9780520261044 - Shadow of a Mouse: Performance, Belief, and World-Making in Animation de Crafton, Donald (25 resultados)

Condición: good. May show signs of wear, highlighting, writing, and previous use. This item may be a former library book with typical markings. No guarantee on products that contain supplements Your satisfaction is 100% guaranteed. Twenty-five year bookseller with shipments to over fifty million happy customers.

paperback. Condición: Good. First Edition. Ships same day or next business day! UPS shipping available (Priority Mail for AK/HI/APO/PO Boxes). Used sticker and some writing and/or highlighting. Used books may not include working access code. Used books will not include dust jackets.

paperback. Condición: Good. minor wear and creasing.

Paperback. Condición: Fine. 1st Edition. Inscribed by author on title page to American film theorist and film historian David Jay Bordwell and his wife, American film theorist and author Kristin Thompson. Inscribed by Author(s).

Condición: As New. Unread book in perfect condition.

paperback. Condición: New.

Condición: New.

PAP. Condición: New. New Book. Shipped from UK. Established seller since 2000.

Soft cover. Condición: New. 1st Edition.

Paperback. Condición: New. Animation variously entertains, enchants, and offends, yet there have been no convincing explanations of how these films do so. Shadow of a Mouse proposes performance as the common touchstone for understanding the principles underlying the construction, execution, and reception of cartoons. Donald Crafton's interdisciplinary methods draw on film and theater studies, art history, aesthetics, cultural studies, and performance studies to outline a personal view of animated cinema that illuminates its systems of belief and world making. He wryly asks: Are animated characters actors and stars, just like humans? Why do their performances seem live and present, despite our knowing that they are drawings? Why is animation obsessed with distressing the body? Why were California regional artists and Stanislavsky so influential on Disney? Why are the histories of animation and popular theater performance inseparable? How was pictorial space constructed to accommodate embodied acting? Do cartoon performances stimulate positive or negative behaviors in audiences? Why is there so much extreme eating? And why are seemingly insignificant shadows vitally important?Ranging from classics like The Three Little Pigs to contemporary works by Svankmajer and Plympton, these essays will engage the reader's imagination as much as the subject of animation performance itself.

PAP. Condición: New. New Book. Shipped from UK. Established seller since 2000.

Condición: new.

Paperback. Condición: New. Animation variously entertains, enchants, and offends, yet there have been no convincing explanations of how these films do so. Shadow of a Mouse proposes performance as the common touchstone for understanding the principles underlying the construction, execution, and reception of cartoons. Donald Crafton's interdisciplinary methods draw on film and theater studies, art history, aesthetics, cultural studies, and performance studies to outline a personal view of animated cinema that illuminates its systems of belief and world making. He wryly asks: Are animated characters actors and stars, just like humans? Why do their performances seem live and present, despite our knowing that they are drawings? Why is animation obsessed with distressing the body? Why were California regional artists and Stanislavsky so influential on Disney? Why are the histories of animation and popular theater performance inseparable? How was pictorial space constructed to accommodate embodied acting? Do cartoon performances stimulate positive or negative behaviors in audiences? Why is there so much extreme eating? And why are seemingly insignificant shadows vitally important?Ranging from classics like The Three Little Pigs to contemporary works by Svankmajer and Plympton, these essays will engage the reader's imagination as much as the subject of animation performance itself.

Condición: New. 2012. November 5, 2012. Paperback. Animation variously entertains, enchants, and offends, yet there have been no convincing explanations of how these films do so. This book proposes performance as the common touchstone for understanding the principles underlying the construction, execution, and reception of cartoons. Num Pages: 411 pages, 21 color images, 72 black & white images. BIC Classification: APFV. Category: (P) Professional & Vocational. Dimension: 228 x 154 x 26. Weight in Grams: 658. Performance, Belief, and World-Making in Animation. 411 pages, illustrations. Proposes performance as the common touchstone for understanding the principles underlying the construction, execution, and reception of cartoons. This title presents methods that draw on film and theater studies, art history, aesthetics, cultural studies, and performance studies to outline a personal view of animated cinema. Cateogry: (P) Professional & Vocational. BIC Classification: APFV. Dimension: 228 x 154 x 26. Weight: 658. . . . . .

Condición: New. pp. 433 Illus.

Soft cover. Condición: Fine. Essays with middle section of colour plates. A fine, unmarked paperback copy with no reading crease to spine and no noticeable signs of use. 372 pages. s150.

Condición: New. 2012. November 5, 2012. Paperback. Animation variously entertains, enchants, and offends, yet there have been no convincing explanations of how these films do so. This book proposes performance as the common touchstone for understanding the principles underlying the construction, execution, and reception of cartoons. Num Pages: 411 pages, 21 color images, 72 black & white images. BIC Classification: APFV. Category: (P) Professional & Vocational. Dimension: 228 x 154 x 26. Weight in Grams: 658. Performance, Belief, and World-Making in Animation. 411 pages, illustrations. Proposes performance as the common touchstone for understanding the principles underlying the construction, execution, and reception of cartoons. This title presents methods that draw on film and theater studies, art history, aesthetics, cultural studies, and performance studies to outline a personal view of animated cinema. Cateogry: (P) Professional & Vocational. BIC Classification: APFV. Dimension: 228 x 154 x 26. Weight: 658. . . . . . Books ship from the US and Ireland.

Condición: As New. Unread book in perfect condition.

Condición: New.

Paperback. Condición: Brand New. 1st edition. 411 pages. 9.75x6.25x1.25 inches. In Stock.

Condición: good. May show signs of wear, highlighting, writing, and previous use. This item may be a former library book with typical markings. No guarantee on products that contain supplements Your satisfaction is 100% guaranteed. Twenty-five year bookseller with shipments to over fifty million happy customers.

Paperback / softback. Condición: New. New copy - Usually dispatched within 4 working days.

Paperback. Condición: new. New Copy. Customer Service Guaranteed.

Paperback. Condición: New. Animation variously entertains, enchants, and offends, yet there have been no convincing explanations of how these films do so. Shadow of a Mouse proposes performance as the common touchstone for understanding the principles underlying the construction, execution, and reception of cartoons. Donald Crafton's interdisciplinary methods draw on film and theater studies, art history, aesthetics, cultural studies, and performance studies to outline a personal view of animated cinema that illuminates its systems of belief and world making. He wryly asks: Are animated characters actors and stars, just like humans? Why do their performances seem live and present, despite our knowing that they are drawings? Why is animation obsessed with distressing the body? Why were California regional artists and Stanislavsky so influential on Disney? Why are the histories of animation and popular theater performance inseparable? How was pictorial space constructed to accommodate embodied acting? Do cartoon performances stimulate positive or negative behaviors in audiences? Why is there so much extreme eating? And why are seemingly insignificant shadows vitally important?Ranging from classics like The Three Little Pigs to contemporary works by Svankmajer and Plympton, these essays will engage the reader's imagination as much as the subject of animation performance itself.

Paperback. Condición: New. Animation variously entertains, enchants, and offends, yet there have been no convincing explanations of how these films do so. Shadow of a Mouse proposes performance as the common touchstone for understanding the principles underlying the construction, execution, and reception of cartoons. Donald Crafton's interdisciplinary methods draw on film and theater studies, art history, aesthetics, cultural studies, and performance studies to outline a personal view of animated cinema that illuminates its systems of belief and world making. He wryly asks: Are animated characters actors and stars, just like humans? Why do their performances seem live and present, despite our knowing that they are drawings? Why is animation obsessed with distressing the body? Why were California regional artists and Stanislavsky so influential on Disney? Why are the histories of animation and popular theater performance inseparable? How was pictorial space constructed to accommodate embodied acting? Do cartoon performances stimulate positive or negative behaviors in audiences? Why is there so much extreme eating? And why are seemingly insignificant shadows vitally important?Ranging from classics like The Three Little Pigs to contemporary works by Svankmajer and Plympton, these essays will engage the reader's imagination as much as the subject of animation performance itself.