9780224084994 - The Revolution Continues: New Art In China (The Triumph of Painting) de Jiehong, Jiang (27 resultados)

Hardcover. Condición: Fine. Estado de la sobrecubierta: Fine. 272 pages, a Fine hardback in a fine dust-jacket [0224084992].

Condición: Very Good. Former library copy. Pages intact with possible writing/highlighting. Binding strong with minor wear. Dust jackets/supplements may not be included. Includes library markings. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

Condición: As New. Unread book in perfect condition.

Condición: New. pp. 272.

Condición: New.

Hardcover. Condición: Very Good. Estado de la sobrecubierta: Very Good. 1st Edition. Complete printing number line. Minimal wear. Fore corner bumped. Jacket is taped to the boards. V12.

Hardcover. Condición: new. Hardcover. As world attention focuses on the economic development and massive cultural upheavals of China, all of which are embodied in the transformation of Beijing prior to the 2008 Olympics, Chinese artists have emerged after years of containment by the strictures of the national ideology. The Western art world, hungry for new spectacle, has consumed the new art with an appetite, but the art is changing so fast the Western viewer has little means of assessing or understanding the background to these extraordinary developments. "The Revolution Continues" provides a link between the rebellious spirit of the current generation of Chinese artists and the mood of rebellion that was so explicitly evident during the years of the Cultural Revolution that ran from 1966 to the death of Mao and the fall of the Gang of Four in 1976.In his text Jiang Jiehong argues that the widespread destruction of traditional Chinese treasures by the Red Guards, especially in the early period of 1966, overshadows the entire period. Today's rebellious artistic spirit is, in fact, an extension of Mao's legacy. The extensive Saatchi collection of new Chinese art is presented in conjunction with Joshua Jiang's examination of the use of the colour red, the iconography of Mao, the sense of the collective and the use of textual language that derives from the calligraphy of the propaganda poster. This dramatic material will be published to coincide with one of the opening exhibitions at the new Saatchi Gallery. Provides a link between the rebellious spirit of the current generation of Chinese artists and the mood of rebellion that was so evident during the years of the Cultural Revolution that ran from 1966 to 1976. This work argues that the destruction of traditional Chinese treasures by the Red Guards, especially in 1966, overshadows the entire period. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.

Hardcover. Condición: USED Good.

HRD. Condición: New. New Book. Shipped from UK. Established seller since 2000.

Condición: Good. Original square pictorial boards, dust jacket, richly illustrated in colour.; Blind stamped book plate on first free endpaper.

Condición: New.

Hardcover. Condición: Brand New. 272 pages. 11.61x11.73x1.02 inches. In Stock.

Condición: As New. Unread book in perfect condition.

1st ed. Published in conjunction with an exhibition at the Saatchi Gallery; separate picture-by-picture guide included. A bright, tidy copy in tight binding. This is a heavy book (about 2.3kg packed); additional postage may be required Used - Very Good. VG hardback in VG dust jacket Used - Very Good. VG hardback in VG dust jacket.

Condición: New. pp. 272.

Hardcover. Condición: New. 1st Edition.

Condición: New. 2008. 1st ed. Hardcover. Provides a link between the rebellious spirit of the current generation of Chinese artists and the mood of rebellion that was so evident during the years of the Cultural Revolution that ran from 1966 to 1976. This work argues that the destruction of traditional Chinese treasures by the Red Guards, especially in 1966, overshadows the entire period. Num Pages: 272 pages, col. ill. BIC Classification: 1FPC; ACXJ. Category: (G) General (US: Trade). Dimension: 295 x 298 x 26. Weight in Grams: 2005. . . . . .

Hardcover. Condición: Sehr gut. 29,5 x 30 cm 270 S. :. Hardcover mit Schutzumschlag. Sprache: Englisch, Zustand: Sehr Gut, eher ungelesen; * Die Photos sind original von uns erstellt worden, u.a. erkennbar an einem kleinen weißen Stück Papier im oberen Schnitt. Ab und an verwenden Suchmaschinen Verlagsphotos, bei den Portalen selbst, werden aber nur unsere Originalphotos gezeigt.

Hard Cover. Condición: Very Good. Estado de la sobrecubierta: Very Good. 1st Edition. Hardback with dust-wrapper. 29.5cm x 29.5cm. 270pp. Several full-page illustrations. 1st edition 2008. Slighest wear to d/w, a little spotting to top edge. An excellent copy. A heavy book (2kg), additional postage may be required for orders outside the UK. (q24).

Condición: New. 2008. 1st ed. Hardcover. Provides a link between the rebellious spirit of the current generation of Chinese artists and the mood of rebellion that was so evident during the years of the Cultural Revolution that ran from 1966 to 1976. This work argues that the destruction of traditional Chinese treasures by the Red Guards, especially in 1966, overshadows the entire period. Num Pages: 272 pages, col. ill. BIC Classification: 1FPC; ACXJ. Category: (G) General (US: Trade). Dimension: 295 x 298 x 26. Weight in Grams: 2005. . . . . . Books ship from the US and Ireland.

Condición: New. pp. 272.

2008, hardcover met stofomslag, goed exemplaar / good copy , met stofomslag, goed exemplaar / good copy , met stofomslag, goed exemplaar / good copy.

270 pages. Presents works by Li Oing,Li Yan,Qiu Jie,Shi Jinsong,Yue Minjun,Zhang Dali,Zhang Peng and many others.Very good copy. Sprache: Englisch Gewicht in Gramm: 2100 4° (30 x 30 cm) cased binding with dustjacket.

Hardcover. Condición: new. Hardcover. As world attention focuses on the economic development and massive cultural upheavals of China, all of which are embodied in the transformation of Beijing prior to the 2008 Olympics, Chinese artists have emerged after years of containment by the strictures of the national ideology. The Western art world, hungry for new spectacle, has consumed the new art with an appetite, but the art is changing so fast the Western viewer has little means of assessing or understanding the background to these extraordinary developments. "The Revolution Continues" provides a link between the rebellious spirit of the current generation of Chinese artists and the mood of rebellion that was so explicitly evident during the years of the Cultural Revolution that ran from 1966 to the death of Mao and the fall of the Gang of Four in 1976.In his text Jiang Jiehong argues that the widespread destruction of traditional Chinese treasures by the Red Guards, especially in the early period of 1966, overshadows the entire period. Today's rebellious artistic spirit is, in fact, an extension of Mao's legacy. The extensive Saatchi collection of new Chinese art is presented in conjunction with Joshua Jiang's examination of the use of the colour red, the iconography of Mao, the sense of the collective and the use of textual language that derives from the calligraphy of the propaganda poster. This dramatic material will be published to coincide with one of the opening exhibitions at the new Saatchi Gallery. Provides a link between the rebellious spirit of the current generation of Chinese artists and the mood of rebellion that was so evident during the years of the Cultural Revolution that ran from 1966 to 1976. This work argues that the destruction of traditional Chinese treasures by the Red Guards, especially in 1966, overshadows the entire period. Shipping may be from our UK warehouse or from our Australian or US warehouses, depending on stock availability.

Condición: New. KlappentextrnrnProvides a link between the rebellious spirit of the current generation of Chinese artists and the mood of rebellion that was so evident during the years of the Cultural Revolution that ran from 1966 to 1976. This work argues that.

Hardcover. Condición: new. Hardcover. As world attention focuses on the economic development and massive cultural upheavals of China, all of which are embodied in the transformation of Beijing prior to the 2008 Olympics, Chinese artists have emerged after years of containment by the strictures of the national ideology. The Western art world, hungry for new spectacle, has consumed the new art with an appetite, but the art is changing so fast the Western viewer has little means of assessing or understanding the background to these extraordinary developments. "The Revolution Continues" provides a link between the rebellious spirit of the current generation of Chinese artists and the mood of rebellion that was so explicitly evident during the years of the Cultural Revolution that ran from 1966 to the death of Mao and the fall of the Gang of Four in 1976.In his text Jiang Jiehong argues that the widespread destruction of traditional Chinese treasures by the Red Guards, especially in the early period of 1966, overshadows the entire period. Today's rebellious artistic spirit is, in fact, an extension of Mao's legacy. The extensive Saatchi collection of new Chinese art is presented in conjunction with Joshua Jiang's examination of the use of the colour red, the iconography of Mao, the sense of the collective and the use of textual language that derives from the calligraphy of the propaganda poster. This dramatic material will be published to coincide with one of the opening exhibitions at the new Saatchi Gallery. Provides a link between the rebellious spirit of the current generation of Chinese artists and the mood of rebellion that was so evident during the years of the Cultural Revolution that ran from 1966 to 1976. This work argues that the destruction of traditional Chinese treasures by the Red Guards, especially in 1966, overshadows the entire period. Shipping may be from our Sydney, NSW warehouse or from our UK or US warehouse, depending on stock availability.

Buch. Condición: Neu. Neuware - Provides a link between the rebellious spirit of the current generation of Chinese artists and the mood of rebellion that was so evident during the years of the Cultural Revolution that ran from 1966 to 1976. This work argues that the destruction of traditional Chinese treasures by the Red Guards, especially in 1966, overshadows the entire period.