Librería: Better World Books: West, Reno, NV, Estados Unidos de America
EUR 10,63
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Añadir al carritoCondición: Good. Pages intact with minimal writing/highlighting. The binding may be loose and creased. Dust jackets/supplements are not included. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.
Idioma: Inglés
Publicado por Princeton University Press, 1999
ISBN 10: 0691024642 ISBN 13: 9780691024646
Librería: Bookmans, Tucson, AZ, Estados Unidos de America
EUR 7,67
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Añadir al carritopaperback. Condición: Good. . Satisfaction 100% guaranteed.
Idioma: Inglés
Publicado por Princeton University Press, 1998
ISBN 10: 0691024642 ISBN 13: 9780691024646
Librería: TotalitarianMedia, Los Angeles, CA, Estados Unidos de America
Ejemplar firmado
EUR 8,90
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Añadir al carritoSoft cover. Condición: Very Good. No Jacket. Working-Class Hollywood : Silent Film and the Shaping of Class in America. Ross, Steven J. Published by Princeton University Press, 1998. 367p. trade paperback, covers bumped/scuffed, binding tight, text clean/unmarked, SIGNED/INSCRIBED--ISBN 10: 069102464210.00. Signed by Author(s).
Idioma: Inglés
Publicado por Princeton University Press, 1999
ISBN 10: 0691024642 ISBN 13: 9780691024646
Librería: Textbooks_Source, Columbia, MO, Estados Unidos de America
EUR 13,36
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Añadir al carritopaperback. Condición: Good. 58713th. Ships in a BOX from Central Missouri! May not include working access code. Will not include dust jacket. Has used sticker(s) and some writing or highlighting. UPS shipping for most packages, (Priority Mail for AK/HI/APO/PO Boxes).
Idioma: Inglés
Publicado por Princeton University Press, 1999
ISBN 10: 0691024642 ISBN 13: 9780691024646
Librería: Murphy-Brookfield Books, Iowa City SE, IA, Estados Unidos de America
EUR 13,35
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Añadir al carritoSoft cover. Condición: Fine. clean, unmarked copy.
Idioma: Inglés
Publicado por Princeton University Press, Princeton, 1999
ISBN 10: 0691024642 ISBN 13: 9780691024646
Librería: Trouve Books, Cincinnati, OH, Estados Unidos de America
EUR 20,92
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Añadir al carritoSoft cover. Condición: Near Fine. No Jacket. Black and white illustrations inside. Pages are clean. Book is tight. 'I once said something about the lower class in the hearing of my mother,' biographer Stephen Birmingham recounted several years ago.
Idioma: Inglés
Publicado por Princeton University Press, Princeton, N.J., 1999
ISBN 10: 0691024642 ISBN 13: 9780691024646
Librería: Russian Hill Bookstore, San Francisco, CA, Estados Unidos de America
EUR 17,80
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Añadir al carritoPaperback. Condición: Near Fine. 367 pages, 8vo. Minor shelfwear. Tightly bound, no marks. Volume is in Near Fine condition.
Idioma: Inglés
Publicado por Princeton University Press, 2000
ISBN 10: 0691024642 ISBN 13: 9780691024646
Librería: B-Line Books, Amherst, NS, Canada
EUR 16,02
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Añadir al carritoSoftcover. Condición: Near Fine. Stiff unmarked book in glossy covers. ; 9.0 X 6.0 X 1.0 inches; 392 pages.
Idioma: Inglés
Publicado por Princeton University Press, 1999
ISBN 10: 0691024642 ISBN 13: 9780691024646
Librería: Anybook.com, Lincoln, Reino Unido
EUR 14,72
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Añadir al carritoCondición: Poor. This is an ex-library book and may have the usual library/used-book markings inside.This book has hardback covers. Book contains pen & highlighter markings. In poor condition, suitable as a reading copy. Re-bound by library. Please note the Image in this listing is a stock photo and may not match the covers of the actual item,750grams, ISBN:9780691024646.
Idioma: Inglés
Publicado por Princeton University Press, 1999
ISBN 10: 0691024642 ISBN 13: 9780691024646
Librería: GreatBookPrices, Columbia, MD, Estados Unidos de America
EUR 37,03
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Añadir al carritoCondición: good. May show signs of wear, highlighting, writing, and previous use. This item may be a former library book with typical markings. No guarantee on products that contain supplements Your satisfaction is 100% guaranteed. Twenty-five year bookseller with shipments to over fifty million happy customers.
Idioma: Inglés
Publicado por Princeton University Press, 1999
ISBN 10: 0691024642 ISBN 13: 9780691024646
Librería: GreatBookPrices, Columbia, MD, Estados Unidos de America
EUR 43,39
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Añadir al carritoCondición: New.
Idioma: Inglés
Publicado por Princeton University Press, 2000
ISBN 10: 0691024642 ISBN 13: 9780691024646
Librería: PBShop.store US, Wood Dale, IL, Estados Unidos de America
EUR 45,75
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Añadir al carritoPAP. Condición: New. New Book. Shipped from UK. Established seller since 2000.
Idioma: Inglés
Publicado por Princeton University Press, 1999
ISBN 10: 0691024642 ISBN 13: 9780691024646
EUR 21,49
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Añadir al carritoSoft cover. Condición: As New.
Idioma: Inglés
Publicado por Princeton University Press, 1999
ISBN 10: 0691024642 ISBN 13: 9780691024646
Librería: GreatBookPrices, Columbia, MD, Estados Unidos de America
EUR 46,03
Cantidad disponible: 1 disponibles
Añadir al carritoCondición: As New. Unread book in perfect condition.
Idioma: Inglés
Publicado por Princeton University Press, 2000
ISBN 10: 0691024642 ISBN 13: 9780691024646
Librería: PBShop.store UK, Fairford, GLOS, Reino Unido
EUR 51,49
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Añadir al carritoPAP. Condición: New. New Book. Shipped from UK. Established seller since 2000.
Idioma: Inglés
Publicado por Princeton University Press, 2000
ISBN 10: 0691024642 ISBN 13: 9780691024646
Librería: Kennys Bookshop and Art Galleries Ltd., Galway, GY, Irlanda
EUR 47,13
Cantidad disponible: 1 disponibles
Añadir al carritoCondición: New. Reveals how Hollywood became "Hollywood" and what that meant for the politics of America and American film. This book tells the story of filmmaking in the first three decades of the twentieth century, a time when going to the movies could transform lives and when the cinema was a battleground for control of American consciousness. Num Pages: 392 pages, 38 halftones. BIC Classification: 1KBB; 3JJC; 3JJF; 3JJG; APFA; HBTB; JFSC; KNTC. Category: (P) Professional & Vocational; (U) Tertiary Education (US: College). Dimension: 238 x 157 x 25. Weight in Grams: 580. . 1999. 58713th. Paperback. . . . .
Idioma: Inglés
Publicado por Princeton University Press, 1999
ISBN 10: 0691024642 ISBN 13: 9780691024646
Librería: GreatBookPricesUK, Woodford Green, Reino Unido
EUR 43,64
Cantidad disponible: 2 disponibles
Añadir al carritoCondición: good. May show signs of wear, highlighting, writing, and previous use. This item may be a former library book with typical markings. No guarantee on products that contain supplements Your satisfaction is 100% guaranteed. Twenty-five year bookseller with shipments to over fifty million happy customers.
Idioma: Inglés
Publicado por Princeton University Press, 1999
ISBN 10: 0691024642 ISBN 13: 9780691024646
Librería: GreatBookPricesUK, Woodford Green, Reino Unido
EUR 47,11
Cantidad disponible: 1 disponibles
Añadir al carritoCondición: New.
Idioma: Inglés
Publicado por Princeton University Press, 1999
ISBN 10: 0691024642 ISBN 13: 9780691024646
Librería: Kennys Bookstore, Olney, MD, Estados Unidos de America
EUR 58,00
Cantidad disponible: 1 disponibles
Añadir al carritoCondición: New. Reveals how Hollywood became "Hollywood" and what that meant for the politics of America and American film. This book tells the story of filmmaking in the first three decades of the twentieth century, a time when going to the movies could transform lives and when the cinema was a battleground for control of American consciousness. Num Pages: 392 pages, 38 halftones. BIC Classification: 1KBB; 3JJC; 3JJF; 3JJG; APFA; HBTB; JFSC; KNTC. Category: (P) Professional & Vocational; (U) Tertiary Education (US: College). Dimension: 238 x 157 x 25. Weight in Grams: 580. . 1999. 58713th. Paperback. . . . . Books ship from the US and Ireland.
Idioma: Inglés
Publicado por Princeton University Press, 1999
ISBN 10: 0691024642 ISBN 13: 9780691024646
Librería: GreatBookPricesUK, Woodford Green, Reino Unido
EUR 49,75
Cantidad disponible: 1 disponibles
Añadir al carritoCondición: As New. Unread book in perfect condition.
Idioma: Inglés
Publicado por Princeton University Press, 1999
ISBN 10: 0691024642 ISBN 13: 9780691024646
Librería: THE SAINT BOOKSTORE, Southport, Reino Unido
EUR 52,37
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Añadir al carritoPaperback / softback. Condición: New. New copy - Usually dispatched within 4 working days.
Idioma: Inglés
Publicado por Princeton University Press, 2000
ISBN 10: 0691024642 ISBN 13: 9780691024646
Librería: BennettBooksLtd, Los Angeles, CA, Estados Unidos de America
EUR 69,36
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Añadir al carritopaperback. Condición: New. In shrink wrap. Looks like an interesting title!
Librería: Revaluation Books, Exeter, Reino Unido
EUR 84,71
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Añadir al carritoPaperback. Condición: Brand New. 392 pages. 9.25x6.00x0.50 inches. In Stock.
Librería: Revaluation Books, Exeter, Reino Unido
EUR 59,10
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Añadir al carritoPaperback. Condición: Brand New. 392 pages. 9.25x6.00x0.50 inches. In Stock. This item is printed on demand.
Idioma: Inglés
Publicado por Princeton University Press, 2000
ISBN 10: 0691024642 ISBN 13: 9780691024646
Librería: moluna, Greven, Alemania
EUR 51,88
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Añadir al carritoCondición: New. Dieser Artikel ist ein Print on Demand Artikel und wird nach Ihrer Bestellung fuer Sie gedruckt. Reveals how Hollywood became Hollywood and what that meant for the politics of America and American film. This book tells the story of filmmaking in the first three decades of the twentieth century, a time when going to the movies could transform lives an.
Idioma: Inglés
Publicado por Princeton University Press, New Jersey, 2000
ISBN 10: 0691024642 ISBN 13: 9780691024646
Librería: CitiRetail, Stevenage, Reino Unido
EUR 78,77
Cantidad disponible: 1 disponibles
Añadir al carritoPaperback. Condición: new. Paperback. This path-breaking book reveals how Hollywood became "Hollywood" and what that meant for the politics of America and American film. Working-Class Hollywood tells the story of filmmaking in the first three decades of the twentieth century, a time when going to the movies could transform lives and when the cinema was a battleground for control of American consciousness. Steven Ross documents the rise of a working-class film movement that challenged the dominant political ideas of the day. Between 1907 and 1930, worker filmmakers repeatedly clashed with censors, movie industry leaders, and federal agencies over the kinds of images and subjects audiences would be allowed to see. The outcome of these battles was critical to our own times, for the victors got to shape the meaning of class in twentieth- century America. Surveying several hundred movies made by or about working men and women, Ross shows how filmmakers were far more concerned with class conflict during the silent era than at any subsequent time. Directors like Charlie Chaplin, D. W. Griffith, and William de Mille made movies that defended working people and chastised their enemies.Worker filmmakers went a step further and produced movies from A Martyr to His Cause (1911) to The Gastonia Textile Strike (1929) that depicted a unified working class using strikes, unions, and socialism to transform a nation.J. Edgar Hoover considered these class-conscious productions so dangerous that he assigned secret agents to spy on worker filmmakers. Liberal and radical films declined in the 1920s as an emerging Hollywood studio system, pressured by censors and Wall Street investors, pushed American film in increasingly conservative directions. Appealing to people's dreams of luxury and upward mobility, studios produced lavish fantasy films that shifted popular attention away from the problems of the workplace and toward the pleasures of the new consumer society. While worker filmmakers were trying to heighten class consciousness, Hollywood producers were suggesting that class no longer mattered. Working-Class Hollywood shows how silent films helped shape the modern belief that we are a classless nation. Reveals how Hollywood became "Hollywood" and what that meant for the politics of America and American film. This book tells the story of filmmaking in the first three decades of the twentieth century, a time when going to the movies could transform lives and when the cinema was a battleground for control of American consciousness. This item is printed on demand. Shipping may be from our UK warehouse or from our Australian or US warehouses, depending on stock availability.
Idioma: Inglés
Publicado por Princeton University Press, 2000
ISBN 10: 0691024642 ISBN 13: 9780691024646
Librería: preigu, Osnabrück, Alemania
EUR 53,85
Cantidad disponible: 5 disponibles
Añadir al carritoTaschenbuch. Condición: Neu. Working-Class Hollywood | Silent Film and the Shaping of Class in America | Steven J. Ross | Taschenbuch | Einband - flex.(Paperback) | Englisch | 2000 | Princeton University Press | EAN 9780691024646 | Verantwortliche Person für die EU: Libri GmbH, Europaallee 1, 36244 Bad Hersfeld, gpsr[at]libri[dot]de | Anbieter: preigu Print on Demand.
Idioma: Inglés
Publicado por Princeton University Press, 1999
ISBN 10: 0691024642 ISBN 13: 9780691024646
Librería: AHA-BUCH GmbH, Einbeck, Alemania
Fotografía Impresión bajo demanda
EUR 64,30
Cantidad disponible: 1 disponibles
Añadir al carritoTaschenbuch. Condición: Neu. nach der Bestellung gedruckt Neuware - Printed after ordering - This path-breaking book reveals how Hollywood became 'Hollywood' and what that meant for the politics of America and American film. Working-Class Hollywood tells the story of filmmaking in the first three decades of the twentieth century, a time when going to the movies could transform lives and when the cinema was a battleground for control of American consciousness. Steven Ross documents the rise of a working-class film movement that challenged the dominant political ideas of the day. Between 1907 and 1930, worker filmmakers repeatedly clashed with censors, movie industry leaders, and federal agencies over the kinds of images and subjects audiences would be allowed to see. The outcome of these battles was critical to our own times, for the victors got to shape the meaning of class in twentieth- century America.Surveying several hundred movies made by or about working men and women, Ross shows how filmmakers were far more concerned with class conflict during the silent era than at any subsequent time. Directors like Charlie Chaplin, D. W. Griffith, and William de Mille made movies that defended working people and chastised their enemies. Worker filmmakers went a step further and produced movies from A Martyr to His Cause (1911) to The Gastonia Textile Strike (1929) that depicted a unified working class using strikes, unions, and socialism to transform a nation. J. Edgar Hoover considered these class-conscious productions so dangerous that he assigned secret agents to spy on worker filmmakers.Liberal and radical films declined in the 1920s as an emerging Hollywood studio system, pressured by censors and Wall Street investors, pushed American film in increasingly conservative directions. Appealing to people's dreams of luxury and upward mobility, studios produced lavish fantasy films that shifted popular attention away from the problems of the workplace and toward the pleasures of the new consumer society. While worker filmmakers were trying to heighten class consciousness, Hollywood producers were suggesting that class no longer mattered. Working-Class Hollywood shows how silent films helped shape the modern belief that we are a classless nation.