Isbn: 9780262100724 - conversations at the castle: changing audiences and contemporary art (10 resultados)

Condición: Very Good. Pages intact with possible writing/highlighting. Binding strong with minor wear. Dust jackets/supplements may not be included. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

Hard Cover. Condición: Good. No Jacket. Some light wear. Text is clean and tight in binding. Due to size, this book will require additional shipping outside the U.S. Size: 4to - over 9¾" - 12" tall.

Hardcover. Condición: New. 1st Edition. 4to, illustrated boards, 173pp., ills. New and sealed. Extra postage may be asked.

Cloth. Condición: Fine Condition. Estado de la sobrecubierta: No Jacket, As Issued. 173 pages. Hardcover. Texts in English. Sharp, bright, clean, and tight condition. Bound in illustrated paper covered boards and issued without a dustjacket. Documenting the exhibition program organized under the auspices of the Arts Festival of Atlanta and on public view from June 26-September 29, 1996. Book.…

Hardcover. Condición: Used - Good. This book addresses one of the most troubling questions of contemporary art theory and practice: Who is contemporary art for? Although the divide between contemporary art and the public has long been acknowledged, this is the first time that artists, critics, and the public have come together to debate the problem and to make artmaking, criticism, and public reaction part of the same process. Like the exhibitions, discussions, and seminars held at 'The Castle' during the summer 1996 Olympic Games in Atlanta, this book is based on the premise that contemporary artists and the general public have something to say to each other. By positing the space of 'conversation' as one in which artworks can be experienced as creative sites open to multilayered interpretations by changing audiences, the book provides an antidote to the modernist connoisseurial silence that has long been used to define quality. The book is divided into three sections. The first contains essays by project curator Mary Jane Jacob, critic and coeditor Michael Brenson, and cultural critic Homi K. Bhabha. Their essays describe fresh approaches to contemporary art and its audiences at a time of increased access through technology and decreased government funding. The second section contains essays by the six artists/collaborative teams involved in the project. Their works, aimed at public participation, included installation-performances, collaborations with Atlanta communities, cross-country tours, and the creation and presentation of food as a means to stimulate conversation and construct community. The artists are: artway of thinking (Italy), Ery Camara (Senegal/Mexico), Mauricio Dias andWalter Riedweg (Brazil/Switzerland), Regina Frank (Germany), IRWIN (Slovenia), and Maurice O'Connell (Ireland). The final section contains seven essays by the critics, curators, educators, administrators, and artists who led the 'Conversations on Culture' at The Castle. The essays are by Jacquelynn Baas, Michael Brenson, Lisa Graziose Corrin, Amina Dickerson and Tricia Ward, Steven Durland, Susan Krane, and Susan Vogel. This book addresses one of the most troubling questions of contemporary art theory and practice: Who is contemporary art for? Book has minor shelf wear.…

Hard Cover. Condición: Fine. No Jacket. A clean, unmarked book with a tight binding. 173 pages. Pictorial cover. "This book documents the exhibition program, 'Conversations at The Castle,' organized by Mary Jane Jacob under the auspices of the Arts Festival of Atlanta and on public view from June 28 to September 29, 1996." Keywords: Arts Festival, Atlanta, Conversations on Culture, Regina Frank, Irwin, Ery Camara, Mauricio Dias, Walter Riedweg, Maurice O'Connell, Artway of Thinking.…

Hardcover with dustjacket; 174 pages; very good condition; light rubbing to dj; no internal marks. Includes essays by: Homi Bhabha, Regina Frank, Irwin, Susan Vogel, Steven Durland, and many others. Foreign shipping may be extra for this book.

Hardcover. Condición: VG- light corner bumping. Color-illustrated boards with navy and white lettering. 172 pp. Color and BW illustrations. This book addresses one of the most troubling questions of contemporary art theory and practice: Who is contemporary art for? Although the divide between contemporary art and the public has long been acknowledged, this is the first time that artists, critics, and the public have come together to debate the problem and to make artmaking, criticism, and public reaction part of the same process. Like the exhibitions, discussions, and seminars held at "The Castle" during the summer 1996 Olympic Games in Atlanta, this book is based on the premise that contemporary artists and the general public have something to say to each other. By positing the space of "conversation" as one in which artworks can be experienced as creative sites open to multilayered interpretations by changing audiences, the book provides an antidote to the modernist connoisseurial silence that has long been used to define quality. -Amazon.…

hardcover. Condición: Very Good. Estado de la sobrecubierta: No D/J as Published.

hardcover. Condición: New. In shrink wrap. Looks like an interesting title.