Librería: HPB-Diamond, Dallas, TX, Estados Unidos de America
EUR 5,38
Cantidad disponible: 1 disponibles
Añadir al carritopaperback. Condición: Very Good. Connecting readers with great books since 1972! Used books may not include companion materials, and may have some shelf wear or limited writing. We ship orders daily and Customer Service is our top priority!
Librería: ANARTIST, New York, NY, Estados Unidos de America
EUR 4,52
Cantidad disponible: 1 disponibles
Añadir al carritoSoftcover, 302 pages; very good condition, light wear to covers with price sticker front cover and hole punch in rear cover; no internal marks. Foreign shipping may be extra.
Librería: Books From California, Simi Valley, CA, Estados Unidos de America
EUR 5,21
Cantidad disponible: 1 disponibles
Añadir al carritopaperback. Condición: Good.
Idioma: Inglés
Publicado por EP Dutton Co, New York, 1982
ISBN 10: 0525474641 ISBN 13: 9780525474647
Librería: Ed Buryn Books, Nevada City, CA, Estados Unidos de America
Original o primera edición
EUR 9,04
Cantidad disponible: 1 disponibles
Añadir al carrito1st edition, 1st printing. 18 essays on various aspects amd onsights into modern cinema. Nice bright clean unread copy. 5-1/2 x 8-1/4, 300 pp, b/w photos & illus. VeryGood+ unmarked, no spine creases. Trade paperback in silver wraps w black title box.
Librería: Old Book Shop of Bordentown (ABAA, ILAB), Bordentown, NJ, Estados Unidos de America
EUR 11,31
Cantidad disponible: 1 disponibles
Añadir al carritoSoftcover. Condición: Very Good. Very good copy with light corner crease front cover. Internally clean and unmarked. Softcover. 300 pp with bibliography.
EUR 13,52
Cantidad disponible: 1 disponibles
Añadir al carritoSoft Cover. Condición: Good. 2025 sept.
Idioma: Inglés
Publicado por E. P. Dutton, New York, New York, U.S.A., 1982
ISBN 10: 0525474641 ISBN 13: 9780525474647
Librería: ezslides, Harleysville, PA, Estados Unidos de America
Original o primera edición
EUR 36,17
Cantidad disponible: 1 disponibles
Añadir al carritoSoft cover. Condición: New. No Jacket. Photographs and drawings Ilustrador. 1st Edition. Is it a good thing to study the art of the film? This question seems to have been answered by the widespread growth of film courses in American colleges-over 4,000 of them according to a recent American Film Institute catalogue. Some film viewers, like some novel readers, ask only for experiences: entertainment; enlightenment, perhaps; intense moments of pleasure or revelation. They love the endless variety of movies and do not want to analyze them. Others insist on conscious intellectual response, ranging from judgments of aesthetic value to lengthy explications of all possible symbolic meanings. Students of today and tomorrow will continue to act on their belief that cinema, when examined, yields levels of meaning unknown to the artists who created the works., On occasion, students find it rewarding to look deeply at cinema works of art through the deep-focus spectacles of linguistics, aesthetics, anthropology, semiotics, psychiatry, or Marxism. Cinema Journal, founded in 1966 and the origin of these eighteen essays, has tried to follow a middle path between cinema buffs and cinema zealots, following the assumptions that (1) there is work to be done in seeking to understand better the art of the film, (2) there is an increasing readership of well-informed students and teachers, and (3) there is much to be gained from film scholarship that stresses caution, accuracy, balance, footnoted research, support of assertions by examples, and direct references to individual shots in the film being analyzed. All orders shipped protected in a box. Book.