ISBN: 9780271035840 - the sensual icon: space, ritual, and the senses in byzantium (2 resultados)

ISBN: 
Refinar con la Búsqueda avanzada

Filtrar la búsqueda

  • Libros (2)

a

Intervalo de precios personalizado (EUR)

a

  • Idioma: Inglés

    Editorial: Penn State University Press, 2010

    0271035846 / 9780271035840

    • Tapa dura

    Librería: HPB Inc., Dallas, TX, Estados Unidos de AmericaHPB Inc.

    Vendedor de 5 estrellas
    Contactar con el vendedor

    Condición: Usado - Bueno

    EUR 48,45

    Envío por EUR 3,36 
    Se envía dentro de Estados Unidos de America

    Cantidad disponible: 1 disponible

    hardcover. Condición: Very Good. Connecting readers with great books since 1972! Used books may not include companion materials, and may have some shelf wear or limited writing. We ship orders daily and Customer Service is our top priority.

  • Idioma: Inglés

    Editorial: Pennsylvania State Univ Pr, 2010

    0271035846 / 9780271035840

    • Tapa dura

    Librería: BWS BKS, Ferndale, NY, Estados Unidos de AmericaBWS BKS

    Vendedor de 2 estrellas
    Contactar con el vendedor

    Condición: Nuevo

    EUR 1824,28

    Envío por EUR 2,69 
    Se envía dentro de Estados Unidos de America

    Cantidad disponible: 1 disponible

    Hardcover. Condición: New. Today we take the word icon to mean a sign, or we equate it with portraits of Christ and the saints. In The Sensual Icon, Bissera Pentcheva demonstrates how icons originally manifested the presence of the Holy Spirit in matter. Christ was the ideal icon, emerging through the Incarnation; so, too, were the bodies of the stylites (column-saints) penetrated by the divine pneuma (breath or spirit), or the Eucharist, or the Justinianic space of Hagia Sophia filled with the reverberations of chants and the smoke of incense. Iconoclasm (726â"843) challenged these Spirit-centered definitions of the icon, eventually restricting the word to mean only the lifeless imprint (typos) of Christs visual characteristics on matter. By the tenth century, mixed-media relief icons in gold, repoussà , enamel, and filigree offered a new paradigm. The suns rays or flickering candlelight, stirred by drafts of air and human breath, animated the rich surfaces of these objects; changing shadows endowed their eyes with life. The Byzantines called this spectacle of polymorphous appearance poikilia, that is, presence effects sensually experienced. These icons enabled viewers in Constantinople to detect animation in phenomenal changes rather than in pictorial or sculptural naturalism. Liveliness, as the goal of the Byzantine mixed-media relief icon, thus challenges the Renaissance ideal of lifelikeness, which dominated the Western artistic tradition before the arrival of the modern. Through a close examination of works of art and primary texts and language associated with these objects, and through her new photographs and film capturing their changing appearances, Pentcheva uncovers the icons power to transform the viewer from observer to participant, communing with the divine.…