ISBN: 9780226302164 - norm and form: studies in the art of the renaissance i (studies in the art of the renaissance, vol 1) (7 resultados)
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Librería: HPB-Ruby, Dallas, TX, Estados Unidos de AmericaHPB-Ruby
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EUR 15,99
Envío por EUR 3,35Se envía dentro de Estados Unidos de AmericaCantidad disponible: 1 disponible
paperback. Condición: Very Good. Connecting readers with great books since 1972! Used books may not include companion materials, and may have some shelf wear or limited writing. We ship orders daily and Customer Service is our top priority.
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Librería: Books From California, Simi Valley, CA, Estados Unidos de AmericaBooks From California
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EUR 15,52
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Paperback. Condición: Very Good.
Idioma: Inglés
Editorial: University of Chicago Press, Chicago, Illinois, 1966
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Librería: Andover Books and Antiquities, Andover, MA, Estados Unidos de AmericaAndover Books and Antiquities
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Softcover. with 186 illustrations. xii, 164, Figures 1-186 pp. Softcover. LCC: 8428113 Good condition; pages show some warping and light fading.
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Librería: Hennessey + Ingalls, Los Angeles, CA, Estados Unidos de AmericaHennessey + Ingalls
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Trade Paperback. Condición: Used - Very Good. Used copy with light wear.
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Librería: Kennys Bookstore, Olney, MD, Estados Unidos de AmericaKennys Bookstore
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EUR 17,96
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Condición: Very Good. 1985. Paperback. Clean copy with minor shelf wear. . . . . Books ship from the US and Ireland.
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Librería: Kennys Bookshop and Art Galleries Ltd., Galway, GY, IrlandaKennys Bookshop and Art Galleries Ltd.
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EUR 21,54
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Condición: Very Good. 1985. Paperback. Clean copy with minor shelf wear. . . . .
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Librería: West Cove UK, Wellington, Reino UnidoWest Cove UK
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EUR 21,67
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Softcover. Condición: Good. Immediate dispatch from Somerset. Nice older book in good condition. Some tanning wear and marking due to age. Softcover. English. See images for condition. About the book >.>.> In the Preface to my volume Meditations on a Hobby Horse and other essays on the Theory of Art I expressed my gratitude to the publishers for their intention to let it be followed by a collection of my essays on the Italian Renaissance. It turned out that there were more of these than could conveniently be accommodated in one volume, and I accepted the suggestion of the editor, Mr. Michael Baxandall, to divide them into two groups: one dealing with Renaissance symbolism (which is in preparation), the other with problems of style, patronage and taste. It is this latter volume which is in front of the reader. I believe that a more unified theme can be seen to run through these various essays than this cursory description suggests. They all deal with what may be called the Renaissance climate of opinion about art and with the influence this climate has exerted on both the practice and the criticism of art. This approach runs rather counter to a current assumption that art is always far ahead of systema.…
