9780295975207 - Boccaccio's "Des Cleres et Nobles Femmes": Systems of Signification in an Illuminated Manuscript (College Art Association Monographs on the Fine Arts) de Buettner, ... (8 resultados)

hardcover. Condición: As New. Hardcover with fine dust jacket. Book is in excellent condition, text is unmarked and pages are tight.

Hardcover. Condición: As New. Estado de la sobrecubierta: As New. 1st Edition. This is an As New copy of the first edition (1st printing) in an As New dust jacket. Illustrated. This "Monograph on the Fine Arts Volume L111 (College Art Association).

Condición: Very Good. Picture Shown is For Illustration Purposes Only, Please See Below For Further DetailsCONDITION ? VERY GOOD ? HARDBACK - ENGLISH LANGUAGE - light wear and scuff marks to jacket, pages in nice condition, shipped from the UK.

Hardcover. Condición: VG/VG. A burgundy casebound book. There is a dust jacket with the title in white down a blue spine. Pages: (7), viii-x, 1-139, (58). Contains fifty-seven pages of plates, mostly in black-and-white. "The first surviving illuminated manuscript of the French translation of Boccaccio's De mulieribus claris, known as the Cleres femmes (now in the Bibliotheque Nationale, Paris), is the subject of this book. The manuscript was commissioned by a Parisian merchant, Jacques Raponde, as a New Year's gift for the duke of Burgundy, Philip the Bold. This innovative aspect of the commission, where a merchant rather than a prince acted as the patron of the manuscript, provides the. Subject for the first part of Buettner's study. In addition to sketching the Valois rulers' practice of collecting illuminated manuscripts and to tracing the reasons for the successful reception of Boccaccio's work in this courtly milieu, the author delineates the role of merchants in Parisian artistic production around 1400." Contents are as follows: I. The Manuscript as Object. Jacques Raponde, Merchant of Manuscripts. The De mulieribus claris as a French Success -- II. Images as Readers. A Pictorial Gallery of Women. System and Reality -- III. Pictorial Elements as Meaning. On Costumes, Bodies, and Gestures. On Colors and Light. On Spatial Inscriptions. On Visualizing Time -- Appendix. Fifteenth-Century Des cleres et nobles femmes Manuscripts.

Hardcover. Estado de la sobrecubierta: VG (Light edgewear to DJ). Burgundy boards with gilt lettering on the spine; blue DJ with color illustration and white and black lettering; x, 139 pp.; 57 unnumbered pages of plates; richly illustrated. "The first surviving illuminated manuscript of the French translation of Boccaccio's De mulieribus claris, known as the Cleres femmes (now in the Bibliotheque Nationale, Paris), is the subject of this book. The manuscript was commissioned by a Parisian merchant, Jacques Raponde, as a New Year's gift for the duke of Burgundy, Philip the Bold. This innovative aspect of the commission, where a merchant rather than a prince acted as the patron of the manuscript, provides the. Subject for the first part of Buettner's study. In addition to sketching the Valois rulers' practice of collecting illuminated manuscripts and to tracing the reasons for the successful reception of Boccaccio's work in this courtly milieu, the author delineates the role of merchants in Parisian artistic production around 1400." -- WorldCat. VG- (Light edgewear to boards; light age toning to page edges; interior is clean; binding is solid.).

Cloth, 4to, 29 cm, x, 139 pp, 4 colour plates and 106 black-and-white ills. From the blurb - "The first surviving illuminated manuscript of the French translation of Boccaccio's De mulieribus Claris - known as the Cleres femmes (now in the Bibliotheque Nationale, Paris), is the subject of this book. The manuscript was commissioned by a Parisian merchant, Jacques Raponde, as a New Year's gift for the duke of Burgundy, Philip the Bold. This innovative aspect of the commission, where a merchant rather than a prince acted as the patron of the manuscript, provides the subject for the first part of Buettner's study. In addition to sketching the Valois rulers practice of collecting illuminated manuscripts and to tracing the reasons for the successful reception of Boccaccio's work in this courtly milieu, the author delineates the role of merchants in Parisian artistic production around 1400. After considering the manuscript as a commercial and cultural object, the book then turns to an examination of the iconography of the 109 miniatures of the Cleres femmes. Rather than treating them as independent units, Buettner argues that the miniatures form a cycle - a coherent pictorial structure linked to the literary genre known as "estate literature," in which similar activities and professions are woven into subcycles. Religious practices, queenship, hunting, manual crafts, agricultural occupations. and military, legal, intellectual, and artistic activities compose the main socio-professional categories of the Cleres femmes. Their groundbreaking visualizations, which translate the biographies of famous women of the ancient past into late medieval cultural parameters, are especially remarkable because women are here consistently presented as the subjects rather than the objects of history. Buettner pays careful attention to the degrees of amalgamation between images and text as well as images and social practices and especially to the provocative representations that depict women engaged in occupations from which they were effectively barred in late medieval France." Near Fine in a dustwrapper with some scratches to the rear panel.

Condición: Very good.

Hardcover. Condición: As New. 4to (28.5 cm), X, 140 pp, 4 plates in color, 104 in b&w. Publisher's cloth and dust jacket. "The first surviving illuminated manuscript of the French translation of Boccaccio's De mulieribus claris, known as the Cleres femmes (now in the Bibliotheque Nationale, Paris), is the subject of this book. The manuscript was commissioned by a Parisian merchant, Jacques Raponde, as a New Year's gift for the duke of Burgundy, Philip the Bold. This innovative aspect of the commission, where a merchant rather than a prince acted as the patron of the manuscript, provides the subject for the first part of Buettner's study. In addition to sketching the Valois rulers' practice of collecting illuminated manuscripts and to tracing the reasons for the successful reception of Boccaccio's work in this courtly milieu, the author delineates the role of merchants in Parisian artistic production around 1400." (from the blurb).