Isbn: 9780292702844 - make it new: the rise of modernism (9 resultados)

Condición: Acceptable. Item in acceptable condition! Textbooks may not include supplemental items i.e. CDs, access codes etc.

Condición: Good. Pages intact with minimal writing/highlighting. The binding may be loose and creased. Dust jackets/supplements are not included. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

Condición: Good. Former library copy. Pages intact with minimal writing/highlighting. The binding may be loose and creased. Dust jackets/supplements are not included. Includes library markings. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

Trade Paperback. Condición: Used - Good. What was Modernism, and why does it still matter? The term itself first gained currency in the 1930s, describing a kind of art that already may have peaked, some would say as early as 1922. Whatever its ups and downs in its own time, as the novelist Julian Barnes claims in one of the twenty essays commissioned for the present volume, Modernism never vanished. It remains our immovable feast. Modernism was international in scope; it left its mark on all genres, from literature and painting to opera, dance, and architecture; it pushed the boundaries of what was artistically possible and aesthetically important; and finally, for all its destructive urges which it shared with the century itself, it was also celebrative. This book is a response to the exhibition of the same name that opened at the Harry Ransom Center in October 2003. It includes original essays by such noted writers and artists as Russell Banks, Anita Desai, David Douglas Duncan, Elizabeth Hardwick, and Penelope Lively, which offer fresh perspectives on important Modernist figures, including William Gaddis, Ezra Pound, William Faulkner, E. M. Forster, Paul Robeson, Virginia Woolf, Henry James, Joseph Conrad, Frank Lloyd Wright, and Le Corbusier. In addition, essays by leading scholars in literature and art history focus on specific artifacts included in the exhibit. As the Center's Director, Thomas F. Staley, puts it in the Foreword, 'Ours is an attempt not of definition but of discovery and rediscovery.' Book and exhibition permit both reader and viewer to experience the textures, structures, and resonances which made the first part of the twentieth century so innovative that its art is still virtually synonymouswith what 'newness' means. Book has minor shelf wear. Interior pages in very nice condition.…

Paperback. Condición: Very Good. 2 This book is in very good condition; hurt stamp on bottom edge. It does have some cover shelfwear and corner wear. Inside pages are clean. ; 0.36 x 12.06 x 10.04 Inches; 156 pages.

Paperback. Condición: Very Good. First Edition. Light edge wear to edges and corners; top front corner is starting to peel. Text and images unmarked. 155pp.

TRADE PAPERBACK. Condición: Used; Very Good. Used; Very Good. 23-C-18 Harry Ransom Humanities Research Center 2003 Paperback. Stated First Edition. Text is clean and unmarked. Covers have light shelf wear. Spine is tight. Book Condition; Very Good . 2003. TRADE PAPERBACK.

Condición: Good. None. 155 pages, illustrated throughout. Crease to cover and light edge wear, otherwise, very clean and tight copy. Record # 456744.

Soft cover. Condición: Very Good.