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Idioma: Inglés
Publicado por Taylor & Francis Group, 2008
ISBN 10: 0415308682 ISBN 13: 9780415308687
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Añadir al carritoCondición: Very Good. Former library copy. Pages intact with possible writing/highlighting. Binding strong with minor wear. Dust jackets/supplements may not be included. Includes library markings. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.
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Añadir al carritoPaperback. Condición: Very Good. The book has been read, but is in excellent condition. Pages are intact and not marred by notes or highlighting. The spine remains undamaged.
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Publicado por Taylor & Francis Group, 2009
ISBN 10: 0415308682 ISBN 13: 9780415308687
Librería: Books Puddle, New York, NY, Estados Unidos de America
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Añadir al carritoCondición: New. pp. 232.
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Añadir al carritoPaperback. Condición: New.
Idioma: Inglés
Publicado por Taylor & Francis Group, 2009
ISBN 10: 0415308682 ISBN 13: 9780415308687
Librería: Biblios, Frankfurt am main, HESSE, Alemania
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Original o primera edición
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Añadir al carritoCondición: New. Shakespeare's plays continue to be circulated on a massive scale in a variety of guises - as editions, performances, and adaptations - and it is by means of such mediation that we come to know his drama. This title addresses fundamental questions about this process of mediation, making use of the fraught category of adaptation. Num Pages: 232 pages, figures. BIC Classification: 2AB; DSGS. Category: (UU) Undergraduate. Dimension: 215 x 137 x 15. Weight in Grams: 296. . 2008. 1st Edition. Paperback. . . . .
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Añadir al carritoPaperback. Condición: Brand New. 1st edition. 232 pages. 8.50x6.42x0.55 inches. In Stock.
Librería: Kennys Bookstore, Olney, MD, Estados Unidos de America
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Añadir al carritoCondición: New. Shakespeare's plays continue to be circulated on a massive scale in a variety of guises - as editions, performances, and adaptations - and it is by means of such mediation that we come to know his drama. This title addresses fundamental questions about this process of mediation, making use of the fraught category of adaptation. Num Pages: 232 pages, figures. BIC Classification: 2AB; DSGS. Category: (UU) Undergraduate. Dimension: 215 x 137 x 15. Weight in Grams: 296. . 2008. 1st Edition. Paperback. . . . . Books ship from the US and Ireland.
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Añadir al carritoTaschenbuch. Condición: Neu. Shakespeare and the Problem of Adaptation | Margaret Jane Kidnie | Taschenbuch | Einband - flex.(Paperback) | Englisch | 2008 | Routledge | EAN 9780415308687 | Verantwortliche Person für die EU: Libri GmbH, Europaallee 1, 36244 Bad Hersfeld, gpsr[at]libri[dot]de | Anbieter: preigu.
Idioma: Inglés
Publicado por Taylor & Francis Group, 2009
ISBN 10: 0415308682 ISBN 13: 9780415308687
Librería: Majestic Books, Hounslow, Reino Unido
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Añadir al carritoCondición: New. pp. 232 This item is printed on demand.
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Añadir al carritoPAP. Condición: New. New Book. Delivered from our UK warehouse in 4 to 14 business days. THIS BOOK IS PRINTED ON DEMAND. Established seller since 2000.
Librería: BuchWeltWeit Ludwig Meier e.K., Bergisch Gladbach, Alemania
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Añadir al carritoTaschenbuch. Condición: Neu. This item is printed on demand - it takes 3-4 days longer - Neuware -'Kidnie's study presents original, sophisticated, and profoundly intelligent answers to important questions.' - Lukas Erne, University of Geneva'This is a fine and productive book, one that will surely draw significant attention and commentary well beyond the precincts of Shakespeare studies.' - W.B. Worthen, Columbia UniversityShakespeare's plays continue to be circulated on a massive scale in a variety of guises - as editions, performances, and adaptations - and it is by means of such mediation that we come to know his drama. Shakespeare and the Problem of Adaptation addresses fundamental questions about this process of mediation, making use of the fraught category of adaptation to explore how we currently understand the Shakespearean work. To adapt implies there exists something to alter, but what constitutes the category of the 'play', and how does it relate to adaptation How do 'play' and 'adaptation' relate to drama's twin media, text and performance What impact might answers to these questions have on current editorial, performance, and adaptation studies Margaret Jane Kidnie argues that 'play' and 'adaptation' are provisional categories - mutually dependent processes that evolve over time in accordance with the needs of users. This theoretical argument about the identity of works and the nature of text and performance is pursued in relation to diverse examples, including theatrical productions by the Royal Shakespeare Company, the BBC's ShakespeaRe-Told, the Reduced Shakespeare Company, and recent print editions of the complete works. These new readings build up a persuasive picture of the cultural and intellectual processes that determine how the authentically Shakespearean is distinguished from the fraudulent and adaptive. Adaptation thus emerges as the conceptually necessary but culturally problematic category that results from partial or occasional failures to recognize a shifting work in its textual-theatrical instance. 234 pp. Englisch.
Librería: moluna, Greven, Alemania
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Añadir al carritoKartoniert / Broschiert. Condición: New. Dieser Artikel ist ein Print on Demand Artikel und wird nach Ihrer Bestellung fuer Sie gedruckt. Margaret Jane Kidnie is Associate Professor of English at the University of Western Ontario, Canada. She has edited early modern drama and prose, and has published widely on performance, adaptation, textual studies, and editorial practice. She is current.
Librería: AHA-BUCH GmbH, Einbeck, Alemania
EUR 57,06
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Añadir al carritoTaschenbuch. Condición: Neu. nach der Bestellung gedruckt Neuware - Printed after ordering - 'Kidnie's study presents original, sophisticated, and profoundly intelligent answers to important questions.' - Lukas Erne, University of Geneva'This is a fine and productive book, one that will surely draw significant attention and commentary well beyond the precincts of Shakespeare studies.' - W.B. Worthen, Columbia UniversityShakespeare's plays continue to be circulated on a massive scale in a variety of guises - as editions, performances, and adaptations - and it is by means of such mediation that we come to know his drama. Shakespeare and the Problem of Adaptation addresses fundamental questions about this process of mediation, making use of the fraught category of adaptation to explore how we currently understand the Shakespearean work. To adapt implies there exists something to alter, but what constitutes the category of the 'play', and how does it relate to adaptation How do 'play' and 'adaptation' relate to drama's twin media, text and performance What impact might answers to these questions have on current editorial, performance, and adaptation studies Margaret Jane Kidnie argues that 'play' and 'adaptation' are provisional categories - mutually dependent processes that evolve over time in accordance with the needs of users. This theoretical argument about the identity of works and the nature of text and performance is pursued in relation to diverse examples, including theatrical productions by the Royal Shakespeare Company, the BBC's ShakespeaRe-Told, the Reduced Shakespeare Company, and recent print editions of the complete works. These new readings build up a persuasive picture of the cultural and intellectual processes that determine how the authentically Shakespearean is distinguished from the fraudulent and adaptive. Adaptation thus emerges as the conceptually necessary but culturally problematic category that results from partial or occasional failures to recognize a shifting work in its textual-theatrical instance.