Isbn: 9780300053586 - the altarpiece in renaissance venice (13 resultados)

hardcover. Condición: Good. Yale University Press, c.1993, 1st., 10"x11-1/2", cloth, 382pp. illusts., ex-lib.- spine label, pocket, stamps, G $.

hardcover. Condición: As New. Hardcover with dust jacket. Book is in excellent condition, text is unmarked and pages are tight.

hardcover. Condición: As New. Used, hardcover like new with original dust jacket. Sharp, square, clean, fresh & serviceable copy. No highlighting, marginalia or tears.

Paperback. Condición: Very Good. The painting and carving of altarpieces was one of the most important and characteristic tasks of Italian Renaissance artists. This book focuses on Venice from 1450 to 1530. Peter Humfrey, an authority on Venetian painting, explores a wide range of issues surrounding altarpieces as an art form. These include the traditions of decoration of Venetian churches, the sacred and secular functions that altarpieces were expected to perform, the market for altarpieces, and the professional world of the Venetian artist. He discusses altarpieces by Bellini, Cima, the three Vivarini, and the young Titian, as well as by numerous other painters and sculptors of the period. A central theme of the book is the relation between the altarpieces and their original physical and liturgical context. Throughout, Humfrey tries to reintegrate altarpieces with their intended settings, both for the sake of recapturing their full visual effect and as a basis for examining the ideological relationship between their subject matter and the altar table below. He also examines the complex mixture of motives, worldly as well as pious, that prompted 15th-century Venetians to spend large sums of money on commissioning altarpieces for the churches of their city. The first part of the book is thematic, dealing with the making, placement, and function of the altarpiece. The second part is a chronological discussion of specific works, focusing on the ways in which the artists met challenges posed by specific commissions. An appendix to the book gives further factual and bibliographical information about 100 major Venetian altarpieces of the period. The book has been read, but is in excellent condition. Pages are intact and not marred by notes or highlighting. The spine remains undamaged.…

Hardcover. Condición: Used-Very Good. dj. Cloth, dj. Slipcase included. Minor rubbing and sunning to slipcase; slightly bumped at corners. Dustjacket has slight creasing at spine ends and corners. Minor shelf wear to boards. Else a bright, clean copy.

Hardcover. Square quarto. Hardcover. Red cloth, cream & color illus. dust jacket, 382 pp., 300+ mostly color plates. "This book -- the first detailed study of the altarpiece in a major centre of Renaissance art -- focuses on Venice from 1450 to 1530. . [It] explores a wide range of issues surrounding altarpieces as an art form. These include the traditions of decoration of Venetian churches, the sacred and secular functions that altarpieces were expected to perform, the market for altarpieces, and the professional world of the Venetian artist." (dj) A fabulously illustrated volume. VG/VG-. Jacket has some bumping and creasing around the top edge. Otherwise clean and unmarked. Book in photos is a previous copy sold from our inventory, this copy is NOT ex-lib.…

Hardcover with dustjacket in flimsy cardboard shipping slipcase, 382 pages; as new condition, clean and crisp; no internal marks. Foreign shipping may be extra.

Hardcover. Condición: fine/fine. First edition. Quarto.11 1/2" x 10". . 382pp. Full page color and black and white illustratiions. A fine copy in an equally nice dust jacket. Slipcase. "The central theme of the book is the relation between the altarpieces and their original physical and liturgical cxontext.".…

Hardcover. Condición: New. In shrink wrap. Looks like an interesting title.

Hardcover. Condición: New. Brand New in slipcase.

Hardcover. Condición: Fine. Estado de la sobrecubierta: Fine. 1st Edition. ix, 382 pages : illustrations (some color), maps ; 30 cm. issued in a slip case. Contents: Introduction. The altarpiece as a type ; Venice as a centre ; Changing formats ; Questions of terminology Part I : Contexts The physical environment. The church of San Marco ; The Byzantine tradition ; The Gothic tradition ; The new architecture ; Secular buildings ; Accessories ; Lights and lighting Purposes and uses. The religious life of the laity ; The juspatronatus of altars ; Subjects and dedications ; The altarpiece and lay devotion ; Lessons and reminders ; Altarpieces and non-altarpieces Donors. The clergy ; Individuals and families ; Confraternities ; Officers of state ; The export market Business practices. Decisions of form and content ; Methods of construction ; Painters and frame-makers ; Costs and payments ; Travel and transport ; Imports Part II : Objects Renaissance beginnings (c. 1450-1475). The Gothic tradition ; Development in Padua ; The "Paduan" format in Venice ; The creation of the sacra conversazione ; Two commissions for Pesaro Antonello and his Heritage (c. 1475-1500). Antonello's Venetian altarpiece ; The sacra conversazione triumphant ; Polytychs and triptychs 1475-1500 ; The emergence of the narrative altarpiece From early to sacra conversazione ; Developments in the narrative altarpiece ; Polyptychs and triptychs 1500-c. 1520 ; The foreigners. 8. Sculpture (a. 1450-1530). Polyptychs and tabernacles ; Reliefs ; The bronze altarpiece ; The architectural altarpiece Epilogue: Titian after Bellini. The Assunta ; The transformation of the sacra conversazione ; Two commissions for terraferma prelates ; The Death of St Peter Martyr Appendix: Some Major Venetian Altarpieces 1450-1530.…

Hardcover. Condición: Good. Original red cloth, gilt lettered spine, dust jacket, numerous (full page) illustrations in colour and b/w, slipcase, 4to.; Several stains to bottom edge of slipcase.

Hardcover. Condición: gut. 1993. The Altarpiece in Renaissance Venice In englischer Sprache. pages.