Idioma: Inglés
Publicado por Oxford University Press, 2002
ISBN 10: 0198166036 ISBN 13: 9780198166030
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Añadir al carritoPaperback. Condición: Very Good. Near mint.
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Añadir al carritoCondición: Very Good. Your purchase helps support Sri Lankan Children's Charity 'The Rainbow Centre'. Shows some signs of wear but in good overall condition. Our donations to The Rainbow Centre have helped provide an education and a safe haven to hundreds of children who live in appalling conditions.
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Idioma: Inglés
Publicado por Oxford University Press, 1996
ISBN 10: 0198166036 ISBN 13: 9780198166030
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Idioma: Inglés
Publicado por Oxford University Press, USA, 1996
ISBN 10: 0198166036 ISBN 13: 9780198166030
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Añadir al carritoCondición: New. Basing his work upon Wagner's textual and musical manuscripts, Warren Darcy employs up-to-date analytical techniques to trace the compositional genesis of Richard Wagner's opera 'Das Rheingold', the first opera of his great operatic tetralogy 'Der Ring des Nibelungen'. He also attempts a comprehensive formal and tonal analysis of the piece. Series: Studies in Musical Genesis, Structure, and Interpretation. Num Pages: 274 pages, line figures, tables, music examples. BIC Classification: 1DFG; AVGC5; AVGC9; AVH. Category: (P) Professional & Vocational. Dimension: 233 x 156 x 17. Weight in Grams: 480. . 1996. Revised ed. paperback. . . . .
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Idioma: Inglés
Publicado por Oxford University Press, USA, 1996
ISBN 10: 0198166036 ISBN 13: 9780198166030
Librería: Kennys Bookstore, Olney, MD, Estados Unidos de America
EUR 115,17
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Añadir al carritoCondición: New. Basing his work upon Wagner's textual and musical manuscripts, Warren Darcy employs up-to-date analytical techniques to trace the compositional genesis of Richard Wagner's opera 'Das Rheingold', the first opera of his great operatic tetralogy 'Der Ring des Nibelungen'. He also attempts a comprehensive formal and tonal analysis of the piece. Series: Studies in Musical Genesis, Structure, and Interpretation. Num Pages: 274 pages, line figures, tables, music examples. BIC Classification: 1DFG; AVGC5; AVGC9; AVH. Category: (P) Professional & Vocational. Dimension: 233 x 156 x 17. Weight in Grams: 480. . 1996. Revised ed. paperback. . . . . Books ship from the US and Ireland.
Idioma: Inglés
Publicado por Oxford University Press, USA, 1996
ISBN 10: 0198166036 ISBN 13: 9780198166030
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Idioma: Inglés
Publicado por Oxford University Press, USA, 1996
ISBN 10: 0198166036 ISBN 13: 9780198166030
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EUR 64,63
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Idioma: Inglés
Publicado por Oxford University Press, 1996
ISBN 10: 0198166036 ISBN 13: 9780198166030
Librería: PBShop.store US, Wood Dale, IL, Estados Unidos de America
EUR 86,00
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Idioma: Inglés
Publicado por Oxford University Press, 1996
ISBN 10: 0198166036 ISBN 13: 9780198166030
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EUR 82,38
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Idioma: Inglés
Publicado por Oxford University Press, Oxford, 1996
ISBN 10: 0198166036 ISBN 13: 9780198166030
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EUR 89,47
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Añadir al carritoPaperback. Condición: new. Paperback. Richard Wagner's opera Das Rheingold is a milestone in the composer's outlput and in the history of music in general. It marked Wagner's return to operatic composition after a hiatus of five years, and signified his definitive break with earlier operatic conventions. it also represents a reconsideration of the whole question of dramatic-musical form, and the role of tonality in articulating this form. Warren Darcy traces here the genesis ofDas Rheingold through the various textual and musical sketches and drafts to the full score, and also develops a theoretical framework within which the opera may be meaningfully analysed. Using Wagner'smanuscripts as a point of departure, Darcy discusses the formal, harmonic, and linear structure of the work. In so doing, he challenges a number of contemporary views about the opera, including those of Curt von Westernhagen and Carl Dahlhaus. In this book, Warren Darcy traces the compositional genesis of Richard Wagner's opera Das Rheingold, the first opera of his great operatic tetralogy Der Ring des Nibelungen. He also attempts a comprehensive formal and tonal analysis of the piece. Basing his work upon Wagner's textual and musical manuscripts, he employs the most up-to-date analytical techniques. This item is printed on demand. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.
Idioma: Inglés
Publicado por Oxford University Press, 1996
ISBN 10: 0198166036 ISBN 13: 9780198166030
Librería: THE SAINT BOOKSTORE, Southport, Reino Unido
EUR 94,24
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Añadir al carritoPaperback / softback. Condición: New. This item is printed on demand. New copy - Usually dispatched within 5-9 working days.
Idioma: Inglés
Publicado por Oxford University Press, Oxford, 1996
ISBN 10: 0198166036 ISBN 13: 9780198166030
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EUR 86,42
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Añadir al carritoPaperback. Condición: new. Paperback. Richard Wagner's opera Das Rheingold is a milestone in the composer's outlput and in the history of music in general. It marked Wagner's return to operatic composition after a hiatus of five years, and signified his definitive break with earlier operatic conventions. it also represents a reconsideration of the whole question of dramatic-musical form, and the role of tonality in articulating this form. Warren Darcy traces here the genesis ofDas Rheingold through the various textual and musical sketches and drafts to the full score, and also develops a theoretical framework within which the opera may be meaningfully analysed. Using Wagner'smanuscripts as a point of departure, Darcy discusses the formal, harmonic, and linear structure of the work. In so doing, he challenges a number of contemporary views about the opera, including those of Curt von Westernhagen and Carl Dahlhaus. In this book, Warren Darcy traces the compositional genesis of Richard Wagner's opera Das Rheingold, the first opera of his great operatic tetralogy Der Ring des Nibelungen. He also attempts a comprehensive formal and tonal analysis of the piece. Basing his work upon Wagner's textual and musical manuscripts, he employs the most up-to-date analytical techniques. This item is printed on demand. Shipping may be from our Sydney, NSW warehouse or from our UK or US warehouse, depending on stock availability.
Idioma: Inglés
Publicado por Oxford University Press, 1996
ISBN 10: 0198166036 ISBN 13: 9780198166030
Librería: Majestic Books, Hounslow, Reino Unido
EUR 122,87
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Añadir al carritoCondición: New. Print on Demand pp. 276 49:B&W 6.14 x 9.21 in or 234 x 156 mm (Royal 8vo) Perfect Bound on White w/Gloss Lam.
Idioma: Inglés
Publicado por Oxford University Press, Oxford, 1996
ISBN 10: 0198166036 ISBN 13: 9780198166030
Librería: CitiRetail, Stevenage, Reino Unido
EUR 88,30
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Añadir al carritoPaperback. Condición: new. Paperback. Richard Wagner's opera Das Rheingold is a milestone in the composer's outlput and in the history of music in general. It marked Wagner's return to operatic composition after a hiatus of five years, and signified his definitive break with earlier operatic conventions. it also represents a reconsideration of the whole question of dramatic-musical form, and the role of tonality in articulating this form. Warren Darcy traces here the genesis ofDas Rheingold through the various textual and musical sketches and drafts to the full score, and also develops a theoretical framework within which the opera may be meaningfully analysed. Using Wagner'smanuscripts as a point of departure, Darcy discusses the formal, harmonic, and linear structure of the work. In so doing, he challenges a number of contemporary views about the opera, including those of Curt von Westernhagen and Carl Dahlhaus. In this book, Warren Darcy traces the compositional genesis of Richard Wagner's opera Das Rheingold, the first opera of his great operatic tetralogy Der Ring des Nibelungen. He also attempts a comprehensive formal and tonal analysis of the piece. Basing his work upon Wagner's textual and musical manuscripts, he employs the most up-to-date analytical techniques. This item is printed on demand. Shipping may be from our UK warehouse or from our Australian or US warehouses, depending on stock availability.
Idioma: Inglés
Publicado por Oxford University Press OUP, 1996
ISBN 10: 0198166036 ISBN 13: 9780198166030
Librería: Books Puddle, New York, NY, Estados Unidos de America
EUR 129,87
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Añadir al carritoCondición: New. Print on Demand pp. 276.
Idioma: Inglés
Publicado por Oxford University Press, 1996
ISBN 10: 0198166036 ISBN 13: 9780198166030
Librería: moluna, Greven, Alemania
EUR 83,76
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Añadir al carritoCondición: New. Dieser Artikel ist ein Print on Demand Artikel und wird nach Ihrer Bestellung fuer Sie gedruckt. In this book, Warren Darcy traces the compositional genesis of Richard Wagner s opera Das Rheingold, the first opera of his great operatic tetralogy Der Ring des Nibelungen. He also attempts a comprehensive formal and tonal analysis of the piece. Basing his.
Idioma: Inglés
Publicado por Oxford University Press, 1996
ISBN 10: 0198166036 ISBN 13: 9780198166030
Librería: Biblios, Frankfurt am main, HESSE, Alemania
EUR 123,48
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Añadir al carritoCondición: New. PRINT ON DEMAND pp. 276.
Librería: preigu, Osnabrück, Alemania
EUR 86,90
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Añadir al carritoTaschenbuch. Condición: Neu. Wagner's Das Rheingold | Warren Darcy | Taschenbuch | Buch | Englisch | 1996 | OUP Oxford | EAN 9780198166030 | Verantwortliche Person für die EU: Deutsche Bibelgesellschaft, Postfach:81 03 40, 70567 Stuttgart, vertrieb[at]dbg[dot]de | Anbieter: preigu Print on Demand.
Librería: AHA-BUCH GmbH, Einbeck, Alemania
EUR 112,33
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Añadir al carritoTaschenbuch. Condición: Neu. nach der Bestellung gedruckt Neuware - Printed after ordering - Richard Wagner's opera Das Rheingold is a milestone in the composer's outlput and in the history of music in general. It marked Wagner's return to operatic composition after a hiatus of five years, and signified his definitive break with earlier operatic conventions. it also represents a reconsideration of the whole question of dramatic-musical form, and the role of tonality in articulating this form.Warren Darcy traces here the genesis of Das Rheingold through the various textual and musical sketches and drafts to the full score, and also develops a theoretical framework within which the opera may be meaningfully analysed. Using Wagner's manuscripts as a point of departure, Darcy discusses the formal, harmonic, and linear structure of the work. In so doing, he challenges a number of contemporary views about the opera, including those of Curt von Westernhagen and Carl Dahlhaus.