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Añadir al carritoHardcover. Condición: new. Hardcover. A study of two exhibitions that took place five years apart in the same building in Brussels city-centreFull House explores two exhibitions that took place five years apart in the same building in Brussels and featured over 300 contemporary art works from the renowned collection of Frederic de Goldschmidt. The first show, Not Really Really, was organized in 2016 in a building that had only been vacated a few months before by a mental health clinic. The works were mostly sculptures made with everyday objects and played with the ambiguity of what the last occupants could have left and what the artists purposefully created. The building then underwent a long renovation, with photos included illustrating this process. The second show, Inaspettatamente (Unexpectedly), then engaged with themes such as order and disorder, time, classification, the artists process or his/her position in world conflicts using the prism of the famous Arte Povera artist Alighiero Boetti. Curatorial texts and images of the works both in context and in studio allow the reader to discover and appreciate both exhibitions. A study of two exhibitions that took place five years apart in the same building in Brussels city-centre Shipping may be from multiple locations in the US or from the UK, depending on stock availability.
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Publicado por Yale University Press, US, 2021
ISBN 10: 0300260628 ISBN 13: 9780300260625
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Añadir al carritoHardback. Condición: New. A study of two exhibitions that took place five years apart in the same building in Brussels city-centreFull House explores two exhibitions that took place five years apart in the same building in Brussels and featured over 300 contemporary art works from the renowned collection of Frédéric de Goldschmidt. The first show, Not Really Really, was organized in 2016 in a building that had only been vacated a few months before by a mental health clinic. The works were mostly sculptures made with everyday objects and played with the ambiguity of what the last occupants could have left and what the artists purposefully created. The building then underwent a long renovation, with photos included illustrating this process. The second show, Inaspettatamente (Unexpectedly), then engaged with themes such as order and disorder, time, classification, the artist's process or his/her position in world conflicts using the prism of the famous Arte Povera artist Alighiero Boetti. Curatorial texts and images of the works both in context and in studio allow the reader to discover and appreciate both exhibitions.Distributed for MercatorfondsExhibition Schedule:Cloud Seven?, Quai du commerce 7 (November 11, 2021-January 30, 2022).
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ISBN 10: 0300260628 ISBN 13: 9780300260625
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Añadir al carritoHardback. Condición: New. A study of two exhibitions that took place five years apart in the same building in Brussels city-centreFull House explores two exhibitions that took place five years apart in the same building in Brussels and featured over 300 contemporary art works from the renowned collection of Frédéric de Goldschmidt. The first show, Not Really Really, was organized in 2016 in a building that had only been vacated a few months before by a mental health clinic. The works were mostly sculptures made with everyday objects and played with the ambiguity of what the last occupants could have left and what the artists purposefully created. The building then underwent a long renovation, with photos included illustrating this process. The second show, Inaspettatamente (Unexpectedly), then engaged with themes such as order and disorder, time, classification, the artist's process or his/her position in world conflicts using the prism of the famous Arte Povera artist Alighiero Boetti. Curatorial texts and images of the works both in context and in studio allow the reader to discover and appreciate both exhibitions.Distributed for MercatorfondsExhibition Schedule:Cloud Seven?, Quai du commerce 7 (November 11, 2021-January 30, 2022).
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Añadir al carritoHardcover. Condición: new. Hardcover. A study of two exhibitions that took place five years apart in the same building in Brussels city-centreFull House explores two exhibitions that took place five years apart in the same building in Brussels and featured over 300 contemporary art works from the renowned collection of Frederic de Goldschmidt. The first show, Not Really Really, was organized in 2016 in a building that had only been vacated a few months before by a mental health clinic. The works were mostly sculptures made with everyday objects and played with the ambiguity of what the last occupants could have left and what the artists purposefully created. The building then underwent a long renovation, with photos included illustrating this process. The second show, Inaspettatamente (Unexpectedly), then engaged with themes such as order and disorder, time, classification, the artists process or his/her position in world conflicts using the prism of the famous Arte Povera artist Alighiero Boetti. Curatorial texts and images of the works both in context and in studio allow the reader to discover and appreciate both exhibitions. A study of two exhibitions that took place five years apart in the same building in Brussels city-centre Shipping may be from our Sydney, NSW warehouse or from our UK or US warehouse, depending on stock availability.
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Añadir al carritoHardcover. Condición: new. Hardcover. A study of two exhibitions that took place five years apart in the same building in Brussels city-centreFull House explores two exhibitions that took place five years apart in the same building in Brussels and featured over 300 contemporary art works from the renowned collection of Frederic de Goldschmidt. The first show, Not Really Really, was organized in 2016 in a building that had only been vacated a few months before by a mental health clinic. The works were mostly sculptures made with everyday objects and played with the ambiguity of what the last occupants could have left and what the artists purposefully created. The building then underwent a long renovation, with photos included illustrating this process. The second show, Inaspettatamente (Unexpectedly), then engaged with themes such as order and disorder, time, classification, the artists process or his/her position in world conflicts using the prism of the famous Arte Povera artist Alighiero Boetti. Curatorial texts and images of the works both in context and in studio allow the reader to discover and appreciate both exhibitions. A study of two exhibitions that took place five years apart in the same building in Brussels city-centre Shipping may be from our UK warehouse or from our Australian or US warehouses, depending on stock availability.
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Publicado por Yale University Press, US, 2021
ISBN 10: 0300260628 ISBN 13: 9780300260625
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Añadir al carritoHardback. Condición: New. A study of two exhibitions that took place five years apart in the same building in Brussels city-centreFull House explores two exhibitions that took place five years apart in the same building in Brussels and featured over 300 contemporary art works from the renowned collection of Frédéric de Goldschmidt. The first show, Not Really Really, was organized in 2016 in a building that had only been vacated a few months before by a mental health clinic. The works were mostly sculptures made with everyday objects and played with the ambiguity of what the last occupants could have left and what the artists purposefully created. The building then underwent a long renovation, with photos included illustrating this process. The second show, Inaspettatamente (Unexpectedly), then engaged with themes such as order and disorder, time, classification, the artist's process or his/her position in world conflicts using the prism of the famous Arte Povera artist Alighiero Boetti. Curatorial texts and images of the works both in context and in studio allow the reader to discover and appreciate both exhibitions.Distributed for MercatorfondsExhibition Schedule:Cloud Seven?, Quai du commerce 7 (November 11, 2021-January 30, 2022).
Idioma: Inglés
Publicado por Yale University Press, US, 2021
ISBN 10: 0300260628 ISBN 13: 9780300260625
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Añadir al carritoHardback. Condición: New. A study of two exhibitions that took place five years apart in the same building in Brussels city-centreFull House explores two exhibitions that took place five years apart in the same building in Brussels and featured over 300 contemporary art works from the renowned collection of Frédéric de Goldschmidt. The first show, Not Really Really, was organized in 2016 in a building that had only been vacated a few months before by a mental health clinic. The works were mostly sculptures made with everyday objects and played with the ambiguity of what the last occupants could have left and what the artists purposefully created. The building then underwent a long renovation, with photos included illustrating this process. The second show, Inaspettatamente (Unexpectedly), then engaged with themes such as order and disorder, time, classification, the artist's process or his/her position in world conflicts using the prism of the famous Arte Povera artist Alighiero Boetti. Curatorial texts and images of the works both in context and in studio allow the reader to discover and appreciate both exhibitions.Distributed for MercatorfondsExhibition Schedule:Cloud Seven?, Quai du commerce 7 (November 11, 2021-January 30, 2022).
Idioma: Inglés
Publicado por Yale University Press Nov 2021, 2021
ISBN 10: 0300260628 ISBN 13: 9780300260625
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Añadir al carritoBuch. Condición: Neu. Neuware - Full House is explores two exhibitions that took place five years apart in the same building in Brussels city-centre.
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Añadir al carritoBuch. Condición: Neu. Full House | One Space, Two Shows, 307 Artists, and 400 Pieces. From the Frederic de Goldschmidt Collection | Nicolas Bourriaud | Buch | Gebunden | Englisch | 2021 | Yale University Press | EAN 9780300260625 | Verantwortliche Person für die EU: Libri GmbH, Europaallee 1, 36244 Bad Hersfeld, gpsr[at]libri[dot]de | Anbieter: preigu.
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