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Publicado por MIT Press Ltd, Cambridge, Mass., 2014
ISBN 10: 026252550X ISBN 13: 9780262525503
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Añadir al carritoPaperback. Condición: new. Paperback. A cultural theory of the interface as a relation that is both ubiquitous and elusive, drawing on disciplines from cultural theory to architecture.In this book, Branden Hookway considers the interface not as technology but as a form of relationship with technology. The interface, Hookway proposes, is at once ubiquitous and hidden from view. It is both the bottleneck through which our relationship to technology must pass and a productive encounter embedded within the use of technology. It is a site of contestation-between human and machine, between the material and the social, between the political and the technological-that both defines and elides differences.A virtuoso in multiple disciplines, Hookway offers a theory of the interface that draws on cultural theory, political theory, philosophy, art, architecture, new media, and the history of science and technology. He argues that the theoretical mechanism of the interface offers a powerful approach to questions of the human relationship to technology. Hookway finds the origin of the term interface in nineteenth-century fluid dynamics and traces its migration to thermodynamics, information theory, and cybernetics. He discusses issues of subject formation, agency, power, and control, within contexts that include technology, politics, and the social role of games. He considers the technological augmentation of humans and the human-machine system, discussing notions of embodied intelligence.Hookway views the figure of the subject as both receiver and active producer in processes of subjectification. The interface, he argues, stands in a relation both alien and intimate, vertiginous and orienting to those who cross its threshold. A cultural theory of the interface as a relation that is both ubiquitous and elusive, drawing on disciplines from cultural theory to architecture. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.
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Idioma: Inglés
Publicado por The MIT Press Bookstore, 2014
ISBN 10: 026252550X ISBN 13: 9780262525503
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Añadir al carritoCondición: New. Num Pages: 184 pages, 12 b&w illus. BIC Classification: PDR; UYZF. Category: (P) Professional & Vocational. Dimension: 203 x 139 x 17. Weight in Grams: 346. . 2014. Paperback. . . . .
Idioma: Inglés
Publicado por The MIT Press Bookstore, 2014
ISBN 10: 026252550X ISBN 13: 9780262525503
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Añadir al carritoCondición: New. Num Pages: 184 pages, 12 b&w illus. BIC Classification: PDR; UYZF. Category: (P) Professional & Vocational. Dimension: 203 x 139 x 17. Weight in Grams: 346. . 2014. Paperback. . . . . Books ship from the US and Ireland.
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Añadir al carritoPaperback. Condición: Brand New. 184 pages. 8.00x5.25x0.75 inches. In Stock.
Publicado por Penguin Random House
ISBN 10: 026252550X ISBN 13: 9780262525503
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Publicado por MIT Press Ltd, Cambridge, Mass., 2014
ISBN 10: 026252550X ISBN 13: 9780262525503
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Añadir al carritoPaperback. Condición: new. Paperback. A cultural theory of the interface as a relation that is both ubiquitous and elusive, drawing on disciplines from cultural theory to architecture.In this book, Branden Hookway considers the interface not as technology but as a form of relationship with technology. The interface, Hookway proposes, is at once ubiquitous and hidden from view. It is both the bottleneck through which our relationship to technology must pass and a productive encounter embedded within the use of technology. It is a site of contestation-between human and machine, between the material and the social, between the political and the technological-that both defines and elides differences.A virtuoso in multiple disciplines, Hookway offers a theory of the interface that draws on cultural theory, political theory, philosophy, art, architecture, new media, and the history of science and technology. He argues that the theoretical mechanism of the interface offers a powerful approach to questions of the human relationship to technology. Hookway finds the origin of the term interface in nineteenth-century fluid dynamics and traces its migration to thermodynamics, information theory, and cybernetics. He discusses issues of subject formation, agency, power, and control, within contexts that include technology, politics, and the social role of games. He considers the technological augmentation of humans and the human-machine system, discussing notions of embodied intelligence.Hookway views the figure of the subject as both receiver and active producer in processes of subjectification. The interface, he argues, stands in a relation both alien and intimate, vertiginous and orienting to those who cross its threshold. A cultural theory of the interface as a relation that is both ubiquitous and elusive, drawing on disciplines from cultural theory to architecture. Shipping may be from our Sydney, NSW warehouse or from our UK or US warehouse, depending on stock availability.
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Añadir al carritoKartoniert / Broschiert. Condición: New. Branden Hookway teaches in the Department of Architecture and the Department of Design and Environmental Analysis at Cornell University. He is author of Pandemonium: The Rise of Predatory Locales in the Postwar World.A cultural theory of the i.
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