9780140053975 - On Photography de Sontag, Susan (31 resultados)

Condición: Good. Pages intact with minimal writing/highlighting. The binding may be loose and creased. Dust jackets/supplements are not included. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

Condición: Good. Former library copy. Pages intact with minimal writing/highlighting. The binding may be loose and creased. Dust jackets/supplements are not included. Includes library markings. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

Paperback. Condición: Fine. 'The most original and illuminating study of the subject' New Yorker Photographs are everywhere. From high art to family albums to legal evidence, they capture and document the world around us. And whether we use them to expose, reveal or remember, they hold an enduring power. In this essential and revelatory volume, Susan Sontag confronts important questions surrounding the power dynamics between photographer and subject, the blurred boundary between lived events and recreated images, and the desires that lead us to record our lives. 'Complex and contradictory. one of America's greatest public intellectuals' Observer 'Susan Sontag offers enough food for thought to satisfy the most intellectual of appetites' The Times 'A brilliant analysis of the profound changes photographic images have had in our way of looking at the world, and at ourselves, over the years' Washington Post.

Condición: New.

Paperback. Condición: New. 'The most original and illuminating study of the subject' New YorkerPhotographs are everywhere. From high art to family albums to legal evidence, they capture and document the world around us. And whether we use them to expose, reveal or remember, they hold an enduring power.In this essential and revelatory volume, Susan Sontag confronts important questions surrounding the power dynamics between photographer and subject, the blurred boundary between lived events and recreated images, and the desires that lead us to record our lives.'Complex and contradictory. one of America's greatest public intellectuals' Observer'Susan Sontag offers enough food for thought to satisfy the most intellectual of appetites' The Times'A brilliant analysis of the profound changes photographic images have had in our way of looking at the world, and at ourselves, over the years' Washington Post.

Condición: As New. Unread book in perfect condition.

Paperback. Condición: new. Paperback. A seminal essay collection from one of the leading intellectuals of the twentieth century - a searing analysis of photography's role in our livesFirst published in 1973, this is a study of the force of photographic images which are continually inserted between experience and reality. Sontag develops further the concept of 'transparency'. When anything can be photographed and photography has destroyed the boundaries and definitions of art, a viewer can approach a photograph freely with no expectations of discovering what it means. This collection of six lucid and invigorating essays, the most famous being \"In Plato's Cave,\" make up a deep exploration of how the image has affected society. Offers a critique of photography that asks forceful questions about the moral and aesthetic issues surrounding this art form. This book examines the ways in which we use these omnipresent images to manufacture a sense of reality and authority in our lives. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.

PAP. Condición: New. New Book. Shipped from UK. Established seller since 2000.

Condición: New. pp. 224.

Paperback. Condición: Brand New. 224 pages. 7.95x5.08x0.91 inches. In Stock.

Paperback. Condición: Used; Good. **SHIPPED FROM UK** We believe you will be completely satisfied with our quick and reliable service. All orders are dispatched as swiftly as possible! Buy with confidence! Greener Books.

Condición: New. 1979. 1st Penguin Edition. paperback. Offers a critique of photography that asks forceful questions about the moral and aesthetic issues surrounding this art form. This book examines the ways in which we use these omnipresent images to manufacture a sense of reality and authority in our lives. Num Pages: 224 pages, illustrations. BIC Classification: AJ. Category: (G) General (US: Trade). Dimension: 195 x 130 x 15. Weight in Grams: 162. . . . . .

Condición: New. 1979. 1st Penguin Edition. paperback. Offers a critique of photography that asks forceful questions about the moral and aesthetic issues surrounding this art form. This book examines the ways in which we use these omnipresent images to manufacture a sense of reality and authority in our lives. Num Pages: 224 pages, illustrations. BIC Classification: AJ. Category: (G) General (US: Trade). Dimension: 195 x 130 x 15. Weight in Grams: 162. . . . . . Books ship from the US and Ireland.

Condición: New. In.

paperback. Condición: New.

Condición: New. pp. 224.

Paperback / softback. Condición: New. New copy - Usually dispatched within 3 working days.

Condición: New.

Paper covers. Condición: V.g. No Jacket. New edition. Little used. Weight: 1.0 Language: English.

Condición: As New. Unread book in perfect condition.

Paperback. Condición: Very Good. 'The most original and illuminating study of the subject' New Yorker Photographs are everywhere. From high art to family albums to legal evidence, they capture and document the world around us. And whether we use them to expose, reveal or remember, they hold an enduring power. In this essential and revelatory volume, Susan Sontag confronts important questions surrounding the power dynamics between photographer and subject, the blurred boundary between lived events and recreated images, and the desires that lead us to record our lives. 'Complex and contradictory. one of America's greatest public intellectuals' Observer 'Susan Sontag offers enough food for thought to satisfy the most intellectual of appetites' The Times 'A brilliant analysis of the profound changes photographic images have had in our way of looking at the world, and at ourselves, over the years' Washington Post. The book has been read, but is in excellent condition. Pages are intact and not marred by notes or highlighting. The spine remains undamaged.

Paperback. Condición: Good. 'The most original and illuminating study of the subject' New Yorker Photographs are everywhere. From high art to family albums to legal evidence, they capture and document the world around us. And whether we use them to expose, reveal or remember, they hold an enduring power. In this essential and revelatory volume, Susan Sontag confronts important questions surrounding the power dynamics between photographer and subject, the blurred boundary between lived events and recreated images, and the desires that lead us to record our lives. 'Complex and contradictory. one of America's greatest public intellectuals' Observer 'Susan Sontag offers enough food for thought to satisfy the most intellectual of appetites' The Times 'A brilliant analysis of the profound changes photographic images have had in our way of looking at the world, and at ourselves, over the years' Washington Post. The book has been read but remains in clean condition. All pages are intact and the cover is intact. Some minor wear to the spine.

Original Broschur, 8°, 207 Seiten. Umschlag und Rücken bestossen, Papier altersbedingt gebräunt sonst guter Zustand.

Paperback. Condición: new. Paperback. A seminal essay collection from one of the leading intellectuals of the twentieth century - a searing analysis of photography's role in our livesFirst published in 1973, this is a study of the force of photographic images which are continually inserted between experience and reality. Sontag develops further the concept of 'transparency'. When anything can be photographed and photography has destroyed the boundaries and definitions of art, a viewer can approach a photograph freely with no expectations of discovering what it means. This collection of six lucid and invigorating essays, the most famous being \"In Plato's Cave,\" make up a deep exploration of how the image has affected society. Offers a critique of photography that asks forceful questions about the moral and aesthetic issues surrounding this art form. This book examines the ways in which we use these omnipresent images to manufacture a sense of reality and authority in our lives. Shipping may be from our UK warehouse or from our Australian or US warehouses, depending on stock availability.

Paperback. Condición: new. Paperback. A seminal essay collection from one of the leading intellectuals of the twentieth century - a searing analysis of photography's role in our livesFirst published in 1973, this is a study of the force of photographic images which are continually inserted between experience and reality. Sontag develops further the concept of 'transparency'. When anything can be photographed and photography has destroyed the boundaries and definitions of art, a viewer can approach a photograph freely with no expectations of discovering what it means. This collection of six lucid and invigorating essays, the most famous being \"In Plato's Cave,\" make up a deep exploration of how the image has affected society. Offers a critique of photography that asks forceful questions about the moral and aesthetic issues surrounding this art form. This book examines the ways in which we use these omnipresent images to manufacture a sense of reality and authority in our lives. Shipping may be from our Sydney, NSW warehouse or from our UK or US warehouse, depending on stock availability.

Condición: NEW.

Condición: New. Offers a critique of photography that asks forceful questions about the moral and aesthetic issues surrounding this art form. This book examines the ways in which we use these omnipresent images to manufacture a sense of reality and authority in our lives.

Taschenbuch. Condición: Neu. Neuware - 'The most original and illuminating study of the subject.' The New YorkerPhotographs are everywhere. From high art to family albums to legal evidence, they capture and document the world around us. And whether we use them to expose, reveal or remember, they hold an enduring power. In this essential and revelatory volume, Susan Sontag confronts important questions surrounding the power dynamics between photographer and subject, the blurred boundary between lived events and recreated images, and the desires that lead us to record our lives.'Complex and contradictory. one of America's greatest public intellectuals' Observer'Susan Sontag offers enough food for thought to satisfy the most intellectual of appetites.' The Times'A brilliant analysis of the profound changes photographic images have had in our way of looking at the world, and at ourselves, over the years.' Washington Post.

Paperback. Condición: New. 'The most original and illuminating study of the subject' New YorkerPhotographs are everywhere. From high art to family albums to legal evidence, they capture and document the world around us. And whether we use them to expose, reveal or remember, they hold an enduring power.In this essential and revelatory volume, Susan Sontag confronts important questions surrounding the power dynamics between photographer and subject, the blurred boundary between lived events and recreated images, and the desires that lead us to record our lives.'Complex and contradictory. one of America's greatest public intellectuals' Observer'Susan Sontag offers enough food for thought to satisfy the most intellectual of appetites' The Times'A brilliant analysis of the profound changes photographic images have had in our way of looking at the world, and at ourselves, over the years' Washington Post.

Taschenbuch. Condición: Neu. On Photography | Susan Sontag | Taschenbuch | Kartoniert / Broschiert | Englisch | 1979 | Penguin Books Ltd | EAN 9780140053975 | Verantwortliche Person für die EU: Libri GmbH, Europaallee 1, 36244 Bad Hersfeld, gpsr[at]libri[dot]de | Anbieter: preigu.