9780198867722 - Doctor Faustus (Oxford World's Classics) de Mann, Thomas (19 resultados)

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Paperback. Condición: new. Paperback. 'Why must I feel that almost all--no, all--of the devices and conventions used by art are today only fit for parody?'Adrian Leverkuehn is a composer who, at terrible personal cost, makes the breakthrough from traditional art to extreme modernism and success. Creative and brilliant, he will stop at nothing to achieve greatness.Thomas Mann wrote Doctor Faustus (1947) in American exile duringand just after the Second World War. A prominent and long-standing defender of democracy, he sought to understand, in cultural and intellectual terms, how Germany had succumbed to Nazism. Mann structures his story through referencesto the German legend of Faust and his pact with the Devil. The life of the solitary composer, an ultimately tragic figure, is recounted by his friend and biographer, who represents a sadly ineffectual humanism, and whose social activities provide a panorama of middle-class German society in the early twentieth century.Ritchie Robertson's new English translation is accompanied by detailed annotations and an introduction illuminating the themes of thenovel.ABOUT THE SERIES: For over 100 years Oxford World's Classics has made available the widest range of literature from around the globe. Each affordable volume reflects Oxford'scommitment to scholarship, providing the most accurate text plus a wealth of other valuable features, including expert introductions by leading authorities, helpful notes to clarify the text, up-to-date bibliographies for further study, and much more. Thomas Mann's Doctor Faustus (1947) recounts the life of a solitary composer, Adrian Leverkuehn, whose personal and musical development provides a panorama of middle-class German society in the early twentieth century. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.

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Taschenbuch. Condición: Neu. Neuware -'Why must I feel that almost all--no, all--of the devices and conventions used by art are today only fit for parody 'Adrian Leverkühn is a composer who, at terrible personal cost, makes the breakthrough from traditional art to extreme modernism and success. Creative and brilliant, he will stop at nothing to achieve greatness. Thomas Mann wrote Doctor Faustus (1947) in American exile during and just after the Second World War. A prominent and long-standing defender of democracy, he sought to understand, in cultural and intellectual terms, how Germany had succumbed to Nazism. Mann structures his story through references to the German legend of Faust and his pact with the Devil. The life of the solitary composer, an ultimately tragic figure, is recounted by his friend and biographer, who represents a sadly ineffectual humanism, and whose social activities provide a panorama of middle-class German society in the early twentieth century. Ritchie Robertson's new English translation is accompanied by detailed annotations and an introduction illuminating the themes of the novel.ABOUT THE SERIES: For over 100 years Oxford World's Classics has made available the widest range of literature from around the globe. Each affordable volume reflects Oxford's commitment to scholarship, providing the most accurate text plus a wealth of other valuable features, including expert introductions by leading authorities, helpful notes to clarify the text, up-to-date bibliographies for further study, and much more. 608 pp. Englisch.

Taschenbuch. Condición: Neu. Neuware -'Why must I feel that almost all--no, all--of the devices and conventions used by art are today only fit for parody 'Adrian Leverkühn is a composer who, at terrible personal cost, makes the breakthrough from traditional art to extreme modernism and success. Creative and brilliant, he will stop at nothing to achieve greatness. Thomas Mann wrote Doctor Faustus (1947) in American exile during and just after the Second World War. A prominent and long-standing defender of democracy, he sought to understand, in cultural and intellectual terms, how Germany had succumbed to Nazism. Mann structures his story through references to the German legend of Faust and his pact with the Devil. The life of the solitary composer, an ultimately tragic figure, is recounted by his friend and biographer, who represents a sadly ineffectual humanism, and whose social activities provide a panorama of middle-class German society in the early twentieth century. Ritchie Robertson's new English translation is accompanied by detailed annotations and an introduction illuminating the themes of the novel.ABOUT THE SERIES: For over 100 years Oxford World's Classics has made available the widest range of literature from around the globe. Each affordable volume reflects Oxford's commitment to scholarship, providing the most accurate text plus a wealth of other valuable features, including expert introductions by leading authorities, helpful notes to clarify the text, up-to-date bibliographies for further study, and much more. 608 pp. Englisch.

Taschenbuch. Condición: Neu. Neuware -'Why must I feel that almost all--no, all--of the devices and conventions used by art are today only fit for parody 'Adrian Leverkühn is a composer who, at terrible personal cost, makes the breakthrough from traditional art to extreme modernism and success. Creative and brilliant, he will stop at nothing to achieve greatness. Thomas Mann wrote Doctor Faustus (1947) in American exile during and just after the Second World War. A prominent and long-standing defender of democracy, he sought to understand, in cultural and intellectual terms, how Germany had succumbed to Nazism. Mann structures his story through references to the German legend of Faust and his pact with the Devil. The life of the solitary composer, an ultimately tragic figure, is recounted by his friend and biographer, who represents a sadly ineffectual humanism, and whose social activities provide a panorama of middle-class German society in the early twentieth century. Ritchie Robertson's new English translation is accompanied by detailed annotations and an introduction illuminating the themes of the novel.ABOUT THE SERIES: For over 100 years Oxford World's Classics has made available the widest range of literature from around the globe. Each affordable volume reflects Oxford's commitment to scholarship, providing the most accurate text plus a wealth of other valuable features, including expert introductions by leading authorities, helpful notes to clarify the text, up-to-date bibliographies for further study, and much more.

Paperback. Condición: new. Paperback. 'Why must I feel that almost all--no, all--of the devices and conventions used by art are today only fit for parody?'Adrian Leverkuehn is a composer who, at terrible personal cost, makes the breakthrough from traditional art to extreme modernism and success. Creative and brilliant, he will stop at nothing to achieve greatness.Thomas Mann wrote Doctor Faustus (1947) in American exile duringand just after the Second World War. A prominent and long-standing defender of democracy, he sought to understand, in cultural and intellectual terms, how Germany had succumbed to Nazism. Mann structures his story through referencesto the German legend of Faust and his pact with the Devil. The life of the solitary composer, an ultimately tragic figure, is recounted by his friend and biographer, who represents a sadly ineffectual humanism, and whose social activities provide a panorama of middle-class German society in the early twentieth century.Ritchie Robertson's new English translation is accompanied by detailed annotations and an introduction illuminating the themes of thenovel.ABOUT THE SERIES: For over 100 years Oxford World's Classics has made available the widest range of literature from around the globe. Each affordable volume reflects Oxford'scommitment to scholarship, providing the most accurate text plus a wealth of other valuable features, including expert introductions by leading authorities, helpful notes to clarify the text, up-to-date bibliographies for further study, and much more. Thomas Mann's Doctor Faustus (1947) recounts the life of a solitary composer, Adrian Leverkuehn, whose personal and musical development provides a panorama of middle-class German society in the early twentieth century. Shipping may be from our Sydney, NSW warehouse or from our UK or US warehouse, depending on stock availability.

Paperback. Condición: new. Paperback. 'Why must I feel that almost all--no, all--of the devices and conventions used by art are today only fit for parody?'Adrian Leverkuehn is a composer who, at terrible personal cost, makes the breakthrough from traditional art to extreme modernism and success. Creative and brilliant, he will stop at nothing to achieve greatness. Thomas Mann wrote Doctor Faustus (1947) in American exile duringand just after the Second World War. A prominent and long-standing defender of democracy, he sought to understand, in cultural and intellectual terms, how Germany had succumbed to Nazism. Mann structures his story through referencesto the German legend of Faust and his pact with the Devil. The life of the solitary composer, an ultimately tragic figure, is recounted by his friend and biographer, who represents a sadly ineffectual humanism, and whose social activities provide a panorama of middle-class German society in the early twentieth century. Ritchie Robertson's new English translation is accompanied by detailed annotations and an introduction illuminating the themes of thenovel.ABOUT THE SERIES: For over 100 years Oxford World's Classics has made available the widest range of literature from around the globe. Each affordable volume reflects Oxford'scommitment to scholarship, providing the most accurate text plus a wealth of other valuable features, including expert introductions by leading authorities, helpful notes to clarify the text, up-to-date bibliographies for further study, and much more. Thomas Mann's Doctor Faustus (1947) recounts the life of a solitary composer, Adrian Leverkuehn, whose personal and musical development provides a panorama of middle-class German society in the early twentieth century. Shipping may be from our UK warehouse or from our Australian or US warehouses, depending on stock availability.

Taschenbuch. Condición: Neu. Neuware -'Why must I feel that almost all--no, all--of the devices and conventions used by art are today only fit for parody 'Adrian Leverkühn is a composer who, at terrible personal cost, makes the breakthrough from traditional art to extreme modernism and success. Creative and brilliant, he will stop at nothing to achieve greatness. Thomas Mann wrote Doctor Faustus (1947) in American exile during and just after the Second World War. A prominent and long-standing defender of democracy, he sought to understand, in cultural and intellectual terms, how Germany had succumbed to Nazism. Mann structures his story through references to the German legend of Faust and his pact with the Devil. The life of the solitary composer, an ultimately tragic figure, is recounted by his friend and biographer, who represents a sadly ineffectual humanism, and whose social activities provide a panorama of middle-class German society in the early twentieth century. Ritchie Robertson's new English translation is accompanied by detailed annotations and an introduction illuminating the themes of the novel.ABOUT THE SERIES: For over 100 years Oxford World's Classics has made available the widest range of literature from around the globe. Each affordable volume reflects Oxford's commitment to scholarship, providing the most accurate text plus a wealth of other valuable features, including expert introductions by leading authorities, helpful notes to clarify the text, up-to-date bibliographies for further study, and much more.Libri GmbH, Europaallee 1, 36244 Bad Hersfeld 608 pp. Englisch.

Taschenbuch. Condición: Neu. Neuware - 'Why must I feel that almost all--no, all--of the devices and conventions used by art are today only fit for parody 'Adrian Leverkühn is a composer who, at terrible personal cost, makes the breakthrough from traditional art to extreme modernism and success. Creative and brilliant, he will stop at nothing to achieve greatness. Thomas Mann wrote Doctor Faustus (1947) in American exile during and just after the Second World War. A prominent and long-standing defender of democracy, he sought to understand, in cultural and intellectual terms, how Germany had succumbed to Nazism. Mann structures his story through references to the German legend of Faust and his pact with the Devil. The life of the solitary composer, an ultimately tragic figure, is recounted by his friend and biographer, who represents a sadly ineffectual humanism, and whose social activities provide a panorama of middle-class German society in the early twentieth century. Ritchie Robertson's new English translation is accompanied by detailed annotations and an introduction illuminating the themes of the novel.ABOUT THE SERIES: For over 100 years Oxford World's Classics has made available the widest range of literature from around the globe. Each affordable volume reflects Oxford's commitment to scholarship, providing the most accurate text plus a wealth of other valuable features, including expert introductions by leading authorities, helpful notes to clarify the text, up-to-date bibliographies for further study, and much more.

Taschenbuch. Condición: Neu. Doctor Faustus | Thomas Mann | Taschenbuch | Oxford World's Classics | Englisch | 2026 | Oxford University Press | EAN 9780198867722 | Verantwortliche Person für die EU: Libri GmbH, Europaallee 1, 36244 Bad Hersfeld, gpsr[at]libri[dot]de | Anbieter: preigu.

Taschenbuch. Condición: Neu. Neuware -'Why must I feel that almost all--no, all--of the devices and conventions used by art are today only fit for parody 'Adrian Leverkühn is a composer who, at terrible personal cost, makes the breakthrough from traditional art to extreme modernism and success. Creative and brilliant, he will stop at nothing to achieve greatness. Thomas Mann wrote Doctor Faustus (1947) in American exile during and just after the Second World War. A prominent and long-standing defender of democracy, he sought to understand, in cultural and intellectual terms, how Germany had succumbed to Nazism. Mann structures his story through references to the German legend of Faust and his pact with the Devil. The life of the solitary composer, an ultimately tragic figure, is recounted by his friend and biographer, who represents a sadly ineffectual humanism, and whose social activities provide a panorama of middle-class German society in the early twentieth century. Ritchie Robertson's new English translation is accompanied by detailed annotations and an introduction illuminating the themes of the novel.ABOUT THE SERIES: For over 100 years Oxford World's Classics has made available the widest range of literature from around the globe. Each affordable volume reflects Oxford's commitment to scholarship, providing the most accurate text plus a wealth of other valuable features, including expert introductions by leading authorities, helpful notes to clarify the text, up-to-date bibliographies for further study, and much more. 608 pp. Englisch.