Isbn: 9780300151602 - metropolitan museum studies in art, science, and technology, volume 1, 2010 (3 resultados)

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  • Idioma: Inglés

    Editorial: Metropolitan Museum of Art, 2010

    0300151608 / 9780300151602

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    Librería: HPB-Diamond, Dallas, TX, Estados Unidos de AmericaHPB-Diamond

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    Condición: Usado - Bueno

    EUR 13,62

    Envío por EUR 3,27 
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    Cantidad disponible: 1 disponibles

    paperback. Condición: Very Good. Connecting readers with great books since 1972! Used books may not include companion materials, and may have some shelf wear or limited writing. We ship orders daily and Customer Service is our top priority.

  • Idioma: Inglés

    Editorial: Metropolitan Museum of Art New York, 2010

    0300151608 / 9780300151602

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    Librería: ThriftBooks-Atlanta, AUSTELL, GA, Estados Unidos de AmericaThriftBooks-Atlanta

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    Condición: Usado - Bueno

    EUR 17,19

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    Cantidad disponible: 1 disponibles

    Paperback. Condición: Very Good. No Jacket. May have limited writing in cover pages. Pages are unmarked. ~ ThriftBooks: Read More, Spend Less.

  • Idioma: Inglés

    Editorial: Metropolitan Museum of Art, 2010

    0300151608 / 9780300151602

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    Librería: BWS BKS, Ferndale, NY, Estados Unidos de AmericaBWS BKS

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    Condición: Nuevo

    EUR 1773,62

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    Paperback. Condición: New. This is the first volume in a new series focused on the technical study of museum objects through the collaborative efforts of conservators, research scientists, and curators. Written for a professional audience, the publication underscores the importance of a thorough understanding of the context, materials, and technical nature of works of art.This volume includes a history of early objects conservation practices in The Metropolitan Museum of Art; an exploration of the use of lapis lazuli and azurite as pigments in ancient Egypt; two related investigations into the casting methods and materials of early Chinese bronze Buddha figures; a compositional study of medieval Islamic enameled glass; an analysis of the polychrome decoration on four French Romanesque sculptures; and an evaluation of several paintings by Paolo Veronese, addressing a longstanding debate over whether they originated as a group.