ISBN: 9780195041316 - hard facts: setting and form in the american novel (30 resultados)

Condición: good. The book is in good condition with all pages and cover intact, including the dust jacket if originally issued. The spine may show light wear. Pages may contain some notes or highlighting, and there might be a "From the library of" label. Boxed set packaging, shrink wrap, or included media like CDs may be missing.…

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Paperback. Condición: Clean & Unmarked. Spine a bit sunned. Otherwise clean, tight and bright. 191 pp.

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paperback. Condición: New. BRAND NEW, Perfect Shape, No Remainder Mark,Fast Shipping With Online Tracking, International Orders shipped Global Priority Air Mail, All orders handled with care and shipped promptly in secure packaging, we ship Mon-Sat and send shipment confirmation emails. Our customer service is friendly, we answer emails fast, accept returns and work hard to deliver 100% Customer Satisfaction.…

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Paperback. Condición: New. American culture has often been described in terms of paradigmatic images--the wilderness, the Jeffersonian landscape of family farms, the great industrial cities at the turn of the 19th century. But underlying these cultural ideals are less happy paradoxes. Settling the land meant banishing the Indians and destroying the wilderness; Jeffersonian landscapes were created with the help of the new country's enslaved citizens; and economic opportunities in the citieswere purchased at the high price of self-commercialization. In this study of the popular 19th- and early 20th-century American novel, Philip Fisher demonstrates how such works as Dreiser's SisterCarrie and An American Tragedy, Stowe's Uncle Tom's Cabin and Cooper's The Deerslayer worked to make these three "hard facts" of the 19th-century American experience familiar and tolerable--or familiar and intolerable--to their wide audience of readers. His perceptive analysis proves that the most important cultural "work" was accomplished not by novels generally taken to be at the core of the American literary canon--those of Hawthorne, Melville, orTwain--but rather by books which never abandoned the ambition to be widely read.…

Condición: New. Num Pages: 204 pages. Dimension: 850 x 550 x 46. Weight in Grams: 59. . 1987. Reprint. paperback. . . . .

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Condición: New. Num Pages: 204 pages. Dimension: 850 x 550 x 46. Weight in Grams: 59. . 1987. Reprint. paperback. . . . . Books ship from the US and Ireland.

Paperback. Condición: New. American culture has often been described in terms of paradigmatic images--the wilderness, the Jeffersonian landscape of family farms, the great industrial cities at the turn of the 19th century. But underlying these cultural ideals are less happy paradoxes. Settling the land meant banishing the Indians and destroying the wilderness; Jeffersonian landscapes were created with the help of the new country's enslaved citizens; and economic opportunities in the citieswere purchased at the high price of self-commercialization. In this study of the popular 19th- and early 20th-century American novel, Philip Fisher demonstrates how such works as Dreiser's SisterCarrie and An American Tragedy, Stowe's Uncle Tom's Cabin and Cooper's The Deerslayer worked to make these three "hard facts" of the 19th-century American experience familiar and tolerable--or familiar and intolerable--to their wide audience of readers. His perceptive analysis proves that the most important cultural "work" was accomplished not by novels generally taken to be at the core of the American literary canon--those of Hawthorne, Melville, orTwain--but rather by books which never abandoned the ambition to be widely read.…

Condición: new. Questo è un articolo print on demand.

PAP. Condición: New. New Book. Shipped from UK. THIS BOOK IS PRINTED ON DEMAND. Established seller since 2000.

PAP. Condición: New. New Book. Delivered from our UK warehouse in 4 to 14 business days. THIS BOOK IS PRINTED ON DEMAND. Established seller since 2000.

Paperback. Condición: new. Paperback. American culture has often been described in terms of paradigmatic images--the wilderness, the Jeffersonian landscape of family farms, the great industrial cities at the turn of the 19th century. But underlying these cultural ideals are less happy paradoxes. Settling the land meant banishing the Indians and destroying the wilderness; Jeffersonian landscapes were created with the help of the new country's enslaved citizens; and economic opportunities in the citieswere purchased at the high price of self-commercialization. In this study of the popular 19th- and early 20th-century American novel, Philip Fisher demonstrates how such works as Dreiser's SisterCarrie and An American Tragedy, Stowe's Uncle Tom's Cabin and Cooper's The Deerslayer worked to make these three "hard facts" of the 19th-century American experience familiar and tolerable--or familiar and intolerable--to their wide audience of readers. His perceptive analysis proves that the most important cultural "work" was accomplished not by novels generally taken to be at the core of the American literary canon--those of Hawthorne, Melville, orTwain--but rather by books which never abandoned the ambition to be widely read. American culture has often been described in terms of paradigmatic images—the wilderness, the Jeffersonian landscape of family farms, the great industrial cities at the turn of the 19th century. But underlying these cultural ideals are less happy paradoxes. Settling the land meant banishing the Indians and destroying the wilderness; Jeffersonian landscapes were created with the help of the new country's enslaved citizens; and economic opportunities in the cities were purchased at the high price of self-commercialization. In this study of the popular 19th- and early 20th-century American novel, Philip Fisher demonstrates how such works as Dreiser's Sister Carrie and An American Tragedy, Stowe's Uncle Tom's Cabin and Cooper's The Deerslayer worked to make these three "hard facts" of the 19th-century American experience familiar and tolerable—or familiar and intolerable—to their wide audience of readers. His perceptive analysis proves that the most important cultural "work" was accomplished not by novels generally taken to be at the core of the American literary canon—those of Hawthorne, Melville, or Twain—but rather by books which never abandoned the ambition to be widely read. This item is printed on demand. Shipping may be from our UK warehouse or from our Australian or US warehouses, depending on stock availability. …

Condición: New. Dieser Artikel ist ein Print on Demand Artikel und wird nach Ihrer Bestellung fuer Sie gedruckt. KlappentextrnrnAmerican culture has often been described in terms of paradigmatic images--the wilderness, the Jeffersonian landscape of family farms, the great industrial cities at the turn of the 19th century. But underlying these cultural idea.…

Condición: New. Print on Demand pp. 204.

Taschenbuch. Condición: Neu. nach der Bestellung gedruckt Neuware - Printed after ordering - American culture has often been described in terms of paradigmatic images--the wilderness, the Jeffersonian landscape of family farms, the great industrial cities at the turn of the 19th century. But underlying these cultural ideals are less happy paradoxes. Settling the land meant banishing the Indians and destroying the wilderness; Jeffersonian landscapes were created with the help of the new country's enslaved citizens; and economic opportunities in the cities were purchased at the high price of self-commercialization. In this study of the popular 19th- and early 20th-century American novel, Philip Fisher demonstrates how such works as Dreiser's Sister Carrie and An American Tragedy, Stowe's Uncle Tom's Cabin and Cooper's The Deerslayer worked to make these three 'hard facts' of the 19th-century American experience familiar and tolerable--or familiar and intolerable--to their wide audience of readers. His perceptive analysis proves that the most important cultural 'work' was accomplished not by novels generally taken to be at the core of the American literary canon--those of Hawthorne, Melville, or Twain--but rather by books which never abandoned the ambition to be widely read.…

Taschenbuch. Condición: Neu. Hard Facts | Setting and Form in the American Novel | Philip Fisher | Taschenbuch | Kartoniert / Broschiert | Englisch | 1986 | Oxford University Press | EAN 9780195041316 | Verantwortliche Person für die EU: Libri GmbH, Europaallee 1, 36244 Bad Hersfeld, gpsr[at]libri[dot]de | Anbieter: preigu Print on Demand. …

Condición: New. Print on Demand pp. 204 1:B&W 5.5 x 8.5 in or 216 x 140 mm (Demy 8vo) Perfect Bound on Creme w/Gloss Lam.

Condición: New. PRINT ON DEMAND pp. 204.