Visual studies workshop press (115 resultados)

Softcover. Condición: Very Good. Estado de la sobrecubierta: No Jacket as Issued. VERY GOOD/ NO DUST JACKET as issued. Unpaged (about 32 pages.) Text clean and unmarked. Illustrated with photographs in b/w throughout. White paper wraps with french flaps, printed in black and red. No wear to covers or spine. Binding firm. Book appears unread.…

Trade Paperback. Condición: Very Good. Oblong paperback in black pictorial wraps. 8vo. - over 7? in. - 9? in. Light wear to wraps yet clean and sharp, tight binding, interior text and images clean. Very Good copy.

First Edition. First edition. Small softcover. A collection of black and white video stills taken from Julie Harrison's performance tapes of the 1970s accompanied by texts responding to them by Lewis Warsh. A fine copy in wrappers.

First Edition. First edition. Small oblong softcover. Artist book with text and numerous black and white illustrations. A near fine copy in wrappers with some very minor wear.

First Edition. First edition. Softcover. Artist book. Features a brief introduction by Paul Berger. Includes numerous black and white images. A fine copy in French style wrappers.

Soft cover. Condición: Very Good. Stiff wraps in very good condition. From the press of the visual studies workshop Rochester, New York 1974. Reprinted from the 1902 edition. With thirty-eight illustrations. Nathan Lyons editor. Index. 169 pages.

Pictorial Softcover. Condición: Very Good. No DJ. 1st Edition. Unmarked, Clean And Bright Copy. Minor Shelf Wear. Text By Robert Cooke Goolrick Paired With Black And White Photographs By Laurence Bach. Black & White Photographs By Bach, Laurence (ilustrador).

6 3/4 x 6 3/4 in., 136 pp., smyth-sewn in wrappers. "Debtor's Prison is the first collaboration between poet/novelist Lewis Warsh and video/visual artist Julie Harrison, in which skewed and closely-cropped black & white video stills from Harrison's primitive-style documentary and performance tapes of the 1970s are paired with stark lines of text written in response by Warsh. Debtor's Prison combines the intelligences and sensibilities of two compelling artists, Lewis Warsh and Julie Harrison, and through their ways of seeing and observing, investigates the strange call and response between forms. The ambiguities of meaning, life's pleasures and anguish, find a beautiful and disturbing home here." Lynne Tillman Book design by Julie Harrison. Printed offset with 62 duotone images. This is from an edition of 1000 copies, of which 26 are lettered and signed by the poet and artist. Regular edition, as new.…

, Smith, Keith A., 1938-. Structure of the visual book. Book 95. Rochester, NY : Visual Studies Workshop Press, 1984, 113pp., sewn PAPERBACK, very good, light wear to corners. Handwritten note on copyright page in ink: "copies available from the author.". 9780898220360 ISBN 089822036X.

Paperback. Condición: Very Good. Reprint. Reprint of the 1888 work, a standard on alternative photographic processes, methods and materials used, including various salts of silver, iron, chromiun & uranium (!). Paperback, patterned grey covers. Light wear, hint of fading to spine, hint of crease to front cover. Text clean; [4], 143 pages; index, table of chemicals, chemical recipes, figures. Size: 6¾" by 10¼".…

Hardcover. Condición: Very Good+. None. First Edition; First Printing. Oblong. fmc2%262D.

First Edition. First edition. Softcover. Features text by Robert Cooke Goolrick. Includes black and white photographs by Laurence Bach. A clean near fine copy in wrappers with some very minor wear. Internally a clean copy of this book that was printed in an edition of only 800 copies. B/w Photos (ilustrador).…

Softcover. Condición: Very Good+. Pictorial softcover. Slight staining to covers, corner lightly bumped. ; quarto; 119 pages.

Softcover, 296 pages, good condition, 1/4 inch of the cover is missing at top edge all the way around due to a printer's error; no internal marks. Foreign shipping may be extra.

Pictorial Wrappers. Condición: Fine. (1989) (NAP) 1st Printing. Exceptional photo-essay complimentary work. Probably sets a high standard of comparison of ones own editorial black and white photographic endeavor because it includes such appropriate and unusual emotional subject-photo pairings. Fascinating work! Size: 8vo - over 7¾" - 10" Tall. …

Paperback. Condición: Very Good. Signed by M. M. Lum on the copyright page with and additional handwritten and signed not laid in. Text and images are unmarked; pages are bright, though the page edges are lightly foxed. Covers are ever so slightly edgeworn. Inscribed by Author.

dj. First Edition. First edition. Hardcover. A striking collection of photo-collages. A fine copy in blue cloth boards and in a fine dust jacket.

First Edition. First edition. Softcover. [32 pages.] Artist book. Features an introduction by Alison Devine Nordstrom. Includes texts and numerous color and black and white images by Flax. A clean very near fine copy in stapled wrappers.

First Edition. First edition. Softcover. Artist book. Features a brief introduction by Paul Berger. Includes numerous black and white images. A near fine copy in French style wrappers with the small former owner signature of photographer Barbara Crane to the title page and some other minor wear. Signed and inscribed by Berger to Crane on the title page in 1988. A nice association copy of a book that is somewhat uncommon signed. Signed. …

First Edition. First edition. Small oblong softcover. Artist book with text and numerous black and white illustrations. A very near fine copy in wrappers. Signed by Bloch on the front free endpaper. Signed.

Softcover. Condición: Very Good. Estado de la sobrecubierta: No Jacket as Issued. VERY GOOD /NO DUST JACKET as Issued. One of an edition of 500. A 27 1/2" x 5 1/2" poster, printed on both sides, accordion folded, and laid in a matching wrap. Very minor shelfwear only.

Hardcover with dustjacket, 296 pages, very good condition, clean and crisp; no internal marks. Foreign shipping may be extra.

Soft cover. Condición: Very Good +. Not Indicated. Signed and dated by Laurence Bach. b/w Photos (ilustrador). Signed by Author(s).

Soft cover. Condición: Near Fine. Signed by Galembo in pen with a heart on the bottom of the title page. This book was obtained from the library of Rowland Abiodun, Professor of African Art from Amherst College, which was donated to the Clapp Memorial Library for resale. Abiodun was a collegue of Galembo, and his library contained other signed works by Galembo. The book is a softcover in Near Fine condition with a stapled binding. The book has 24 pages, including 12 photographs by Galembo, and has no text other than on the title page and publication page. The contents of the book are clean, attractive and unmarked. The binding is in good condition. The bottom corner of the book is lightly bumped, with the corner tips lightly curled. The cover is lightly toned/darkened. The spine of the cover is rubbed, and exposed at the ends of the spine. There are a few small, minor blemishes on the cover. There's some light bumping in two spots along the front cover fore edge. Signed by Author(s).…

Paperback. Condición: Good. Estado de la sobrecubierta: fair. 2021 july/edge wear to jacket, including 1" rip on top front, some tape lifts.

Soft cover. Condición: As New. 1st Edition. Book shows no wear.

Paperback. Orange stapled wraps with blue lettering; 36 pp.; richly illustrated. "We are conditioned to look at typography only when it's presented in a recognizable critical context, such as a fine book. But typography plays an important role in everyday life . This book will explore marginal typography which has significant environmental and social impact. I will discuss the work of graffitists and signwriters who, through innovation, ultimately affect the shape of layout and the design of letterforms." -- Preface. VG (Wraps have light edgewear/scuffing/smudging.).…

PAPERBACK. Condición: VG. 1ST. LARGE PAPERBACK FORMAT.

Hardcover. Condición: Fine. Estado de la sobrecubierta: Fine. First Edition. SIGNED BY THE PHOTOGRAPHER twice. By one of the foremost women photographers of the Eighties. A clean, unmarked and unclipped copy in a Brodart jacket cover. Signed.

Paperback. Condición: Very Good+. First Edition; Limited edtion. Oblong 4to 11" - 13" tall; 1981 Visual Studies Workshop Press. Very long, oblong paperback in glossy illustrated wraps. 1st edition limited to 1000 copies. Bright clean and neat. No marks. Superficial curl to covers at front edge and just mild toning to covers at edges. A vertical crease along the front edge of the front cover. Records Reed's happy mistakes in flah settings in his Halloween night photos of young trick or treaters in 1975. VG++.…