Idioma: Inglés
Publicado por Cambridge University Press, 1991
ISBN 10: 0521361915 ISBN 13: 9780521361910
Librería: WorldofBooks, Goring-By-Sea, WS, Reino Unido
EUR 10,65
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Añadir al carritoHardback. Condición: Very Good. The book has been read, but is in excellent condition. Pages are intact and not marred by notes or highlighting. The spine remains undamaged.
Idioma: Inglés
Publicado por Cambridge University Press, 2005
ISBN 10: 0521361915 ISBN 13: 9780521361910
Librería: Wissenschaftliches Antiquariat Köln Dr. Sebastian Peters UG, Köln, Alemania
EUR 34,00
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Añadir al carritoCondición: sehr gut. XIII, 186 S., Abb., 24 cm. Transferred to digital printing 2005, first published 1991. Sprache: Englisch.
Idioma: Inglés
Publicado por Cambridge University Press, 1991
ISBN 10: 0521361915 ISBN 13: 9780521361910
Librería: Klondyke, Almere, Holanda
EUR 38,50
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Añadir al carritoCondición: Good. Original gilt lettered black cloth, gilt lettered spine, some illustrations in b/w, 8vo.
Idioma: Inglés
Publicado por Cambridge University Press, 1991
ISBN 10: 0521361915 ISBN 13: 9780521361910
Librería: GreatBookPrices, Columbia, MD, Estados Unidos de America
EUR 129,93
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Añadir al carritoCondición: New.
Idioma: Inglés
Publicado por Cambridge University Press, 1991
ISBN 10: 0521361915 ISBN 13: 9780521361910
Librería: California Books, Miami, FL, Estados Unidos de America
EUR 132,49
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Añadir al carritoCondición: New.
Idioma: Inglés
Publicado por Cambridge University Press, 1991
ISBN 10: 0521361915 ISBN 13: 9780521361910
Librería: Ria Christie Collections, Uxbridge, Reino Unido
EUR 120,03
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Añadir al carritoCondición: New. In.
Idioma: Inglés
Publicado por Cambridge University Press, 1991
ISBN 10: 0521361915 ISBN 13: 9780521361910
Librería: GreatBookPricesUK, Woodford Green, Reino Unido
EUR 120,01
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Añadir al carritoCondición: New.
Idioma: Inglés
Publicado por Cambridge University Press, 1991
ISBN 10: 0521361915 ISBN 13: 9780521361910
Librería: GreatBookPrices, Columbia, MD, Estados Unidos de America
EUR 138,55
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Añadir al carritoCondición: As New. Unread book in perfect condition.
Idioma: Inglés
Publicado por Cambridge University Press, 1991
ISBN 10: 0521361915 ISBN 13: 9780521361910
Librería: Kennys Bookshop and Art Galleries Ltd., Galway, GY, Irlanda
EUR 135,30
Cantidad disponible: Más de 20 disponibles
Añadir al carritoCondición: New. Dr Tatlow's painstaking research will fascinate all those with an interest in the music of J. S. Bach and German Baroque culture, and will be of particular importance for music historians and analysts. Num Pages: 204 pages, 11 b/w illus. BIC Classification: 1DFG; 3JD; 3JF; AVA; AVGC3; AVH. Category: (P) Professional & Vocational. Dimension: 228 x 152 x 13. Weight in Grams: 470. . 1991. Illustrated. hardcover. . . . .
Idioma: Inglés
Publicado por Cambridge University Press, 1991
ISBN 10: 0521361915 ISBN 13: 9780521361910
Librería: GreatBookPricesUK, Woodford Green, Reino Unido
EUR 140,13
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Añadir al carritoCondición: As New. Unread book in perfect condition.
Idioma: Inglés
Publicado por Cambridge University Press, 1991
ISBN 10: 0521361915 ISBN 13: 9780521361910
Librería: Kennys Bookstore, Olney, MD, Estados Unidos de America
EUR 166,53
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Añadir al carritoCondición: New. Dr Tatlow's painstaking research will fascinate all those with an interest in the music of J. S. Bach and German Baroque culture, and will be of particular importance for music historians and analysts. Num Pages: 204 pages, 11 b/w illus. BIC Classification: 1DFG; 3JD; 3JF; AVA; AVGC3; AVH. Category: (P) Professional & Vocational. Dimension: 228 x 152 x 13. Weight in Grams: 470. . 1991. Illustrated. hardcover. . . . . Books ship from the US and Ireland.
Idioma: Inglés
Publicado por Cambridge University Press, 1991
ISBN 10: 0521361915 ISBN 13: 9780521361910
Librería: AHA-BUCH GmbH, Einbeck, Alemania
EUR 146,04
Cantidad disponible: 1 disponibles
Añadir al carritoBuch. Condición: Neu. Druck auf Anfrage Neuware - Printed after ordering - Dr Tatlow's painstaking research will fascinate all those with an interest in the music of J. S. Bach and German Baroque culture, and will be of particular importance for music historians and analysts.
Idioma: Inglés
Publicado por Cambridge University Press, 1991
ISBN 10: 0521361915 ISBN 13: 9780521361910
Librería: Mispah books, Redhill, SURRE, Reino Unido
EUR 240,07
Cantidad disponible: 1 disponibles
Añadir al carritoHardcover. Condición: Like New. LIKE NEW. SHIPS FROM MULTIPLE LOCATIONS. book.
Idioma: Inglés
Publicado por Cambridge University Press, Cambridge, 1991
ISBN 10: 0521361915 ISBN 13: 9780521361910
Librería: Grand Eagle Retail, Bensenville, IL, Estados Unidos de America
EUR 132,28
Cantidad disponible: 1 disponibles
Añadir al carritoHardcover. Condición: new. Hardcover. In 1947 the theologian and musicologist Friedrich Smend published a study which claimed that J. S. Bach regularly employed the natural-order number alphabet (A=1 to Z=24) in his works. Smend provided historical evidence and music examples to support his theory which demonstrated that by this means Bach incorporated significant words into his music, and provided himself with a symbolic compositional scheme. Since then many people have taken up Smend's theory, interpreting numbers of bars and notes in Bach scores according to the natural-order alphabet. By presenting a thorough survey of different number alphabets and their uses in seventeenth- and eighteenth-century Germany, Dr Tatlow investigates the plausibility of Smend's claims. Her new evidence fundamentally challenges Smend's conclusions and the book sounds a note of caution to all who continue to use his number-alphabet theory. Dr Tatlow's painstaking research will fascinate all those with an interest in the music of J. S. Bach and German Baroque culture, and will be of particular importance for music historians and analysts. In 1947 Friedrich Smend published a study claiming that J. S. Bach used a natural-order alphabet (A = 1 to Z = 24) in his works. He demonstrated that Bach provided himself with a symbolic compositional theme. Here, Dr Tatlow investigates the plausibility of Smend's claims with new evidence, challenging Smend's conclusions. This item is printed on demand. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.
Librería: Revaluation Books, Exeter, Reino Unido
EUR 129,12
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Añadir al carritoHardcover. Condición: Brand New. 200 pages. 9.50x6.25x0.75 inches. In Stock. This item is printed on demand.
Idioma: Inglés
Publicado por Cambridge University Press, 1991
ISBN 10: 0521361915 ISBN 13: 9780521361910
Librería: Majestic Books, Hounslow, Reino Unido
EUR 133,60
Cantidad disponible: 4 disponibles
Añadir al carritoCondición: New. Print on Demand pp. 204 52:B&W 6.14 x 9.21in or 234 x 156mm (Royal 8vo) Case Laminate on White w/Gloss Lam.
Idioma: Inglés
Publicado por Cambridge University Press CUP, 1991
ISBN 10: 0521361915 ISBN 13: 9780521361910
Librería: Books Puddle, New York, NY, Estados Unidos de America
EUR 141,70
Cantidad disponible: 4 disponibles
Añadir al carritoCondición: New. Print on Demand pp. 204 Index.
Idioma: Inglés
Publicado por Cambridge University Press, 1991
ISBN 10: 0521361915 ISBN 13: 9780521361910
Librería: Biblios, Frankfurt am main, HESSE, Alemania
EUR 136,08
Cantidad disponible: 4 disponibles
Añadir al carritoCondición: New. PRINT ON DEMAND pp. 204 Acknowledgements.
Idioma: Inglés
Publicado por Cambridge University Press, 1991
ISBN 10: 0521361915 ISBN 13: 9780521361910
Librería: THE SAINT BOOKSTORE, Southport, Reino Unido
EUR 135,38
Cantidad disponible: Más de 20 disponibles
Añadir al carritoHardback. Condición: New. This item is printed on demand. New copy - Usually dispatched within 5-9 working days.
Idioma: Inglés
Publicado por Cambridge University Press, Cambridge, 1991
ISBN 10: 0521361915 ISBN 13: 9780521361910
Librería: CitiRetail, Stevenage, Reino Unido
EUR 135,48
Cantidad disponible: 1 disponibles
Añadir al carritoHardcover. Condición: new. Hardcover. In 1947 the theologian and musicologist Friedrich Smend published a study which claimed that J. S. Bach regularly employed the natural-order number alphabet (A=1 to Z=24) in his works. Smend provided historical evidence and music examples to support his theory which demonstrated that by this means Bach incorporated significant words into his music, and provided himself with a symbolic compositional scheme. Since then many people have taken up Smend's theory, interpreting numbers of bars and notes in Bach scores according to the natural-order alphabet. By presenting a thorough survey of different number alphabets and their uses in seventeenth- and eighteenth-century Germany, Dr Tatlow investigates the plausibility of Smend's claims. Her new evidence fundamentally challenges Smend's conclusions and the book sounds a note of caution to all who continue to use his number-alphabet theory. Dr Tatlow's painstaking research will fascinate all those with an interest in the music of J. S. Bach and German Baroque culture, and will be of particular importance for music historians and analysts. In 1947 Friedrich Smend published a study claiming that J. S. Bach used a natural-order alphabet (A = 1 to Z = 24) in his works. He demonstrated that Bach provided himself with a symbolic compositional theme. Here, Dr Tatlow investigates the plausibility of Smend's claims with new evidence, challenging Smend's conclusions. This item is printed on demand. Shipping may be from our UK warehouse or from our Australian or US warehouses, depending on stock availability.
Idioma: Inglés
Publicado por Cambridge University Press, 1991
ISBN 10: 0521361915 ISBN 13: 9780521361910
Librería: moluna, Greven, Alemania
EUR 130,22
Cantidad disponible: Más de 20 disponibles
Añadir al carritoCondición: New. Dieser Artikel ist ein Print on Demand Artikel und wird nach Ihrer Bestellung fuer Sie gedruckt. In 1947 Friedrich Smend published a study claiming that J. S. Bach used a natural-order alphabet (A = 1 to Z = 24) in his works. He demonstrated that Bach incorporated significant words into his music, and provided himself with a symbolic compositional them.
Idioma: Inglés
Publicado por Cambridge University Press, Cambridge, 1991
ISBN 10: 0521361915 ISBN 13: 9780521361910
Librería: AussieBookSeller, Truganina, VIC, Australia
EUR 183,18
Cantidad disponible: 1 disponibles
Añadir al carritoHardcover. Condición: new. Hardcover. In 1947 the theologian and musicologist Friedrich Smend published a study which claimed that J. S. Bach regularly employed the natural-order number alphabet (A=1 to Z=24) in his works. Smend provided historical evidence and music examples to support his theory which demonstrated that by this means Bach incorporated significant words into his music, and provided himself with a symbolic compositional scheme. Since then many people have taken up Smend's theory, interpreting numbers of bars and notes in Bach scores according to the natural-order alphabet. By presenting a thorough survey of different number alphabets and their uses in seventeenth- and eighteenth-century Germany, Dr Tatlow investigates the plausibility of Smend's claims. Her new evidence fundamentally challenges Smend's conclusions and the book sounds a note of caution to all who continue to use his number-alphabet theory. Dr Tatlow's painstaking research will fascinate all those with an interest in the music of J. S. Bach and German Baroque culture, and will be of particular importance for music historians and analysts. In 1947 Friedrich Smend published a study claiming that J. S. Bach used a natural-order alphabet (A = 1 to Z = 24) in his works. He demonstrated that Bach provided himself with a symbolic compositional theme. Here, Dr Tatlow investigates the plausibility of Smend's claims with new evidence, challenging Smend's conclusions. This item is printed on demand. Shipping may be from our Sydney, NSW warehouse or from our UK or US warehouse, depending on stock availability.