9780571375202 - The Shutter of Snow (Faber Editions): 'Extraordinary.' Lucy Ellmann de Coleman, Emily Holmes (35 resultados)

Condición: Very Good. Most items will be dispatched the same or the next working day. A copy that has been read, but is in excellent condition. Pages are intact and not marred by notes or highlighting. The spine remains undamaged.

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Paperback. Condición: Very Good. The book has been read, but is in excellent condition. Pages are intact and not marred by notes or highlighting. The spine remains undamaged.

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Condición: good. The item shows wear from consistent use, but it remains in good condition and works perfectly. All pages and cover are intact including the dust cover, if applicable . Spine may show signs of wear. Pages may include limited notes and highlighting. May NOT include discs, access code or other supplemental materials.

Condición: Good. Pages intact with minimal writing/highlighting. The binding may be loose and creased. Dust jackets/supplements are not included. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

Condición: New.

Paperback. Condición: New. Main. Introduced by Claire-Louise Bennett, experience one new mother's psychological journey in this lost 1930 foremother of Sylvia Plath's The Bell Jar.'Astonishing and moving. A pretty amazing book.' Tessa Hadley'Extraordinary. A fascinating and unexpected delight.' Lucy Ellmann'Haunting and evocative, this is a timeless portrayal of madness.' Catherine Cho'A startling, luminous and magnetic novel about the complexity of motherhood.' Yiyun Li'With its deep musicality, Coleman's unforgettable voice was years ahead of its time.' Sinéad Gleeson'The most famous unknown of the century.' Djuna Barnes, author of NightwoodThe only thing to do is to put hammers in the porridge and when there are enough hammers we shall break down the windows and all of us shall dance in the snow. Some days, Marthe Gail believes she is God; others, Jesus Christ. Her baby, she thinks, is dead. The red light is shining. There are bars on the window. And the voices keep talking. Time blurs; snow falls. The doctors say it is a breakdown; that this is Gorestown State Hospital. Her fellow patients become friends and enemies, moving between the Day Room and Dining Hall, East Hall and West Side, avoiding the Strong Room. Her husband visits and shows her a lock of her baby's hair, but she doesn't remember, yet - until she can make it upstairs, ascending towards release .Shocking and hilarious, tragic and visceral, this experimental portrait of motherhood and mental illness written in 1930 has never felt more visionary.

Condición: As New. Unread book in perfect condition.

Paperback. Condición: new. Paperback. 'Extraordinary. A fascinating and unexpected delight. Coleman shows howwomen might write if we were free - and how murderous we'd be.' Lucy Ellmann'Haunting and evocative, this is a timeless portrayal of madness, capturing theterror and loneliness of being untethered from reality.' Catherine ChoThe only thing to do is to put hammers in the porridge and when thereare enough hammers we shall break down the windows and all of us shalldance in the snow.Some days, Marthe Gail believes she is God; others, Jesus Christ. Her baby,she thinks, is dead. The red light is shining. There are bars on the window.And the voices keep talking.Time blurs; snow falls. The doctors say it is a breakdown; that this isGorestown State Hospital. Her fellow patients become friends and enemies,moving between the Day Room and Dining Hall, East Hall and West Side,avoiding the Strong Room. Her husband visits and shows her a lock of herbaby's hair, but she doesn't remember, yet - until she can make it upstairs, ascendingtowards release .Shocking and hilarious, tragic and visceral, this experimental portrait ofmotherhood and mental illness written in 1930 - just before Woolf's TheWaves and 33 years before Plath's The Bell Jar - has never felt more visionary. Introduced by Claire-Louise Bennett, experience onenew mother's psychological journey in this lost 1930foremother of Sylvia Plath's The Bell Jar. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.

PAP. Condición: New. New Book. Shipped from UK. Established seller since 2000.

Condición: New. pp. 240.

Paperback. Condición: Brand New. main edition. 192 pages. 7.68x5.12x0.55 inches. In Stock.

Condición: New. 2023. Paperback. . . . . .

Condición: New. 2023. Paperback. . . . . . Books ship from the US and Ireland.

Condición: New. pp. 240.

Condición: New. In.

paperback. Condición: New.

Condición: New. pp. 240.

Paperback / softback. Condición: New. New copy - Usually dispatched within 4 working days.

paperback. Condición: New.

Condición: New.

Condición: As New. Unread book in perfect condition.

paperback. Condición: New. Main. Special order item direct from the distributor.

Taschenbuch. Condición: Neu. Neuware -Introduced by Claire-Louise Bennett, experience one new mother's psychological journey in this lost 1930 foremother of Sylvia Plath's The Bell Jar.'Astonishing and moving. A pretty amazing book.' Tessa Hadley'Extraordinary. A fascinating and unexpected delight.' Lucy Ellmann'Haunting and evocative, this is a timeless portrayal of madness.' Catherine Cho'A startling, luminous and magnetic novel about the complexity of motherhood.' Yiyun Li'With its deep musicality, Coleman's unforgettable voice was years ahead of its time.' Sinéad Gleeson'The most famous unknown of the century.' Djuna Barnes, author of NightwoodThe only thing to do is to put hammers in the porridge and when there are enough hammers we shall break down the windows and all of us shall dance in the snow. Some days, Marthe Gail believes she is God; others, Jesus Christ. Her baby, she thinks, is dead. The red light is shining. There are bars on the window. And the voices keep talking. Time blurs; snow falls. The doctors say it is a breakdown; that this is Gorestown State Hospital. Her fellow patients become friends and enemies, moving between the Day Room and Dining Hall, East Hall and West Side, avoiding the Strong Room. Her husband visits and shows her a lock of her baby's hair, but she doesn't remember, yet - until she can make it upstairs, ascending towards release .Shocking and hilarious, tragic and visceral, this experimental portrait of motherhood and mental illness written in 1930 has never felt more visionary. 192 pp. Englisch.

Taschenbuch. Condición: Neu. Neuware -Introduced by Claire-Louise Bennett, experience one new mother's psychological journey in this lost 1930 foremother of Sylvia Plath's The Bell Jar.'Astonishing and moving. A pretty amazing book.' Tessa Hadley'Extraordinary. A fascinating and unexpected delight.' Lucy Ellmann'Haunting and evocative, this is a timeless portrayal of madness.' Catherine Cho'A startling, luminous and magnetic novel about the complexity of motherhood.' Yiyun Li'With its deep musicality, Coleman's unforgettable voice was years ahead of its time.' Sinéad Gleeson'The most famous unknown of the century.' Djuna Barnes, author of NightwoodThe only thing to do is to put hammers in the porridge and when there are enough hammers we shall break down the windows and all of us shall dance in the snow. Some days, Marthe Gail believes she is God; others, Jesus Christ. Her baby, she thinks, is dead. The red light is shining. There are bars on the window. And the voices keep talking. Time blurs; snow falls. The doctors say it is a breakdown; that this is Gorestown State Hospital. Her fellow patients become friends and enemies, moving between the Day Room and Dining Hall, East Hall and West Side, avoiding the Strong Room. Her husband visits and shows her a lock of her baby's hair, but she doesn't remember, yet - until she can make it upstairs, ascending towards release .Shocking and hilarious, tragic and visceral, this experimental portrait of motherhood and mental illness written in 1930 has never felt more visionary. 192 pp. Englisch.

Paperback. [Author], [Publisher]. Author: Emily Holmes Coleman Format: Paperback Number of Pages: 192 'Extraordinary. A fascinating and unexpected delight. Coleman shows howwomen might write if we were free - and how murderous we'd be.' Lucy Ellmann 'Haunting and evocative, this is a timeless portrayal of madness, capturing theterror and loneliness of being untethered from reality.' Catherine Cho The only thing to do is to put hammers in the porridge and when thereare enough hammers we shall break down the windows and all of us shalldance in the snow. Some days, Marthe Gail believes she is God; others, Jesus Christ. Her baby,she thinks, is dead. The red light is shining. There are bars on the window.And the voices keep talking. Time blurs; snow falls. The doctors say it is a breakdown; that this isGorestown State Hospital. Her fellow patients become friends and enemies,moving between the Day Room and Dining Hall, East Hall and West Side,avoiding the Strong Room. Her husband visits and shows her a lock of herbaby's hair, but she doesn't remember, yet - until she can make it upstairs, ascendingtowards release . Shocking and hilarious, tragic and visceral, this experimental portrait ofmotherhood and mental illness written in 1930 - just before Woolf's TheWaves and 33 years before Plath's The Bell Jar - has never felt more visionary. Paperback.

Paperback. Condición: new. Paperback. 'Extraordinary. A fascinating and unexpected delight. Coleman shows howwomen might write if we were free - and how murderous we'd be.' Lucy Ellmann'Haunting and evocative, this is a timeless portrayal of madness, capturing theterror and loneliness of being untethered from reality.' Catherine ChoThe only thing to do is to put hammers in the porridge and when thereare enough hammers we shall break down the windows and all of us shalldance in the snow.Some days, Marthe Gail believes she is God; others, Jesus Christ. Her baby,she thinks, is dead. The red light is shining. There are bars on the window.And the voices keep talking.Time blurs; snow falls. The doctors say it is a breakdown; that this isGorestown State Hospital. Her fellow patients become friends and enemies,moving between the Day Room and Dining Hall, East Hall and West Side,avoiding the Strong Room. Her husband visits and shows her a lock of herbaby's hair, but she doesn't remember, yet - until she can make it upstairs, ascendingtowards release .Shocking and hilarious, tragic and visceral, this experimental portrait ofmotherhood and mental illness written in 1930 - just before Woolf's TheWaves and 33 years before Plath's The Bell Jar - has never felt more visionary. Introduced by Claire-Louise Bennett, experience onenew mother's psychological journey in this lost 1930foremother of Sylvia Plath's The Bell Jar. Shipping may be from our UK warehouse or from our Australian or US warehouses, depending on stock availability.

Paperback. Condición: new. Paperback. 'Extraordinary. A fascinating and unexpected delight. Coleman shows howwomen might write if we were free - and how murderous we'd be.' Lucy Ellmann'Haunting and evocative, this is a timeless portrayal of madness, capturing theterror and loneliness of being untethered from reality.' Catherine ChoThe only thing to do is to put hammers in the porridge and when thereare enough hammers we shall break down the windows and all of us shalldance in the snow.Some days, Marthe Gail believes she is God; others, Jesus Christ. Her baby,she thinks, is dead. The red light is shining. There are bars on the window.And the voices keep talking.Time blurs; snow falls. The doctors say it is a breakdown; that this isGorestown State Hospital. Her fellow patients become friends and enemies,moving between the Day Room and Dining Hall, East Hall and West Side,avoiding the Strong Room. Her husband visits and shows her a lock of herbaby's hair, but she doesn't remember, yet - until she can make it upstairs, ascendingtowards release .Shocking and hilarious, tragic and visceral, this experimental portrait ofmotherhood and mental illness written in 1930 - just before Woolf's TheWaves and 33 years before Plath's The Bell Jar - has never felt more visionary. Introduced by Claire-Louise Bennett, experience onenew mother's psychological journey in this lost 1930foremother of Sylvia Plath's The Bell Jar. Shipping may be from our Sydney, NSW warehouse or from our UK or US warehouse, depending on stock availability.

Condición: NEW.