Victoria miro uk (9 resultados)

Paperback. Condición: Near fine in wraps. First Edition. 22 x 30cm near fine exhibition catalogue packed with the colourful paintings by the Israeli-Danish artist.

Hardcover. Condición: Near fine. First Edition. 25 x 29cm near fine hardback exhibition catalogue produced on the occasion of the exhibition 'Grayston Perry' at Victoria Miro, London, 14 October - 13 November, 2004. Includes an essay by Lisa Jardine, together with colour reproductions.

Hardcover. Condición: Very Good. Estado de la sobrecubierta: Very Good. 1st Edition. First (1st) Edition, 1000 Copies, Hardback, Published in 2005 on occasion of an exhibition at the Victoria Miro Gallery. Book in very good shrink-wrapped condition, but slight tear to rear dust jacket.

Paperback in card folder. Condición: Near fine in wraps. First Edition. 13 x 21cm near fine two volume exhibition catalogue set in card folder. One of the foremost artists of the twentieth century, Milton Avery (1885 1965) is celebrated for his luminous paintings of landscapes, figures and still lifes,which balance distillation of form with free, vigorous brushwork and lyrical colour.This two-volume book offers a window into Avery s working life. Home and Studio provides unique access to Avery s New York home, where he lived from1959 until his death in January 1965. The apartment includes a studio where many of his important late works were completed. Avery s habit was tdevote his summers to drawing and making watercolours Massachusetts, Connecticut and Vermont were favourite locations which would serve as the basis for the oil paintings he worked on during the winters back in New York.…

Paperback. Condición: Very good. First Edition. 23 x 28cm 248pp very good paperback signed by the artist at lower edge of the pre-title page. Comes with a digital print of a landscape, also signed by the British artist whose work addresses complicated and sometimes contradictory attitudes toward built environments and landscapes. With colour reproductions throughout after a foreword by Clare Doherty.…

Paperback. Condición: Near fine in wraps. First Edition. 21 x 30cm near fine exhibition catalogue with glossy covers and single page colour reproductions showing the sculptures of the Israeli born artist. Working across a diverse range of media including painting, drawing, print, textiles, sculpture and furniture, Tal R questions our conceptions of and presumptions about our surrounding reality what we re seeing and where its meaning lies. Often, he employs apparently simple compositional devices and motifs from everyday life to create complex, atmospheric worlds that, beginning with the recognisable and known, expand or collapse into spaces of enchantment or ambiguity, heady with atmosphere and colour.…

Hardback. Condición: As new. First Edition. 24 x 29cm as new, shrinkwrapped hardback exhibition catalogue featuring the British artist's work, drawn from a diverse range of cultural sources including literature, history, art, music, and religion. He creates densely layered imagery that is both abstract and figurative and addresses narratives of history, cumulative experience and the metaphysical collapse of time into single moments.…

Card covers, stapled spine. Condición: Near fine in wraps. First Edition. 17 x 25cm near fine card-covered exhibition catalogue containing colour reproductions of works by Marina Abramovic & Ulay, Art in Ruins, James Casebere, Clegg & Guttmann, Bill Culbert, Thomas Locher, Ken Lum, Thomas Ruff, Krzysztof Wodiczno, Verdi Yahooda. …

Tape and booklet in ox. Condición: Near fine. First Edition. 11 x 20cm a limited edition comprising 200 VHS cassette with a booklet. This one signed by Alan Charlton and numbered 158/200. Alan Charlton's statement from the booklet illustrated with black and white reproductions, reads: 'In the Summer of 1989, I was invited to make an exhibition at the Castello Di Rivoli, a restored castle outside of Turin. I could use 8 rooms of the castle, so I decided to use the different rooms to divide the paintings into groups, showing the changes in the shapes and structures I have used in the last twenty years. I selected paintings that not only related to each other, but also which related to the space of the rooms. No painting was specially made for the castle, but I hope that there is a feeling that each painting belongs exactly where it is.'.…