9780500091722 - Anthony Caro de Fenton, Terry (6 resultados)

Hardback. Condición: Very Good. The book has been read, but is in excellent condition. Pages are intact and not marred by notes or highlighting. The spine remains undamaged.

Hardcover. Condición: Very Good. Estado de la sobrecubierta: Good. First Edition. Lacks free front end-paper. Dust-jacket has light wear at head of spine. This is the first UK edition. Size: 12" x 9" approx. Crisp clean unclipped dust-jacket, fresh covers with gilt lettering on spine, sound binding, clean pages and end-papers. Quantity Available: 1. Shipped Weight: under 1 kg. ISBN: 0500091722. ISBN/EAN: 9780500091722. Pictures of this item not already displayed here available upon request. Inventory No: 19316102366. All our books are sent by tracked mail.

First Edition hardback with dust wrapper. The book measures 12" x 8¾", it has 230 pages and is very well illustrated with colour and b/w reproductions of Caro's work. There is a tiny nick to the top of the wrapper, otherwise, the wrapper, binding and contents are in excellent condition. VG+/VG.

Condición: Very good.

HARDCOVER. Condición: As New. Estado de la sobrecubierta: As New. 1st Edition. Large, tall 4to in cream faux cloth, black lettering to spine. 128pp on thick art paper, plates in colour and b/w, etc . [CONDITION: An extremely well preserved AS NEW unread copy in an A very faintly TANNED BUT otherwise AS NEW complete Dust Jacket. An uncommonly fine copy ] . __To see more of our Art Monographs etc type DbbARTIST in the Keywords search box . . We always ship in STRONG PROTECTIVE CARD PARCELS.

Hardcover. Condición: Fine. Estado de la sobrecubierta: Fine. First Edition. Signed by Anthony Caro on the title page. Sir Anthony Caro OM CBE (1924-2013) played a pivotal role in the development of 20th century sculpture. His breakthrough exhibition at the Whitechapel Gallery in 1963 presented brightly painted, abstract steel sculptures displayed without plinths, directly on the floor. At the time, the omission of the pedestal was a radical shift in the dynamic between art and the viewer. He often worked in steel, but also created works in bronze, silver, lead, stoneware, wood, and on paper. Caro's constant reinvention of the language of abstract sculpture, as well as his influential teaching career at St. Martin's School of Art, distinguished him not only as the sculptural successor to artists such as Henry Moore and David Smith, but also as an innovative artist who consistently defied convention. This interpretative analysis of Caro's development includes invaluable reference material in the form of a biography containing listings of exhibitions and a bibliography. Quarto: 128 p. with 172 illustrations, 98 in color. Original cream cloth binding, with black titles. A fine copy in a fine dust jacket.