9780300093605 - Thomas Struth: 1977-2002 de Ecklund, Douglas; Goldstein, Ann; Hambourg, Maria Morris; Wylie, Charles (29 resultados)

Condición: Good. First Edition. Former library copy. Pages intact with minimal writing/highlighting. The binding may be loose and creased. Dust jackets/supplements are not included. Includes library markings. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

Condición: good. A copy that has been read, remains in good condition. All pages are intact, and the cover is intact. The spine and cover show signs of wear. Pages can include notes and highlighting and show signs of wear, and the copy can include "From the library of" labels or previous owner inscriptions. 100% GUARANTEE! Shipped with delivery confirmation, if you're not satisfied with purchase please return item! Ships via media mail.

Hardcover. Condición: Good.

Hardcover. Condición: Fine. Estado de la sobrecubierta: Fine. 1st Edition. Thomas Struth, 1977-2002 essays by Douglas Ecklund, Ann Goldstein, Maria Morris Hambourg and Charlie Wylie Dallas Museum of Art 2002, HB ISBN 0300093608 190 pp., 67 color plates and 34 duotone plates, square quarto. FINE, clean and bright with no markings, no writing, no bumps, corners are sharp and square. In FINE dustjacket with no chips, no tears, no edgewear, protected in archival mylar. A large monograph of Struth's work which was published in conjunction with a retrospective exhibition organized by the Dallas Museum of Art which also traveled to Los Angeles, New York and Chicago.

Oversized Hardcover. Condición: Good. Accompanying a major retrospective of German-born photographer Thomas Struth's work (organized by the Dallas Museum of Art; travels to the MetMusArt/Feb.-May/2003), the book is the most comprehensive book to date on his photographs. Best-known for his majestic, large-scaled museum photographs depicting visitors to some of the great museums, Struth continues his interest in series, with recent works basedon the natural world, often focusing on a particular contemporary melding of nature with technology and architecture. Illus., 75 color/30 b&w photographs. 164p.

Hardcover. Condición: Very Good. hardcover with dust jacket, tight, pages clear and bright, shelf and edge wear, corners bumped, packaged in cardboard box for shipment, tracking on U.S. orders.

Hardcover. Gray cloth boards with blue lettering, color illustrated dust jacket with white lettering, 189 pp; profusely illustrated in bw and color. "Photographer Thomas Struth (b. 1954), one of the most intriguing, challenging, and gifted artists to emerge from Europe in the past two decades, has created a beautiful and distinctive body of images depicting the world - its buildings, people, society, and culture - in its present moment of perpetual change. Unlike many of his contemporaries who have investigated photography's fictional potential, Struth has adhered to a straightforward yet formally refined approach that makes his viewers become aware of their world in often entirely new ways. This catalogue is the first to encompass Struth's entire body of work, dating from the late 1970's to the early 2000's. His early black-and-white photographs of deserted city streets, his psychologically penetrating portraits of individuals and families, his renowned "museum pictures," and his large-format color landscapes of nature and industry from around the globe are all represented in this unsurpassed collection of images. Engaging essays by well known photography and art experts chronicle Thomas Struth's career: Charles Wylie examines the development of Struth's art and places him in the context of photographic history of the last century; Maria Morris Hambourg and Douglas Eklund review the artist's aesthetic and intellectual influences and maturation; and Ann Goldstein investigates the role portraiture has played in Struth's art. This survey attests to the unmistakable importance of his photographs and his valued place in the history of photography and contemporary art."--Jacket. VG/VG (light sunning to board edges. light, discolored pink blotches to cloth boards. dustjacket scuffed & scratched; speckled rubbing to back; speckled foxing to edges).

Hard cover. Condición: Very good. Estado de la sobrecubierta: Good. Jacket is heavily faded on spine and moderately faded on 25% of the front panel extending from the spine. Cover and inside pages are clean and unmarked.

hardcover. Condición: Used-Very Good. First Edition. Cloth, dj., large, square 4to. Illus. Slight wear to dj.

Hardcover. Condición: Used - Very Good. Thomas Struth (b. 1954) is one of the most compelling artists using photography today. Coming to prominence in his native Germany in the 1970s, Struth captured the atmospheric power of the contemporary urban landscape in his early black-and-white works. With an intent gaze and exacting lens, Struth expanded his range to include color portraits, bringing a unique psychological precision to the tradition of portraiture. Perhaps Struth's best-known works are his majestic, large-scaled museum photographs depicting visitors to some of the world's great museums and buildings, including The Art Institute of Chicago, the Musee du Louvre in Paris, the Accademia in Venice, and the Pantheon in Rome. These captivating photographs not only transport us to the place depicted, they also provide a chance to reexamine our own selves looking at art. Continuing his interest in series, Struth has recently created expansive works based on the natural world, often training his camera on a particular contemporary melding of nature with technology and architecture. This handsomely designed and produced volume is the most comprehensive book to date on the photographs of Thomas Struth and accompanies a major retrospective exhibition organized by the Dallas Museum of Art. Engaging essays by well-known photography and art experts chronicle Struth's career and situate his work in the context of the history of photography and its rise in contemporary art. wrapped in complimentary Brodart dust jacket protector. Very nice clean, tight copy free of any marks. DJ spine is faded.

Hardcover. Condición: near fine/near fine. Quarto. 190pp. Exhibition catalogue. 67 color plates 34 duotones. A very nice copy in dust jacket.

189 S. : überw. Ill. ; 25 cm Minimale Gebrauchsspuren, sonst sehr gut erhalten. Mit original Schutzumschlag. Sprache: Englisch Gewicht in Gramm: 2101 Querformat, Gewebe, gebundene Ausgabe.

Hard cover. Condición: Very good. Estado de la sobrecubierta: Very good. Jacket has slight wear and creasing along edges and on corners, and small scratches near bottom of spine, but text and images are clear and bright. Cover is slightly bumped on back lower corner. Binding is tight. Inside is clean and unmarked.

Hardcover. Condición: Fine. Estado de la sobrecubierta: Fine. 1st. (USA) Presumed 1st edition. No markings, Fine in Fine dust jacket. Grey cloth, 190pp, colour and B&W photos. Thomas Struth is a German photographer who is best known for his Museum Photographs, family portraits and 1970s black and white photographs of the streets of Düsseldorf and New York. (5.0 JM HOZ 403/b6 Size: 4to - over 9¾" - 12".

Oversize hardcover with dustjacket, 190 pages; very good condition; except abrasion to dj at top of spine; no internal marks. Foreign shipping may be extra.

Estado de la sobrecubierta: dj. First Edition. First edition and first printing. Oblong hardcover. 189 pages. A major monograph on this important German photographer who was a student of the Becher's. Published in conjunction with a traveling show that started in Dallas and went on to Los Angeles, New York and Chicago. Features essays by Douglas Eklund, Ann Goldstein, Maria Morris Hambourg, and Charles Wylie. Includes numerous color and black and white images, checklist, list of previous exhibitions, selected bibliography, and an index. A clean and tight very near fine copy in cloth boards and in a very near fine dust jacket.

Hard Cover. Condición: Fine. Estado de la sobrecubierta: Fine. This is a fine hardcover copy with a fine dust jacket. Completely clean. This monograph was prepared tp accompany the exhibition at the Dallas Museum of Art from May 12 to August 18, 2002. Essays by Douglas Eklund, Ann Goldstein, Maria Morris Hambourg, and Charles Wylie. Illustrated in color and black & white with over 100 of Thomas Struth's photographs. 12" high X 13" wide,189 pages. Large heavy book, foreign shipping will be extra. This book will be securely wrapped and packed in a sturdy box and shipped with tracking.

Cloth. Condición: Fine Condition. Estado de la sobrecubierta: Fine Condition. First Edition. 189 pages. Hardcover. Texts in English. Crisp, tight, sharp and clean condition copy, with a bright jacket now encased in a Mylar sleeve. 97 photographs 30 duotone 67 four color plates. First edition. Published on the occasion of the exhibition from the Dallas Museum of Art, Dallas TX May 12-August 18, 2002, The Museum of Contemporary Art, Los Angeles CA September 15, 2002-January 5, 2003, The Metropolitan Museum of Art, New York NY February 4-May 18, 2003, and The Museum of Contemporary Art, Chicago IL June 28-September 28, 2003. A Schirmer / Mosel production, this is the English language edition. Distributed by Yale University Press. Grey cloth with blue stamped letters to the spine and cover. Includes list of plates, checklist of the exhibition, lenders, biography, selected exhibitions, selected bibliography, index, and artist's acknowledgments. Book.

Oversize hardcover with dustjacket, 190 pages; very good condition; light rubbing to dj; no internal marks. Foreign shipping may be extra for this item.

190 S., 101 Tafeln in Farbe und Novatone. 1. Auflage. Katalog anlässlich der Ausstellung im Dallas Museum of Art, 12.05.-18.08.2002 und anderen. Sehr gutes Exemplar. Sprache: Deutsch Gewicht in Gramm: 2100 30,5 x 32,5 cm. Orig.-Leinen mit Orig.-Umschlag (Umschlag mit Lichtrand).

Hardcover. Condición: new. New Copy. Customer Service Guaranteed.

hardcover. Condición: New. In shrink wrap. Looks like an interesting title!

Hardcover. Condición: As New. Estado de la sobrecubierta: Near Fine. First Edition. Signed and inscribed by the photographer "To Debbie Thomas Struth Chicago June 26th 2003" on the free front endpaper. The book is in as new condition. The jacket is in near fine condition with some very light scratches else in as new condition. Signed and Inscribed By Author.

Hardcover. Condición: Fine. Estado de la sobrecubierta: Near Fine. 1st Edition. First edition thus (English). Hardcover. Cloth, with dust jacket. Photographs by Thomas Struth. Essays by Douglas Eklund, Ann Goldstein, Maria Morris Hambourg and Charles Wylie. 164 pp., with 60 four-color and 37 duotone plates and additional color and black and white reference illustrations. 11-3/4 x 12-3/4 inches. Includes an announcement card for the exhibition at the Dallas Museum of Art. Published on the occasion of the 2002 exhibition Thomas Struth: 1977-2002, curated by Charles Wylie, at the Dallas Museum of Art (travels to the Museum of Contemporary Art, Los Angeles, The Metropolitan Museum of Art, New York and the Museum of Contemporary Art, Chicago). Fine in Near Fine dust jacket (slight bump to upper left corner, else Fine; spine of dust jacket lightly sunned, else Fine). From the publisher: "Thomas Struth (b. 1954) is one of the most compelling artists using photography today. Coming to prominence in his native Germany in the 1970s, Struth captured the atmospheric power of the contemporary urban landscape in his early black and white works. With an intent gaze and exacting lens, Struth expanded his range to include color portraits, bringing a unique psychological precision to the tradition of portraiture. Perhaps Struth's best-known works are his majestic, large-scaled museum photographs depicting visitors to some of the world's great museums and buildings, including The Art Institute of Chicago, the Musée du Louvre in Paris, the Accademia in Venice, and the Pantheon in Rome. These captivating photographs not only transport us to the place depicted, they also provide a chance to reexamine our own selves looking at art. Continuing his interest in series, Struth has recently created expansive works based on the natural world, often training his camera on a particular contemporary melding of nature with technology and architecture. This handsomely designed and produced volume is the most comprehensive book to date on the photographs of Thomas Struth and accompanies a major retrospective exhibition organized by the Dallas Museum of Art. Engaging essays by well-known photography and art experts chronicle Struth's career and situate his work in the context of the history of photography and its rise in contemporary art.".

Hardcover. Condición: Near Fine. Estado de la sobrecubierta: Near Fine. 1st Edition. First edition thus (English). Hardcover. Cloth, with dust jacket. Photographs by Thomas Struth. Essays by Douglas Eklund, Ann Goldstein, Maria Morris Hambourg and Charles Wylie. 164 pp., with 60 four-color and 37 duotone plates and additional color and black and white reference illustrations. 11-3/4 x 12-3/4 inches. Published on the occasion of the 2002 exhibition Thomas Struth: 1977-2002, curated by Charles Wylie, at the Dallas Museum of Art (travels to the Museum of Contemporary Art, Los Angeles, The Metropolitan Museum of Art, New York and the Museum of Contemporary Art, Chicago). Near Fine in Near Fine dust jacket (corners lightly bumped, not affecting text block, else Fine). From the publisher: "Thomas Struth (b. 1954) is one of the most compelling artists using photography today. Coming to prominence in his native Germany in the 1970s, Struth captured the atmospheric power of the contemporary urban landscape in his early black and white works. With an intent gaze and exacting lens, Struth expanded his range to include color portraits, bringing a unique psychological precision to the tradition of portraiture. Perhaps Struth's best-known works are his majestic, large-scaled museum photographs depicting visitors to some of the world's great museums and buildings, including The Art Institute of Chicago, the Musée du Louvre in Paris, the Accademia in Venice, and the Pantheon in Rome. These captivating photographs not only transport us to the place depicted, they also provide a chance to reexamine our own selves looking at art. Continuing his interest in series, Struth has recently created expansive works based on the natural world, often training his camera on a particular contemporary melding of nature with technology and architecture. This handsomely designed and produced volume is the most comprehensive book to date on the photographs of Thomas Struth and accompanies a major retrospective exhibition organized by the Dallas Museum of Art. Engaging essays by well-known photography and art experts chronicle Struth's career and situate his work in the context of the history of photography and its rise in contemporary art.".

Hardcover. Condición: Fine. Estado de la sobrecubierta: Fine. 1st Edition. Hardcover. First Edition, first printing. Fine copy in fine dust jacket, mylar protected. A major catalog of an exhibition held at several major institutions, including The Metropolitan Museum of Art and the Museum of Contemporary Art, Chicago. Signed by Thomas Struth on the half-title page. A heavy book that requires an extra charge for priority and international shipping. Signed by Illustrator(s).

Ecklund, Douglas, Ann Goldstein, Maria Morris Hambourg and Charles Wylie. THOMAS STRUTH 1977-2002. 190 pp., with 67 color and 34 b&w plates. Oblong 4to, cloth. Dallas, Museum of Art in association with New Haven and London, Yale University Press, 2002. The most comprehensive book to date on this contemporary German photographer, and it accompanies a major exhibition opening at the Dallas Museum of Art, travelling subsequently to MOCA in Los Angeles and the Metropolitan Museum of Art in New York.

Hardcover. Condición: As New. Estado de la sobrecubierta: As New. 1st Edition. 1st Printing. Signed. 190 pages. Published in 2002. Exhibition Monograph. Retrospective of the photographer's body of work. One of the essential books on the photographic art and achievement of Thomas Struth. The First Hardcover Edition. Precedes and should not be confused with all other subsequent editions. Published in a small and limited first print run as a hardcover original only. A brilliant production by the Dallas Museum of Art: Oversize-volume format. Pale gray cloth boards with black titles embossed on cover and spine, as issued. Photographs by Thomas Struth. Essays by various scholars and photography experts: Douglas Eklund, Ann Goldstein, Maria Morris Hambourg, and Charles Wylie. Printed on pristine-white, thick coated stock paper in Italy to the highest standards. The reproduction quality is outstanding in every respect. In pictorial DJ with titles on the cover and spine, as issued. Published on the occasion of the exhibition of the same name held at the Dallas Museum of Art in 2002. It travelled on to ALL of the other major venues: The Museum of Contemporary Art Los Angeles, The Metropolitan Museum of Art New York, and the Museum of Contemporary Art Chicago. Presents "Thomas Struth 1977-2002". Singular photography that remains rooted in the influential German School that Struth then helped expand and develop. "Struth captured the atmospheric power of the contemporary urban landscape. Struth's best-known works are his majestic, large-scaled museum photographs depicting visitors to some of the world's greatest museums. These captivating photographs not only transport us to the place depicted, they also provide a chance to re-examine our own selves looking at art" (Publisher's blurb). An absolute "must-have" title for Thomas Struth collectors. This copy is very boldly and beautifully signed in metallic-silver pen-marker on the half-title page by Thomas Struth. It is signed directly on the page itself, not on a tipped-in page. This title is a great art photography book. This is one of very few such signed copies of the First Hardcover Edition/First Printing still available online and is in especially fine condition: Clean, crisp, and bright. A rare signed copy thus. 60 color, 37 duotone plates. "Thomas Struth: Museum Photographs" was selected as one of the greatest photography books in "The Photobook". One of the most brilliant photographers of our time. A fine collectible copy. (SEE ALSO OTHER THOMAS STRUTH TITLES IN OUR CATALOG) ISBN 0300093608. Signed by Author.

Hardcover. Condición: Fine. Estado de la sobrecubierta: Fine. 1st Edition. First edition thus (English). Hardcover. Cloth, with dust jacket. Photographs by Thomas Struth. Essays by Douglas Eklund, Ann Goldstein, Maria Morris Hambourg and Charles Wylie. 164 pp., with 60 four-color and 37 duotone plates and additional color and black and white reference illustrations. 11-3/4 x 12-3/4 inches. Includes an announcement card for the exhibition at the Dallas Museum of Art. Published on the occasion of the 2002 exhibition Thomas Struth: 1977-2002, curated by Charles Wylie, at the Dallas Museum of Art (travels to the Museum of Contemporary Art, Los Angeles, The Metropolitan Museum of Art, New York and the Museum of Contemporary Art, Chicago). Fine in Fine dust jacket. From the publisher: "Thomas Struth (b. 1954) is one of the most compelling artists using photography today. Coming to prominence in his native Germany in the 1970s, Struth captured the atmospheric power of the contemporary urban landscape in his early black and white works. With an intent gaze and exacting lens, Struth expanded his range to include color portraits, bringing a unique psychological precision to the tradition of portraiture. Perhaps Struth's best-known works are his majestic, large-scaled museum photographs depicting visitors to some of the world's great museums and buildings, including The Art Institute of Chicago, the Musée du Louvre in Paris, the Accademia in Venice, and the Pantheon in Rome. These captivating photographs not only transport us to the place depicted, they also provide a chance to reexamine our own selves looking at art. Continuing his interest in series, Struth has recently created expansive works based on the natural world, often training his camera on a particular contemporary melding of nature with technology and architecture. This handsomely designed and produced volume is the most comprehensive book to date on the photographs of Thomas Struth and accompanies a major retrospective exhibition organized by the Dallas Museum of Art. Engaging essays by well-known photography and art experts chronicle Struth's career and situate his work in the context of the history of photography and its rise in contemporary art.".