9780571370863 - They (Faber Editions): The Lost Dystopian 'Masterpiece' (Emily St. John Mandel) de Dick, Kay (33 resultados)

Condición: As New. Unread book in perfect condition.

Condición: Very Good. Former library copy. Pages intact with possible writing/highlighting. Binding strong with minor wear. Dust jackets/supplements may not be included. Includes library markings. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

Condición: New.

Paperback. Condición: New. Main. For fans of I Who Have Never Known Men, a 'creepily prescient' (Margaret Atwood) lost dystopian 'masterpiece' (Emily St. John Mandel): in a nightmarish Britain, THEY are coming closer.'Ceepy, tense and strange.' Ian Rankin 'Delicious and sexy and downright chilling . Read it!' Rumaan Alam 'The signature of an enchantress.' Edna O'Brien 'I'm pretty wild about this paranoid, terrifying 1977 masterpiece.' Lauren Groff 'Completely got under my skin.' Kiran Millwood Hargrave 'Lush, hypnotic, compulsive.' Eimear McBride 'A masterwork of English pastoral horror.' Claire-Louise Bennett 'A short shocker.' Andrew Hunter MurrayThis is Britain: but not as we know it. THEY begin with a dead dog, shadowy footsteps, confiscated books. Soon the National Gallery is purged; eerie towers survey the coast; mobs stalk the countryside destroying artworks - and those who resist.THEY capture dissidents - writers, painters, musicians, even the unmarried and childless - in military sweeps, 'curing' these subversives of individual identity.Survivors gather together as cultural refugees, preserving their crafts, creating, loving and remembering. But THEY make it easier to forget .Lost for half a century, newly introduced by Carmen Maria Machado, Kay Dick's They (1977) is a rediscovered dystopian masterpiece of art under attack: a cry from the soul against censorship, a radical celebration of non-conformity - and a warning.

Paperback. Condición: new. Paperback. 'I remembered how they began, a parody for the newspapers. No one wrote about them now.'The Sussex coast. Sunsets paint the windswept ocean; seagulls haunt the marshland; hunting rifles crack across hillsides. But this is England through-a-glass-darkly. They are coming closer. They begin with a dead dog, shadowy footsteps, confiscated books. Then, the National Gallery is purged; motorway checkpoints demarcate Areas, violent mobs stalk the countryside, destroying cultural artefacts - and those who resist. The surviving writers, artists and thinkers gather together, welcoming 'dissidents' like the unmarried and the childless. These polyamorous communities preserve their crafts, create, love, and remember. But as 'subversives' are captured in military sweeps, cured of identity, desensitised in retreats, they make it easier to forget . Lost for over forty years, Kay Dick's They (1977) is a rediscovered dystopian masterpiece: a cry from the soul against censorship, a radical celebration of non-conformity - and a warning. Introduced by Carmen Maria Machado, the radical dystopian classic, lost for forty years: in a nightmarish through-a-glass-darkly Britain, they are coming closer. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.

PAP. Condición: New. New Book. Shipped from UK. Established seller since 2000.

Condición: New.

Condición: good. Befriedigend/Good: Durchschnittlich erhaltenes Buch bzw. Schutzumschlag mit Gebrauchsspuren, aber vollständigen Seiten. / Describes the average WORN book or dust jacket that has all the pages present.

Condición: very good. Gut/Very good: Buch bzw. Schutzumschlag mit wenigen Gebrauchsspuren an Einband, Schutzumschlag oder Seiten. / Describes a book or dust jacket that does show some signs of wear on either the binding, dust jacket or pages.

Paperback. Condición: Brand New. main edition. 128 pages. 7.68x5.16x0.35 inches. In Stock.

Paperback. Condición: Very Good. The book has been read, but is in excellent condition. Pages are intact and not marred by notes or highlighting. The spine remains undamaged.

Condición: New. 2022. Paperback. . . . . .

Condición: New. 2022. Paperback. . . . . . Books ship from the US and Ireland.

Condición: New. In.

Paperback / softback. Condición: New. New copy - Usually dispatched within 4 working days.

Paperback. Condición: New.

paperback. Condición: New.

Condición: New.

Condición: New.

Condición: New.

Condición: As New. Unread book in perfect condition.

Condición: New.

Taschenbuch. Condición: Neu. Neuware -For fans of I Who Have Never Known Men, a 'creepily prescient' (Margaret Atwood) lost dystopian 'masterpiece' (Emily St. John Mandel): in a nightmarish Britain, THEY are coming closer.'Ceepy, tense and strange.' Ian Rankin 'Delicious and sexy and downright chilling . Read it!' Rumaan Alam 'The signature of an enchantress.' Edna O'Brien 'I'm pretty wild about this paranoid, terrifying 1977 masterpiece.' Lauren Groff 'Completely got under my skin.' Kiran Millwood Hargrave 'Lush, hypnotic, compulsive.' Eimear McBride 'A masterwork of English pastoral horror.' Claire-Louise Bennett 'A short shocker.' Andrew Hunter MurrayThis is Britain: but not as we know it. THEY begin with a dead dog, shadowy footsteps, confiscated books. Soon the National Gallery is purged; eerie towers survey the coast; mobs stalk the countryside destroying artworks - and those who resist.THEY capture dissidents - writers, painters, musicians, even the unmarried and childless - in military sweeps, 'curing' these subversives of individual identity.Survivors gather together as cultural refugees, preserving their crafts, creating, loving and remembering. But THEY make it easier to forget .Lost for half a century, newly introduced by Carmen Maria Machado, Kay Dick's They (1977) is a rediscovered dystopian masterpiece of art under attack: a cry from the soul against censorship, a radical celebration of non-conformity - and a warning. 107 pp. Englisch.

Taschenbuch. Condición: Neu. Neuware -For fans of I Who Have Never Known Men, a 'creepily prescient' (Margaret Atwood) lost dystopian 'masterpiece' (Emily St. John Mandel): in a nightmarish Britain, THEY are coming closer.'Ceepy, tense and strange.' Ian Rankin 'Delicious and sexy and downright chilling . Read it!' Rumaan Alam 'The signature of an enchantress.' Edna O'Brien 'I'm pretty wild about this paranoid, terrifying 1977 masterpiece.' Lauren Groff 'Completely got under my skin.' Kiran Millwood Hargrave 'Lush, hypnotic, compulsive.' Eimear McBride 'A masterwork of English pastoral horror.' Claire-Louise Bennett 'A short shocker.' Andrew Hunter MurrayThis is Britain: but not as we know it. THEY begin with a dead dog, shadowy footsteps, confiscated books. Soon the National Gallery is purged; eerie towers survey the coast; mobs stalk the countryside destroying artworks - and those who resist.THEY capture dissidents - writers, painters, musicians, even the unmarried and childless - in military sweeps, 'curing' these subversives of individual identity.Survivors gather together as cultural refugees, preserving their crafts, creating, loving and remembering. But THEY make it easier to forget .Lost for half a century, newly introduced by Carmen Maria Machado, Kay Dick's They (1977) is a rediscovered dystopian masterpiece of art under attack: a cry from the soul against censorship, a radical celebration of non-conformity - and a warning. 107 pp. Englisch.

Taschenbuch. Condición: Neu. Neuware.

Paperback. Condición: new. Paperback. 'I remembered how they began, a parody for the newspapers. No one wrote about them now.'The Sussex coast. Sunsets paint the windswept ocean; seagulls haunt the marshland; hunting rifles crack across hillsides. But this is England through-a-glass-darkly. They are coming closer. They begin with a dead dog, shadowy footsteps, confiscated books. Then, the National Gallery is purged; motorway checkpoints demarcate Areas, violent mobs stalk the countryside, destroying cultural artefacts - and those who resist. The surviving writers, artists and thinkers gather together, welcoming 'dissidents' like the unmarried and the childless. These polyamorous communities preserve their crafts, create, love, and remember. But as 'subversives' are captured in military sweeps, cured of identity, desensitised in retreats, they make it easier to forget . Lost for over forty years, Kay Dick's They (1977) is a rediscovered dystopian masterpiece: a cry from the soul against censorship, a radical celebration of non-conformity - and a warning. Introduced by Carmen Maria Machado, the radical dystopian classic, lost for forty years: in a nightmarish through-a-glass-darkly Britain, they are coming closer. Shipping may be from our UK warehouse or from our Australian or US warehouses, depending on stock availability.

Paperback. Condición: new. Paperback. 'I remembered how they began, a parody for the newspapers. No one wrote about them now.'The Sussex coast. Sunsets paint the windswept ocean; seagulls haunt the marshland; hunting rifles crack across hillsides. But this is England through-a-glass-darkly. They are coming closer. They begin with a dead dog, shadowy footsteps, confiscated books. Then, the National Gallery is purged; motorway checkpoints demarcate Areas, violent mobs stalk the countryside, destroying cultural artefacts - and those who resist. The surviving writers, artists and thinkers gather together, welcoming 'dissidents' like the unmarried and the childless. These polyamorous communities preserve their crafts, create, love, and remember. But as 'subversives' are captured in military sweeps, cured of identity, desensitised in retreats, they make it easier to forget . Lost for over forty years, Kay Dick's They (1977) is a rediscovered dystopian masterpiece: a cry from the soul against censorship, a radical celebration of non-conformity - and a warning. Introduced by Carmen Maria Machado, the radical dystopian classic, lost for forty years: in a nightmarish through-a-glass-darkly Britain, they are coming closer. Shipping may be from our Sydney, NSW warehouse or from our UK or US warehouse, depending on stock availability.

Kartoniert / Broschiert. Condición: New. But as their neighbours are gleaned by military surveys, cured - of identity , desensitised in retreats, They make it easier to forget . Lost for over forty years, Kay Dick s They is a rediscovered dystopian masterpiece.The creepily prescient (Ma.

Taschenbuch. Condición: Neu. Neuware -THEY begin with shadowy footsteps, confiscated books. Eerie towers survey the coast; savage mobs stalk the countryside destroying artworks - and those who resist. THEY capture dissidents - writers, painters, musicians, even the unmarried - in military sweeps, 'curing' them of individual identity. Survivors gather together as cultural refugees, preserving their crafts, creating, loving and remembering. But THEY make it easier to forget . A radical dystopian classic lost for over forty years.Petersen Buchimport GmbH, Weidestraße 122 a, 22083 Hamburg 107 pp. Englisch.

Taschenbuch. Condición: Neu. Neuware - For fans of I Who Have Never Known Men, a 'creepily prescient' (Margaret Atwood) lost dystopian 'masterpiece' (Emily St. John Mandel): in a nightmarish Britain, THEY are coming closer.'Ceepy, tense and strange.' Ian Rankin 'Delicious and sexy and downright chilling . Read it!' Rumaan Alam 'The signature of an enchantress.' Edna O'Brien 'I'm pretty wild about this paranoid, terrifying 1977 masterpiece.' Lauren Groff 'Completely got under my skin.' Kiran Millwood Hargrave 'Lush, hypnotic, compulsive.' Eimear McBride 'A masterwork of English pastoral horror.' Claire-Louise Bennett 'A short shocker.' Andrew Hunter MurrayThis is Britain: but not as we know it. THEY begin with a dead dog, shadowy footsteps, confiscated books. Soon the National Gallery is purged; eerie towers survey the coast; mobs stalk the countryside destroying artworks - and those who resist.THEY capture dissidents - writers, painters, musicians, even the unmarried and childless - in military sweeps, 'curing' these subversives of individual identity.Survivors gather together as cultural refugees, preserving their crafts, creating, loving and remembering. But THEY make it easier to forget .Lost for half a century, newly introduced by Carmen Maria Machado, Kay Dick's They (1977) is a rediscovered dystopian masterpiece of art under attack: a cry from the soul against censorship, a radical celebration of non-conformity - and a warning.