9780002690409 (15 resultados)

Size: 8vo. pp.237-496. Publisher's printed paperback. As new. Comprises: i) The musico-poetics of the flat submediant in Schubert's songs by David Bretherton; ii) Celluloid Diva : staging Leoncavallo's Zazà in the cinematic age by Ditlev Rindom; iii) Lyrical tension, collective voices : masculinity in Alban Berg's Wozzeck / Amanda Hsieh; iv) 'I wish for my life's roses to have fewer thorns' : Heinrich Neuhaus and alternative narratives of selfhood in Soviet Russia by Maria Razumovskaya; v) Feldenkrais's touch, Ephram's Laughter, Gould's Sensorium : listening and musical practice between thinking and doing by Robert Sholl; vi) Notation cultures : towards an ethnomusicology of notation by Floris Schuiling.

Size: 8vo. [ii], pp.273-490. Publisher's printed paperback. As new. Comprises: i) Cueing Refrains in the Medieval Conductus by Mary Channen Caldwell; ii) 'Obtained by peculiar favour, & much difficulty of the Singer': Vincenzo Albrici and the Function of Charles II's Italian Ensemble at the English Restoration Court by Ester Lebedinski; iii) An Uncrossable Rubicon: Liszt's Sardanapalo Revisited by David Trippett; iv) Politics and the Popular in British Music Theatre of the Vietnam Era by Robert Adlington.

Size: 8vo. pp.167-364. Publisher's printed paperback. Music examples, illustrations. As new. Comprises: i) Cross-Cultural Perspectives on Secular Vocal Performance in Early Wales by Christopher Macklin; ii) We hardly knew what we should pay attention to first': Mozart the Performer-Composer at Work on the Viennese Piano Concertos by Simon P. Keefe; iii) The Regime's 'Musical Weapon' Transformed: The Reception of Johann Strauss Sr's Radetzky March Before and After the First World War by Zoë Lang; iv) Material and History in the Aesthetics of 'Serielle Musik' by Marcus Zagorski; v) The Parallax Worlds of the WestEastern Divan Orchestra by Rachel Beckles Willson.

Size: 8vo. 204pp. Publisher's printed paperback. Music examples, illustrations. As new. Comprises: i) Pastor Iver Brink's Sacred and Secular Music: A Private Collection of Music from Copenhagen at the Beginning of the Eighteenth Century by Jens Henrik Koudal & Michael Talbot; ii) Biographical Myth and the Publication of Mozart's Piano Quartets by Rupert Ridgewell; iii) On the Structure and Proportions of Vaughan Williams's Fantasia on a Theme by Thomas Tallis by Allan W. Atlas; iv) Where is Here? An Issue of Deictic Projection in Recorded Song by Allan F. Moore.

Size: 8vo. 242pp. Publisher's printed paperback. Music examples, illustrations. As new. Comprises: i) The Sonata Principle Reformulated for Haydn Post-1770 and a Typology of his Recapitulatory Strategies by Matthew Riley; ii) Puccini and the Music Boxes by W. Anthony Sheppard; iii) Transatlantic Networks in the Correspondence of Two Exiled Spanish Musicians, Julián Bautista and Adolfo Salazar by Eva Moreda Rodríguez; iv) 'Sparks of Meaning': Comics, Music and Alan Moore by Tim Summers; v) Thomas Adès and the Spectres of Brahms by Edward Venn.

Size: 8vo. pp.251-508. Publisher's printed paperback. As new. Comprises: i) Three Music-Theory Lessons by Alexander Rehding; ii) Jenny Lind, Harriet Grote and Elite Music Patronage in Early Victorian London by Matildie Thom Wium; iii) Telling Time: Statues and Stasis, Daphnis et Chloé and L'après-midi d'un faun by Rachana Vajjhala; iv) Modernism and Reification in the Music of Frank Bridge by Ben Earle; v) Milan's Studio di Fonologia: Voice Politics in the City, 19558 by Delia Casadei; vi) Interpretation and Performance Practice in Realizing Stockhausen's Studie II by Sean Williams.

Size: 8vo. pp.243-470. Publisher's printed paperback. Music examples, illustrations. As new. Comprises: i) French Musicology and the Musical Press (190014): The Case of La revue musicale, Le mercure musical and La revue musicale SIM by Michel Duchesneau; ii) Creating Harmonious Subjects? Ballads, Psalms and Godly Songs for Queen Elizabeth I's Accession Day by Katherine Butler; iii) Bridging Divides: Verdi's Requiem in Post-Unification Italy by Francesca Vella; iv) Sound of Body: Music, Sports and Health in Victorian Britain by Jennifer R. Sheppard; v) Reading Uncle Bumba and the Rumba: The Comedian Harmonists and Transnational Youth Culture at the End of the Weimar Republic by Stephan Pennington; vi) Postcolonial Affect: Ambiguous Relationality in Robert Casteels's L'(autre) fille aux cheveux de Bali by Gavin Lee.

Size: 8vo. pp.265-508. Publisher's printed paperback. As new. Comprises: i) Satire, Empire and Chromaticism in Dargomyzhsky's Orchestral Fantasias by Kirill Zikanov; ii) The Examiner and the Evangelist: Authorities of Music and Empire, c.1894 by Erin Johnson-Williams; iii) 'A Perfectly Self-Contained Tetralogy': Mahlers Tragicomic Inspirations by Leah Batstone; iv) Amateur Recording on the Phonograph in Fin-de-siècle Barcelona: Practices, Repertoires and Performers in the Regordosa-Turull Wax Cylinder Collection by Eva Moreda Rodriguez; v) Scaramouche, Scaramouche: Sibelius on Stage by Leah Broad; vi) Strategies of Conquest and Defence: Encounters with the Object in Twentieth-Century Music by Samuel Wilson.

Size: 8vo. 264pp. Publisher's printed paperback. As new. Comprises: i) Bound Together: The Intimacies of Music-Book Collecting in the Early American Republic by Glenda Goodman; ii) Appropriations of Gregorian Chant in Find-de-siècle French Opera: Couleur locale - Message-Opera - Allusion? by Benedikt Lessmann; iii) Microtonal Restraint by Annika Forkert; iv) Treatise and the Tractatus by David Cline; v) Maskanda, Umkhosi wokukhahlela and the Articulation of Identity in South Africa by Nanette De Jong and King Madzikane II Thandiszwe Diko; vi) Involving Experiences: Audiencing and Co-reception in Pleasure Garden by Joseph Browning.

Size: 8vo. [ii], 272pp. Publisher's printed paperback. As new. Comprises: i) An Inclusive History for a Divided World? by Marina Frolova-Walker; ii) Monteverdi, the 1610 Vespers and the Beginnings of the Modern Musical Work by John Butt; iii) Early Modern Comedy and the Politics of Religion: Reconsidering Comedy in Rospigliosi's Il Sant'Alessio by Maria Anne Purciello; iv) 'Che soave zeffiretto' and the Structure of Act 3 of Le nozze di Figaro by Ian Woodfield; v) Debussy's Speculative Idea: Orchestration and the Substance of Jeux by Simon Clarke; vi) Mastery and Masquerade in the Transatlantic Blues Revival by Ross Cole; vii) New Music for New South Africans: The New Music Indabas in South Africa, 200002 by Mareli Stolp.

Size: 8vo. [ii], 220pp. Publisher's printed paperback. As new. Comprises: i) 'It Would Be without Error': Automated Technology and the Pursuit of Correct Performance in the French Enlightenment by Rebecca Cypess; ii) Memories Spoken and Unspoken: Hearing the Narrative Voice in Dichterliebe by Andrew H. Weaver; iii) From Satirical Piece to Commercial Product: The Mid-Victorian Opera Burlesque and its Bourgeois Audience by Joanne Cormac; iv) Speaking German, Hearing Czech, Claiming Dvo?ák by Eva Branda; v) Nietzsche's Critique of Musical Decadence: The Case of Wagner in Historical Perspective by Katherine Fry; vi) Confronting Opera in the 1960s: Birtwistle's Punch and Judy by Heather Wiebe; review article "Manipulating Music at the Court of Elizabeth I" by Linda Phyllis Austern.

Size: 8vo. 249pp. Publisher's printed paperback. As new. Comprises: i) 'You Will Take This Sacred Book' : The Musical Strambotto as a Learned Gift by Giovanni Zanovello; ii) Making, Collecting and Reading Music Facsimiles before Photography by Deirdre Loughridge; iii) 'From the Monkey Mountains': The Body, the Grotesque and Carnival in the Music of Pavel Haas by Martin ?urda; iv) Creativity, Collaboration and Development in Jeremy Thurlow's Ouija for Peter Sheppard Skærved by Eric Clarke, Mark Doffman & Renee Timmers; v) Locating Project Studios and Studio Projects by Mark Slater; vi) Round Table: Edward Said and Musicology Today, with Brigid Cohen, Sindhumathi Revuluri, Martin Stokes, Rachel Beckles Willson, Kofi Agawu & James R. Currie.

Size: 8vo. pp.271-640. Publisher's printed paperback. As new. Comprises: 'Integrated Tool Competency': A Conceptual Framework for Understanding the Role of the Absent Tools of Musical Composition by Michael Boyle; Lip-Synching as an Account of Oneself: Digital Music Videos and the VoiceGesture Relationship by Daniel De Andrade Lima; 'The Mind is not Limited by the Skin': The Expert Piano Technician's Experience of Working on Pianos of Professional Concert Performers by Esther Cavett; I Wish I Knew How it Would Feel to Drive the New Ford Fusion Hybrid: Making Sense of Music in Car Commercials by Mark Brooks; Screening Rites: Video Essay by Miguel Mera; The Melakartas and the 'République Modale': Naturalizing Indian Scales in French Musical Modernism by Peter Asimov; Translating Rousseau Between Venice and Istanbul: Enlightenment and Connected History in an Armenian Music Treatise (1812) by Jacob Olley; Donna Elvira and the Dark Places of the Heart by DOrian Bandy; A Tale of Two Jubas: Metastasian Opera and Racialized Difference by Jessica Gabriel Peritz; Singing the 'Pope's Dregs': The Liber Precum Publicarum of 1560 And its Use by James Burke.

Size: 8vo. 270pp. Publisher's printed paperback. As new. Comprises: Dragging Music: Towards a Queer Socio-Cultural Semiotics by Anton L. Blackburn; Challenging Classical Music's Genre Conventions: Findings from a Project on Youth Voice in Instrumental Education by Anna Bull; Children Possessed: Adam Maor and Yonatan Levy's Opera The Sleeping Thousand (2019) by Michal Grover-Friedlander; Florentín Giménez's Folk-Style Songs: A Practical Reading of Paraguayan Cultural Identity by Alfredo Colman; Openness, Phenomenology, Politics: Luciano Berio and the Neoavanguardia in the Early 1960s by James Davis; Writing Joseph Bologne into Musical History vis-à-vis Mozart: The Symphonie Concertante from Paris to Salzburg by Caryl Clark; 'The Most Beautiful Sound': The Queer Nexus of Listening and Voice in the Early Modern Italian Convent by Lindsay Maureen Johnson; Provenance of the Pauline Gradual of Jasna Góra in Poland from 1596 by Michal Jedrzejski and Dariusz Smoraek.

Size: 8vo. 318pp. Publisher's printed paperback. As new. Comprises: On Making a New Realization of Uspud by Erik Satie and J. P. Contamine de Latour by Andrew Hugill; Squabbling for Freedom: Improvisation, Democracy, and Subjectivity at the London Musicians Collective by Jordan Musser; Music History, the Practice Turn, and Maria Yudina's Journey through the Soviet 'Thaw', 195963 by Adam Behan; Rationalizing the Revolution: Jazz in Hanns Eisler's Kampfmusik by John Gabriel; Scriabin's Lisztian-Stravinskian Sonata Forms by Rajan Lal; Musical Samplers in the Museum of Musical Works: The Nature, Status, and Value of Nineteenth-Century Oxford Degree Exercises by Rosemary Golding; From 'Sorceress' to Ambassador: Reading Anna Caroline de Belleville's Symbiotic Relationships with her Pianos by Peng Liu; Quiet Colonialism: Listening to the Cancuc Uprising of 1712 by Andrew J. Green and Marina Alonso-Bolaños; Psalm Differentiae in the Fifteenth-Century Olivetan Psalter Manuscript at the ?ód? Archdiocesan Museum in Poland by Piotr Wi?niewski.