Isbn: 9780691016627 - intimate encounters: love and domesticity in eighteenth-century france (23 resultados)

Paperback. Condición: Very Good. First Paperback. It's a well-cared-for item that has seen limited use. The item may show minor signs of wear. All the text is legible, with all pages included. It may have slight markings and/or highlighting.

paperback. Condición: Very Good. Connecting readers with great books since 1972! Used books may not include companion materials, and may have some shelf wear or limited writing. We ship orders daily and Customer Service is our top priority.

Paperback. Condición: Very Good. No Jacket. May have limited writing in cover pages. Pages are unmarked. ~ ThriftBooks: Read More, Spend Less.

Paperback. Condición: Very Good. Light cover wear else near fine; 4to 11" - 13" tall.

Paperback. Condición: Good. No Jacket. Paintings by such celebrated eighteenth-century artists as Watteau, Boucher, Chardin, Fragonard, Greuze, and Boilly have long been admired for their charming and intimate subjects--fêtes galantes, pastorals,tableaux de mode, middle-class domestic interiors, and scenes of family life and romantic love--and for their pleasing color schemes. In this lavishly illustrated and produced book, genre painting is explored for the first time within the broader cultural context of Enlightenment France. Through a series of innovative and lively essays dealing largely with aspects of art, gender, and politics in the decades preceding the French Revolution,Intimate Encountersenables us to appreciate genre paintings anew: although they are almost always attractive to the eye, sometimes to the point of appearing fanciful, the paintings also bear the intellectual imprint of turbulent times. the interactions of "ordinary" people--nonhistorical, nonmythic figures--within the family and in romantic encounters. We learn that genre painters tended to infuse their depictions of intimacy with moral and ideological significance. Their imagery coincided with fundamental debates over gender roles and relationships, the family, child-rearing, and illicit versus conjugal love, topics that were crucial to such writers and social commentators as Rousseau, Diderot, and Laclos. Published in conjunction with a major traveling exhibition,Intimate Encounterscontains five essays written by specialists from a variety of disciplines, which are followed by fifty-one full catalog entries on the paintings included in the show. The essays delve into such matters as art criticism and the presence of women in cultural life (Richard Rand), the family and the ideology of sentimentalism (Sarah Maza), the influence of innovative theater on genre painting (Mark Ledbury), the debate over women's rights (Virginia Swain), and the production and marketing of prints to a growing art audience (Anne L. Schroder). Piece(s) of the spine missing. Due to age and/or environmental conditions, the pages of this book have darkened. Moderate edgewear on the boards. Please note the image in this listing is a stock photo and may not match the covers of the actual item. Book.…

paperback. Condición: Very Good. Very Good paperback with light shelfwear - NICE! Oversized.

Hardcover. Condición: Good. No Jacket. Paintings by such celebrated eighteenth-century artists as Watteau, Boucher, Chardin, Fragonard, Greuze, and Boilly have long been admired for their charming and intimate subjects--fêtes galantes, pastorals,tableaux de mode, middle-class domestic interiors, and scenes of family life and romantic love--and for their pleasing color schemes. In this lavishly illustrated and produced book, genre painting is explored for the first time within the broader cultural context of Enlightenment France. Through a series of innovative and lively essays dealing largely with aspects of art, gender, and politics in the decades preceding the French Revolution,Intimate Encountersenables us to appreciate genre paintings anew: although they are almost always attractive to the eye, sometimes to the point of appearing fanciful, the paintings also bear the intellectual imprint of turbulent times. the interactions of "ordinary" people--nonhistorical, nonmythic figures--within the family and in romantic encounters. We learn that genre painters tended to infuse their depictions of intimacy with moral and ideological significance. Their imagery coincided with fundamental debates over gender roles and relationships, the family, child-rearing, and illicit versus conjugal love, topics that were crucial to such writers and social commentators as Rousseau, Diderot, and Laclos. Published in conjunction with a major traveling exhibition,Intimate Encounterscontains five essays written by specialists from a variety of disciplines, which are followed by fifty-one full catalog entries on the paintings included in the show. The essays delve into such matters as art criticism and the presence of women in cultural life (Richard Rand), the family and the ideology of sentimentalism (Sarah Maza), the influence of innovative theater on genre painting (Mark Ledbury), the debate over women's rights (Virginia Swain), and the production and marketing of prints to a growing art audience (Anne L. Schroder). Former library book. Moderate shelf wear. Please note the image in this listing is a stock photo and may not match the covers of the actual item. Ex-Library.…

Paperback. Condición: Good. No Jacket. Paintings by such celebrated eighteenth-century artists as Watteau, Boucher, Chardin, Fragonard, Greuze, and Boilly have long been admired for their charming and intimate subjects--fêtes galantes, pastorals,tableaux de mode, middle-class domestic interiors, and scenes of family life and romantic love--and for their pleasing color schemes. In this lavishly illustrated and produced book, genre painting is explored for the first time within the broader cultural context of Enlightenment France. Through a series of innovative and lively essays dealing largely with aspects of art, gender, and politics in the decades preceding the French Revolution,Intimate Encountersenables us to appreciate genre paintings anew: although they are almost always attractive to the eye, sometimes to the point of appearing fanciful, the paintings also bear the intellectual imprint of turbulent times. the interactions of "ordinary" people--nonhistorical, nonmythic figures--within the family and in romantic encounters. We learn that genre painters tended to infuse their depictions of intimacy with moral and ideological significance. Their imagery coincided with fundamental debates over gender roles and relationships, the family, child-rearing, and illicit versus conjugal love, topics that were crucial to such writers and social commentators as Rousseau, Diderot, and Laclos. Published in conjunction with a major traveling exhibition,Intimate Encounterscontains five essays written by specialists from a variety of disciplines, which are followed by fifty-one full catalog entries on the paintings included in the show. The essays delve into such matters as art criticism and the presence of women in cultural life (Richard Rand), the family and the ideology of sentimentalism (Sarah Maza), the influence of innovative theater on genre painting (Mark Ledbury), the debate over women's rights (Virginia Swain), and the production and marketing of prints to a growing art audience (Anne L. Schroder). Minimal highlighting. Solid binding. Moderate shelf wear. Please note the image in this listing is a stock photo and may not match the covers of the actual item. Book.…

paperback. Condición: Very Good. Connecting readers with great books since 1972! Used books may not include companion materials, and may have some shelf wear or limited writing. We ship orders daily and Customer Service is our top priority.

Soft cover. Condición: As New. 1st Edition. Clean, as new copy. BP /French History.

Paperback. Condición: Fine. 0.6 x 11.9 x 9 Inches; 220 pages.

Paperback. Condición: Near Fine. 1st. xii, 219 pages, illustrations (some colour); 31 cm. Near fine. Firm binding, clean inside copy. Age toning. OVERSIZE! Additional shipping charges may be requested for international & priority orders. A large-format coffee-table book. Richly illustrated with colour plates. *** "Paintings by such celebrated eighteenth-century artists as Watteau, Boucher, Chardin, Fragonard, Greuze, and Boilly have long been admired for their charming and intimate subjects--fetes galantes, pastorals, tableaux de mode, middle-class domestic interiors, and scenes of family life and romantic love--and for their pleasing color schemes. In this lavishly illustrated and produced book, genre painting is explored for the first time within the broader cultural context of Enlightenment France. Through a series of innovative and lively essays dealing largely with aspects of art, gender, and politics in the decades preceding the French Revolution, Intimate Encounters enables us to appreciate genre paintings anew: although they are almost always attractive to the eye, sometimes to the point of appearing fanciful, the paintings also bear the intellectual imprint of turbulent times. the interactions of "ordinary" people--nonhistorical, nonmythic figures--within the family and in romantic encounters. We learn that genre painters tended to infuse their depictions of intimacy with moral and ideological significance. Their imagery coincided with fundamental debates over gender roles and relationships, the family, child-rearing, and illicit versus conjugal love, topics that were crucial to such writers and social commentators as Rousseau, Diderot, and Laclos. Published in conjunction with a major traveling exhibition, Intimate Encounters contains five essays written by specialists from a variety of disciplines, which are followed by fifty-one full catalog entries on the paintings included in the show. The essays delve into such matters as art criticism and the presence of women in cultural life (Richard Rand), the family and the ideology of sentimentalism (Sarah Maza), the influence of innovative theater on genre painting (Mark Ledbury), the debate over women's rights (Virginia Swain), and the production and marketing of prints to a growing art audience (Anne L. Schroder)." - Publisher. *** CONTENTS: Lenders to the Exhibition; Foreword; Preface and Acknowledgments; Love, Domesticity, and the Evolution of Genre Painting in Eighteenth-Century France; Hidden from View: French Women Authors and the Language of Rights, 1727-1792; The "Bourgeois" Family Revisited: Sentimentalism and Social Class in Prerevolutionary French Culture; Intimate Dramas: Genre Painting and New Theater in Eighteenth-Century France; Genre Prints in Eighteenth-Century France: Production, Market, and Audience; Catalogue of Paintings; Checklist of Prints; Bibliography; Exhibitions; List of Artists; Index; Photo Credit. Size: 4to. Collectible.…

Condición: very good. pbk 220pp illus in color and b+w very faint shelfwear to corner tips of front cover otherwise an unread copy excellent as new.

Soft cover. Condición: Very Good. First Paperback. 220 page exhibition catalog, w/illustrations (color and b/w). Catalogue text has several contributors: Mark Ledbury; Sarah Maza; Anne L. Schroder; Virginia E. Swain. Bright and crisp exterior, unmarked, tight and clean interior. No flaws.

Softcover. Condición: VG. Color wraps. 219 pp. 51 color, 86 bw plates. Issued in several 1997-1998 exhibitions, presenting an exploration of 18th century French genre painting. With essays by Richard Rand, Virginia E. Swain, Sarah Maza, Mark Ledbury, and Anne L. Schroder.

Condición: Good. This is an ex-library book and may have the usual library/used-book markings inside.This book has soft covers. In good all round condition. Please note the Image in this listing is a stock photo and may not match the covers of the actual item,1200grams, ISBN:9780691016627.

Condición: Good. This is an ex-library book and may have the usual library/used-book markings inside.This book has hardback covers. In good all round condition. No dust jacket. Please note the Image in this listing is a stock photo and may not match the covers of the actual item,1450grams, ISBN:9780691016627. …

Softcover. Color wraps. xii, 219 pp. with 51 color, 86 bw plates. Exploration of 18th century French genre painting. "Intimate Encounters encourages us to consider the role of genre painting in France. In the 18th century it existed in stark contrast to the more traditional historical style that dominated the Royal Academy. The soft colors and intimate subjects of genre paintings challenged the tastes of the period and they challenged the artists that tried to present them." - Review by Lauren. Catalogue from the exhibition held in Hanover, NH: Dartmouth College, Oct. 4, 1997 to Jan. 4, 1998 and three other locations. VG- (Wraps slightly worn at extremities; Top right corner of front cover creased in several places; Otherwise clean).…

Condición: New. Satisfaction Guaranteed or your money back.

cm 23x30 pag. 220 ill. 50 tavole a colori c.m. dal 4/10/1997 al 23/08/1998 Inglese.

Encuadernación de tapa blanda. Condición: Muy Bueno. Encuadernación de tapa blanda. RUSTICA. Inglés.

paperback. Condición: New. In shrink wrap. Looks like an interesting title.

Tapa blanda. Condición: New. 1ª edición. RAND, R.: INTIMATE ENCOUNTERS. LOVE AND DOMESTICITY IN EIGHTEENTH-CENTURY FRANCE. PRINCETON, NJ, 1997, 232 p. figuras, 1110 gr. Encuadernacion original. Nuevo. (JA-4-1) 1110 gr. Libro.