Isbn: 9780300029765 - drawing in early renaissance italy (5 resultados)

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  • Idioma: Inglés

    Editorial: New Haven : Yale University Press, 1982

    0300029764 / 9780300029765

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    Librería: MW Books, New York, NY, Estados Unidos de AmericaMW Books

    Vendedor de 5 estrellas
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    Condición: Usado

    EUR 26,10

     Gastos de envío gratis 
    Se envía dentro de Estados Unidos de America

    Cantidad disponible: 1 disponible

    2nd edition. Near fine paperback copy; edges very slightly dust-dulled and nicked. Remains particularly well-preserved overall; tight, bright, and clean. Physical description; xi, 196 pages : illustrations ; 27 cm. Notes; Includes bibliographical references (pages 185-188) and index. Contents; Some general considerations: written sources ; The status of drawing in the Fifteenth Century ; Survival of drawings. The problem. Regional differences. Collecting ; The origins of drawing ; Drawing in workshop training ; Drawing in artistic exploration - Drawing surfaces: Parchment and another small-scale surfaces. Paper. Sinopie and cartoons - Techniques: Silverpoint drawing. Drawing with pen and ink. Chalk Drawing. Brush Drawing - Model-books and sketch-books: The model-book and its functions ; Pisanello, the transition from model-book to sketch-book ; Drawing-books in early Quattrocento Tuscany ; From sketch-book to Portfolio pattern d - Figure drawing: Study of the nude in Florence ; Sculptural drawing ; Figure drawing outside Florence ; Figure groups - Compositional drawings: Compositional drawings in drawing-books ; Contract drawings ; Compositional sketching ; The evolution of a pictorial design. North Italy. Domenico Ghirlandino. Leonardo da Vinci. Epilogue: The Quattrocento legacy. Subjects; Ames-Lewis, F. Geschichte 1400-1500. Drawing, Italian. Drawing, Renaissance Italy. Renaissance Art. History. Art. Italian drawings 1400-1500 Critical studies. Italian drawings 1300-1600. 1 Kg.…

  • Idioma: Inglés

    Editorial: Yale University, 1982

    0300029764 / 9780300029765

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    Librería: A Casperson Books, Niles, MI, Estados Unidos de AmericaA Casperson Books

    Vendedor de 4 estrellas
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    Condición: Usado - Como Nuevo

    EUR 22,88

    Envío por EUR 3,67 
    Se envía dentro de Estados Unidos de America

    Cantidad disponible: 1 disponible

    Soft cover. Condición: As New. No Jacket. as new.

  • Idioma: Inglés

    Editorial: New Haven : Yale University Press, 1982

    0300029764 / 9780300029765

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    Librería: MW Books Ltd., Galway, IrlandaMW Books Ltd.

    Vendedor de 5 estrellas
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    Condición: Usado

    EUR 12,95

    Envío por EUR 16,95 
    Se envía de Irlanda a Estados Unidos de America

    Cantidad disponible: 1 disponible

    2nd edition. Near fine paperback copy; edges very slightly dust-dulled and nicked. Remains particularly well-preserved overall; tight, bright, and clean. Physical description; xi, 196 pages : illustrations ; 27 cm. Notes; Includes bibliographical references (pages 185-188) and index. Contents; Some general considerations: written sources ; The status of drawing in the Fifteenth Century ; Survival of drawings. The problem. Regional differences. Collecting ; The origins of drawing ; Drawing in workshop training ; Drawing in artistic exploration - Drawing surfaces: Parchment and another small-scale surfaces. Paper. Sinopie and cartoons - Techniques: Silverpoint drawing. Drawing with pen and ink. Chalk Drawing. Brush Drawing - Model-books and sketch-books: The model-book and its functions ; Pisanello, the transition from model-book to sketch-book ; Drawing-books in early Quattrocento Tuscany ; From sketch-book to Portfolio pattern d - Figure drawing: Study of the nude in Florence ; Sculptural drawing ; Figure drawing outside Florence ; Figure groups - Compositional drawings: Compositional drawings in drawing-books ; Contract drawings ; Compositional sketching ; The evolution of a pictorial design. North Italy. Domenico Ghirlandino. Leonardo da Vinci. Epilogue: The Quattrocento legacy. Subjects; Ames-Lewis, F. Geschichte 1400-1500. Drawing, Italian. Drawing, Renaissance Italy. Renaissance Art. History. Art. Italian drawings 1400-1500 Critical studies. Italian drawings 1300-1600. 1 Kg.…

  • Idioma: Inglés

    Editorial: Yale University Press, 1982

    0300029764 / 9780300029765

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    Librería: David's Books, ypsilanti, MI, Estados Unidos de AmericaDavid's Books

    Vendedor de 2 estrellas
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    Condición: Usado - Bueno

    EUR 32,04

    Envío por EUR 4,75 
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    Cantidad disponible: 1 disponible

    Paperback. Condición: Very Good. Name inside else near fine.

  • Idioma: Inglés

    Editorial: Yale University Press, New Haven,, 1982

    0300029764 / 9780300029765

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    Librería: FIRENZELIBRI SRL, Reggello, FI, ItaliaFIRENZELIBRI SRL

    Vendedor de 5 estrellas
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    Condición: Usado - Aceptable

    EUR 18,00

    Envío por EUR 20,00 
    Se envía de Italia a Estados Unidos de America

    Cantidad disponible: 1 disponible

    Condición: BUONO. New Haven, Yale University Press cm.19x27,2, pp.196, 182 illustrazioni in bianco e nero, brossura con copertina figurata. Testo in inglese. Second edition. Contents; Some general considerations: written sources ; The status of drawing in the Fifteenth Century ; Survival of drawings. The problem. Regional differences. Collecting ; The origins of drawing ; Drawing in workshop training ; Drawing in artistic exploration - Drawing surfaces: Parchment and another small-scale surfaces. Paper. Sinopie and cartoons - Techniques: Silverpoint drawing. Drawing with pen and ink. Chalk Drawing. Brush Drawing - Model-books and sketch-books: The model-book and its functions ; Pisanello, the transition from model-book to sketch-book ; Drawing-books in early Quattrocento Tuscany ; From sketch-book to Portfolio pattern d - Figure drawing: Study of the nude in Florence ; Sculptural drawing ; Figure drawing outside Florence ; Figure groups - Compositional drawings: Compositional drawings in drawing-books ; Contract drawings ; Compositional sketching ; The evolution of a pictorial design. North Italy. Domenico Ghirlandino. Leonardo da Vinci. Epilogue: The Quattrocento legacy.…