Isbn: 9780295994901 - natural magic: salted paper prints in north america (18 resultados)

Hardcover. Condición: Fine. Connecting readers with great books since 1972! May contain remainder marks. We ship orders daily and Customer Service is our top priority.

Condición: Fine. Used book that is in almost brand-new condition. May contain a remainder mark. Better World Books: Buy Books. Do Good.

Hardcover. Condición: Good. Good - Bumped and creased book with tears to the extremities, but not affecting the text block, may have remainder mark or previous owner's name - GOOD Oversized.

Condición: New. 2015. hardcover. . Not a first edition copy. . . . Books ship from the US and Ireland.

Condición: New. 2015. hardcover. . Not a first edition copy. . . .

Hardcover. Condición: Very Good. Estado de la sobrecubierta: very good. --ALL INVENTORY 40% OFF in Sept--Unmarked text. Factory sealed. Unclipped dust jacket Beautifully illustrated. Essays by Keith F. Davis, Lisa Volpe, Russell Lord, Jordan Bear, and others. Sections on Mexico, the United States, and Canada. Chronology, Biographies. Bibliography. 144p. The salted paper print process and the daguerreotype were invented, for all practical purposes, simultaneously. Prior to this volume, scant research existed on the salted paper print in North America. The essays in this volume offer views on the use and materials of these prints as they ushered in the medium of photography. …

Hardcover. Condición: Near Fine. Estado de la sobrecubierta: Fine. 4to. - over 9¾ in. - 12 in. 144pp., including selected chronology, index of plates, and selected bibliography. Illustrated with 85 plates. A beautiful copy in Near Fine condition; the dust jacket is Fine. Essays include: The Salt Paper Print: Shaping Mexican Socio-Political Climate, by Lisa Volpe; Obscure Histories: The Salted Paper Print in the United States, by Russell Lord; The Human and Natural Resources Revealed in Canadian Salted Paper Prints, by Jordan Bear.…

Hardcover. Condición: NEW. Estado de la sobrecubierta: NEW. 1st. Cloth, 144 pages, illustrations, portraits; 29 cm. BRAND NEW. A fine copy. Still in publisher's shrinkwrap. OVERSIZE! Additional shipping charges may be requested for international & priority orders. *** "The salted paper print process and the daguerrotype were invented, for all practical purposes, simultaneously. Though using different materials and methods (the salted paper print was patented, while daguerreotype was not) still both achieved the miracle of fixing an image from life within a substrate - in other words, they ushered in the medium of photography. This volume offers new views on the use and employment of the salted paper print in North America. The hope is that this publication will encourage investigation, for the history of photography has many areas of terra icognita yet to discover." - Publisher. *** CONTENTS: Introduction: the North American salted paper print, by Keith F. Davis; The salted paper print: shaping the Mexican socio-political climate, by Lisa Volpe; Obscure histories: the salted paper print in the United States, by Russell Lord; The human and natural resources revealed in Canadian salted paper prints, by Jordan Bear. Size: 4to. Collectible.…

HARDCOVER. Condición: New. University of washington Press. New. Univ of Washington Pr 2015 Hardcover. Still in original shrink wrap. Book Condition: New . 2015. HARDCOVER.

Hardcover. Condición: Very Good. crisp clean w/light shelfwear/edgewear - may have remainder mark Oversized.

Condición: As New. Unread book in perfect condition.

Hardback. Condición: New. The salted paper print process and the daguerreotype were invented, for all practical purposes, simultaneously. Though using different materials and methods (the salted paper print was patented, while daguerreotype was not) still both achieved the miracle of fixing an image from life within a substrate-in other words, they ushered in the medium of photography.The uses of each form of photography varied greatly. In Europe the salted paper print was valued for its aesthetic qualities?the massing of light and the softening of detail-while in North America, the salted paper print was valued for its portability and reproducibility. At the same time, the three evolving regions that comprised North America-Canada, the United States and Mexico-faced quite different realities and challenges than those in Europe (primarily France and Britain). In North America artistic merit was less of a priority, as each emerging nation faced vast, untamed territories, as well as social and political tumult. These were countries in the making-defining borders, struggling to create identities, and establishing metropolitan areas and transportation networks, while the scions on the other side of the Atlantic cast a leisurely eye to their artistic, architectural, and colonial heritage for subject matter. Scant research has been done on the use of the salted paper print in North America during its brief period of use (approximately 1847-1865); physical prints are often found in obscure collections and locations, and they are, as is true for most works on paper from that period, exceedingly fragile. This volume, with essays by three up and coming 19th-century scholars, offers new views on the use and employment of the salted paper print in North America. The hope is that this publication will encourage investigation, for the history of photography has many areas of terra incognita yet to discover.…

Condición: New.

hardcover. Condición: New. Same / next day dispatch (Monday - Friday).

Hardback. Condición: New. The salted paper print process and the daguerreotype were invented, for all practical purposes, simultaneously. Though using different materials and methods (the salted paper print was patented, while daguerreotype was not) still both achieved the miracle of fixing an image from life within a substrate-in other words, they ushered in the medium of photography.The uses of each form of photography varied greatly. In Europe the salted paper print was valued for its aesthetic qualities?the massing of light and the softening of detail-while in North America, the salted paper print was valued for its portability and reproducibility. At the same time, the three evolving regions that comprised North America-Canada, the United States and Mexico-faced quite different realities and challenges than those in Europe (primarily France and Britain). In North America artistic merit was less of a priority, as each emerging nation faced vast, untamed territories, as well as social and political tumult. These were countries in the making-defining borders, struggling to create identities, and establishing metropolitan areas and transportation networks, while the scions on the other side of the Atlantic cast a leisurely eye to their artistic, architectural, and colonial heritage for subject matter. Scant research has been done on the use of the salted paper print in North America during its brief period of use (approximately 1847-1865); physical prints are often found in obscure collections and locations, and they are, as is true for most works on paper from that period, exceedingly fragile. This volume, with essays by three up and coming 19th-century scholars, offers new views on the use and employment of the salted paper print in North America. The hope is that this publication will encourage investigation, for the history of photography has many areas of terra incognita yet to discover.…

Hardback. Condición: New. The salted paper print process and the daguerreotype were invented, for all practical purposes, simultaneously. Though using different materials and methods (the salted paper print was patented, while daguerreotype was not) still both achieved the miracle of fixing an image from life within a substrate-in other words, they ushered in the medium of photography.The uses of each form of photography varied greatly. In Europe the salted paper print was valued for its aesthetic qualities?the massing of light and the softening of detail-while in North America, the salted paper print was valued for its portability and reproducibility. At the same time, the three evolving regions that comprised North America-Canada, the United States and Mexico-faced quite different realities and challenges than those in Europe (primarily France and Britain). In North America artistic merit was less of a priority, as each emerging nation faced vast, untamed territories, as well as social and political tumult. These were countries in the making-defining borders, struggling to create identities, and establishing metropolitan areas and transportation networks, while the scions on the other side of the Atlantic cast a leisurely eye to their artistic, architectural, and colonial heritage for subject matter. Scant research has been done on the use of the salted paper print in North America during its brief period of use (approximately 1847-1865); physical prints are often found in obscure collections and locations, and they are, as is true for most works on paper from that period, exceedingly fragile. This volume, with essays by three up and coming 19th-century scholars, offers new views on the use and employment of the salted paper print in North America. The hope is that this publication will encourage investigation, for the history of photography has many areas of terra incognita yet to discover.…

Hardback. Condición: New. The salted paper print process and the daguerreotype were invented, for all practical purposes, simultaneously. Though using different materials and methods (the salted paper print was patented, while daguerreotype was not) still both achieved the miracle of fixing an image from life within a substrate-in other words, they ushered in the medium of photography.The uses of each form of photography varied greatly. In Europe the salted paper print was valued for its aesthetic qualities?the massing of light and the softening of detail-while in North America, the salted paper print was valued for its portability and reproducibility. At the same time, the three evolving regions that comprised North America-Canada, the United States and Mexico-faced quite different realities and challenges than those in Europe (primarily France and Britain). In North America artistic merit was less of a priority, as each emerging nation faced vast, untamed territories, as well as social and political tumult. These were countries in the making-defining borders, struggling to create identities, and establishing metropolitan areas and transportation networks, while the scions on the other side of the Atlantic cast a leisurely eye to their artistic, architectural, and colonial heritage for subject matter. Scant research has been done on the use of the salted paper print in North America during its brief period of use (approximately 1847-1865); physical prints are often found in obscure collections and locations, and they are, as is true for most works on paper from that period, exceedingly fragile. This volume, with essays by three up and coming 19th-century scholars, offers new views on the use and employment of the salted paper print in North America. The hope is that this publication will encourage investigation, for the history of photography has many areas of terra incognita yet to discover.…

Hardcover. Condición: New.