Isbn: 9780300081565 - the discovery of pictorial composition: theories of visual order in painting, 1400-1800 (14 resultados)

Condición: Good. Former library copy. Pages intact with minimal writing/highlighting. The binding may be loose and creased. Dust jackets/supplements are not included. Includes library markings. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

hardcover. Condición: Acceptable. Please see the condition note after this for details, if this is missing please consider Acceptable to mean poor quality that could include major staining, water damage, writing, missing dustjacket, etc etc. Our books are dispatched from a Yorkshire former cotton mill. We list via barcode/ISBN so please note that the images are stock images and may not be the exact copy you receive, furthermore the details about edition and year might not be accurate as many publishers reuse the same ISBN for multiple editions and as we simply scan a barcode or enter an ISBN we do not check the validity of the edition data when listing. If you're looking for an exact edition please don't order (at least not without checking with us first, although we don't always have time to check). We aim to dispatch prompty, the service used will depend on order value and book size. We can ship to most countries, see our shipping policies. Payment is via Abe only.…

Hardcover. Condición: Very Good. Estado de la sobrecubierta: Very Good. 1st Edition. Contents: 1: Rudimenta -- Easel painting and pictorial order -- 2: Why the Renaissance did not talk about pictorial composition -- Alberti and the composition of bodies -- Perspective and composition I -- Figure and ground -- Scale and presence -- In search of the whole and its harmonies -- 3: The discovery of pictorial composition in France -- Borghini, van Mander and Junius: northern approaches to pictorial composition -- Poussin's thoughts on invention and disposition -- The beginnings of the French theory of painting: public discourse and the image in the mind -- Perspective and composition II -- Du Fresnoy and de Pile's De arte graphica: a primer in pictorial composition -- The rule of the Tableau and its losses. viii, 332 pages : illustrations (some color) ; 27 cm. First edition, first printing. Dark green boards, unclipped dust jacket (now in a removable protective sleeve). Slight shelf wear to edges, gift inscription on half-title page from author 'For Jane and David, with much love, Thomas and Elly 17 June 2000', tight and square binding. Photographs available on request. All books dispatched same or next working day in robust packaging. Signed by Author(s).…

Hardcover. Condición: Fine. Estado de la sobrecubierta: Fine. First printing. 4to. 332 pp. Fine in Fine dust jacket.

Hardcover. Condición: Very Good. Estado de la sobrecubierta: Very Good. 1st Edition. Contents: 1: Rudimenta -- Easel painting and pictorial order -- 2: Why the Renaissance did not talk about pictorial composition -- Alberti and the composition of bodies -- Perspective and composition I -- Figure and ground -- Scale and presence -- In search of the whole and its harmonies -- 3: The discovery of pictorial composition in France -- Borghini, van Mander and Junius: northern approaches to pictorial composition -- Poussin's thoughts on invention and disposition -- The beginnings of the French theory of painting: public discourse and the image in the mind -- Perspective and composition II -- Du Fresnoy and de Pile's De arte graphica: a primer in pictorial composition -- The rule of the Tableau and its losses. viii, 332 pages : illustrations (some color) ; 27 cm. First edition, first printing. Dark green boards, unclipped dust jacket. Slight shelf wear to edges, no inscriptions, tight and square binding. Photographs available on request. All books dispatched same or next working day in robust packaging.…

Hardcover. Condición: New.

Hardcover. Condición: Very Good. 1st Edition.

Hardcover. Condición: New. Estado de la sobrecubierta: New. 326 pp., 27 x 21 cm. color illustrations. Brand new copy. No bumps or marks.In this illuminating book, art historian Thomas Puttfarken examines how pictorial composition and attitudes toward it changed between the early Renaissance and the beginning of the nineteenth century. Before 1600, a painting's overall composition was hardly ever discussed. As far as art theory and criticism were concerned, pictorial composition was a "discovery" of the seventeenth century, the author explains. In the first part of the book, Puttfarken investigates why pictorial composition did not figure in earlier accounts of the art. In Italy artists and patrons focused on large-scale wall paintings or altarpieces and on the presentation of life-size saints or protagonists whose physical proportions and interactions in narratives were considered more important than notions of overall effect or pictorial format. The second part of the book discusses the discovery of composition and its consequences for both the theory and practice of painting, understood as the production of tableaux, or easel pictures. Puttfarken considers the effects on paintings of size, location, perspective, and relief, the relationship between ground and figures and between image and frame, and the different traditions defining Italian and Northern art. For readers with an interest in the theory and history of European art, this book is full of rich insights and fresh analyses.…

hardcover. Condición: As New. Hardcover with fine dust jacket. Book is in Excellent condition, pages are clean and tight.

hardcover. Condición: near fine. very good(+). Color and black & white reproductions throughout. viii, 332 pages. Small 4to, green cloth with gilt lettering at spine, pictorial d.w. New Haven: Yale University Press, (2000). A near fine copy in a very good(+) dust wrapper.

Hardcover. Condición: Good. Book is in good condition. 326pp with illustrations.

Hardcover. Condición: Very Good. Estado de la sobrecubierta: Very Good. 1st Edition. 1st ed. 332pp. VG+/VG+ copy, corners gently bumped, now preserved in mylar jacket protector. From the library of Australian abstract artist Klaus Friedeberger (1922-2019), whose original receipt is laid in.

Hardcover. Condición: new. New Copy. Customer Service Guaranteed.

Condición: Very Good.