Universal limited art editions (35 resultados)

Hardcover. Condición: Good. Estado de la sobrecubierta: Good. 1st Edition. 1983. New York: Universal Limited Art Editions. Hardcover. 10 x 13 inches. Unpaginated. Binding fully intact, some very light separation beginning for first few pages. Pages white and clean, numerous color works by Jim Dine. DJ Good-, small but noticeable tears through out top edge front and back cover, some light wear to other extremities, rubbing present. Boards Good, unsoiled, some light wear to bottom of spine otherwise light wear overall. …

Hardcover with dustjacket, unpaginated; good condition; dj has scattered scratches, rubbing and a few small tears and pieces missing at top and bottom edge; no internal marks. Foreign shipping may be extra.

Soft cover. Condición: Very Good. In very good condition; light soiling and light scuffing to wraps; points of light rubbing along edges of pamphlet; rust staining around two staples; otherwise, clean, binding sound. Staple bound, n.p. Exhibition catalogue of watercolors, June 1-July 6, 1990. Essay by Creeley. 7 x7 in. Includes artists with one color reproduction each: Anna Bialobroda, Richard Brintzenhofe, Carroll Dunham, Stephen Ellis, Mark Enger, Guy Goodwin, Jane Hammond, Greg Hull, Bill Jensen, Julian Lethbridge, James Meyer, Fred Mitchell, Mette Petri, Kiki Smith, Jeff Stokes and Terry Winters.…

Hardcover with dustjacket, unpaginated; very good condition; except dj only good with stains to lower right corner and small tears to top edge;internally fine; no internal marks. Foreign shipping may be extra.

Hardcover with dustjacket, unpaginated; new condition; still sealed in shrinkwrap; clean and crisp. Foreign shipping may be extra.

Condición: Very Good. Unpaginated. Black cloth cover, color illustrated dust jacket, 25 color plates plates, numerous b&w photographs, text by Clifford Ackley. Light wear to dust jacket; book in excellent condition. Record # 804688.

Paperback. Condición: Very Good+. First Edition. Softcover in wraps. First printing. White covers, gilt text, slight tanning to rear wrap, and a touch of overall soiling. Catalogue published to accompany the annual art exhibit put on by the UCLA Arts Council in conjunction with E. Maurice Bloch, director of UCLA's Grunwald Center for the Graphic Arts. Book is firm in binding, crisp interior. Among the artists whose work is included are Lee Bontecou and Tony Towle, Jasper Johns, Marisol, Robert Motherwell, Barnett Newman, Robert Rauschenberg, Larry Rivers (in works with Frank O'Hara, Larry Rivers, Terry Southern, and Kenneth Koch) , and Cy Twombly. Includes photos of the artists. Plates in color and black-and-white. Free of any markings, not ex-library. ; 4to 11" - 13" tall; 80 pages. …

Soft cover. Condición: Good. No Jacket. (no date, c1990s); Good to Very Good/no dj, thin quarto, 24pp., gray card-stock softcover, covers a bit creased, intact 2-staple binding, includes "Experience and Experiencing" by Allegra, and "Prologue" dedicated to Allegra; Special Edition prepared for membership of the BFI Institute, Signed in full on front cover: "Allegra Fuller Snyder 10/96.".…

HARDCOVER. Condición: Almost AS NEW. Estado de la sobrecubierta: VERY GOOD+. 1st Edition. Extra Large 4to. in black printed very dark grey cloth covered boards, unpaginated, approx. 88pp on very thick art paper, 25 finely printed full page colour plates of the etchings . [CONDITION: An extremely well preserved almost AS NEW unmarked copy (very slight push to cover corner tips) in a very lightly edge-worn but otherwise VERY GOOD+ complete Dust Jacket (looks very presentable in its removable transparent protector) ] . To see more of our Art Monographs etc type DbbARTIST in the Keywords search box . __NOTE Due to size and/or weight posting to some destinations outside the UK will cost more than the shipping price shown. If so, orders made by card will only be completed after you have approved any extra cost. . We always ship in STRONG PROTECTIVE CARD PARCELS.…

Hardcover. Condición: Very Good-. No Dust Jacket. Rear cover is rubbed. Front cover has a little slight rubbing. ; 147 pages.

Hardcover. folio. pp. [46 leaves-most versos blank]. 33 illus. (18 full-page colour). biblio. cloth. First Edition.

Hardcover. Quarto (oblong), 145 pages. In Good plus condition. Spine is tan with black print. Boards in tan paper; light shelf wear, with slight stain to front panel. Illustrated: b&w and color photographs, facsimiles. Epehmera laid in includes photocopy of correspondence of Washington art dealer Barbara Fendrick, and large color photograph of Tatyana Grosman's living room. Inscribed to Barbara Fendrick in ink by the author facing title page. [Oversized book(s). Additional postage necessary for expedited/international orders. Economy International shipping unavailable due to size/weight restrictions. For international/expedited customers, please inquire for rates]. NOTE: Shelved in Net Desk work area. 1413386. FP New Rockville Stock. Signed.…

Oversize hardcover without dustjacket as issued, 148 pages, very good condition; light rubbing to covers, no internal marks. Foreign shipping may be extra.

Hardcover. Condición: About Fine. 1st Edition. Large red cloth hardcoverwith matching slipcase. Colour and b/w illustrated. Excellent condition with unobtrusive handling signs, otherwise, clean, unmarked and square copy. 4to.

Hardcover without dustjacket as issued MISSING the matching red slipcase; unpaginated; very good condition; except heavy crease down center of spine; small stain to front cover; 2 pages dog eared and a couple pages lightly bumped at right edge; no internal marks. Foreign shipping may be extra.

Hardcover. Condición: As New.

Hardcover. Condición: Fine. First Edition. Loose as issued in original printed wrappers and green cloth clamshell box designed by the artist, 11 3/8 x 17 3/4 inches (28.89 x 45.09 cm). Limited Edition, number 8 from an edition of 74 plus 20 proof copies. [29] pages illustrated with 13 color etched and lithographed plates, each signed in pencil and dated (88-90) in lower margin by Murray. Etchings measure approx. 150 x 105 mm and face a letterpress poem by Waldman, each signed by the poet in the lower margin. The publisher's seal is embossed in the lower margin to the right of center. Printed on custom hand-made paper in England, each sheet (11 3/8 x 17 3/4 inches) is watermarked with the signatures of the artist and the poet. About the Artist: Elizabeth Murray (1940-2007) was an influential American artist known for her bold, colorful, and abstract works that pushed the boundaries of traditional painting. A pioneering female artist in the predominantly male-dominated art world of the 1970's and 1980's, Murray's work has been featured in major museums, including a retrospective at the Museum of Modern Art in New York in 2005. Her work appeared in several Whitney Museum of American Art's Biennial Exhibitions. A rare American livre d'artiste, in collector fine condition. Krakow 23. Elizabeth Murray (American, 1940-2007) (ilustrador). Signed by Author(s).…

Hardcover. Condición: Near Fine. 1st Edition. First edition, first printing. Huge heavy oversize red cloth hardback issued without dust jacket in a red cloth slipcase. Near Fine- hardback, spine lightly creased and stained, in a Near Fine- lightly stained slipcase. A clean, cosmetically worn copy. Heavy oversize book will require a shipping surcharge if not sent via US Media Mail, or to any non-US destination. …

Hardcover. Condición: Near Fine. FIRST. West Islip: Universal Limited Art Editions, 1994. Publisher's red cloth, slipcased. 12 3/4 x 9 1/2 inches (33 x 25 cm); 300 pp., plates in color and black and white. Spine a little creased, about fine.

Hardcover without dustjacket as issued in matching red slipcase; unpaginated very good condition; a few scuffs to sturdy slipcase; book is faded at spine; no internal marks. Foreign shipping may be extra.

Hardcover. Condición: Gut. Schutzumschlag. Künstler: Johns, Jasper . Verleger: Universal Limited Art Editions Ulae . Datum: 1982. mit teils ganzs, Farbabb. Englisch . Text by Judith Goldman. 4. gepr OLeinen mit OU. OSchutzumschlag mit Gebrauchsspuren, Buch hingegen tadellos erhalten, gutes Exemplar.

Softcover. Condición: Near Fine. First Edition. 70 pp. Retrospective collection of photographs. The first of a planned series on American cities. This project ended with a companion volume on New York City and Los Angeles. The first and only edition. Published in a limited print run as a stiff card stock softcover original only. There is no hardcover edition of the Boston book, only the second New York volume [also in a slipcase]. The first edition is now rare. Oversize printed format measuring 10 inches by 12 1/2 inches. Artful embossed silver titles on cover & spine, as issued. Essay by Clifford Ackley. Matching white hard board slipcase. A collection of black-and-white photographs of Boston. It is the initial segment of his desire to photograph the entire United States, but he only made it from Boston to New York City. The collection highlights Rauschenberg's approach to photography as his art of combining and discovering the unseen and unexpected from everyday life and making them emerge as something striking to the center of consciousness. His keen photographer's eye is evident in these composed images as well as displayed through his work overall. Very near fine; Unlaminated white wrappers and slipcase is in exceptional condition [except for a light blemish on part of the spine], especially for a 40 plus year old book.…

37,5 x 28,5 cm. Nicht paginiert. signiertes Exemplar. Blind geprägter Leineneinband mit Rückentitelei im Schuber. Sprache: Englisch, Mit 76 ganzseitigen, großen Tafeln, überwiegend farbig. Einband berieben und bestaubt, Schuber bestaubt, sonst ein schönes Exemplar. Hinweis: Versandkosten müssen bei Auslandsversand evtl. angehoben werden. 500 Exemplare auf ULAE art cover Papier. Signatur des Verfassers.…

Leinen Sehr gut. Text Englisch. 500 Exemplare auf ULAE art cover Papier. Leinenbezogener Schuber, intakt, jedoch verstaubt. Blind geprägter Leineneinband mit Rückentitelei, sehr gut erhalten trotz leichter Staubspuren. VORSATZBLATT VON TERRY WINTERS EIGENHÄNDIG SIGNIERT. Nicht paginiert. Mit 76 ganzseitigen Tafeln, überwiegend farbig. Insgesamt sehr guter Zustand. +++ Terry Winters (* 1949), US-amerikanischer Maler. +++ Text English. A cloth bound monograph in its original cloth bound slip case. 500 copies. SIGNED BY TERRY WINTERS ON FIRST PAGE. Introduction by Roberta Smith. Unpaginated, 76 plates (watercolours / gouache / graphite / oil / acrylic / ink), mainly in colour. Altogether very good condition, in spite of some light dust marks. +++ 28,5 x 38,5 cm, 2,9 kg +++ Stichwörter: amerikanische Kunst Vorzugsausgabe inscribed copy collector's edition Amerika Gewicht in Gramm: 2900.…

First Edition. First edition. Large oblong hardcover. 145 pages. An interesting book on Tatyana Grosman who was a printmaker and started the publisher Universal Limited Art Editions. Preface by Bill Goldston. Includes numerous illustrations, excerpts from interviews, chronology, all in the format of a pseudo scrapbook organized by Castleman. A clean very near fine copy in boards. No dust jacket as issued. Signed and nicely inscribed by Castleman to Douglas Druick who was the one time director of the The Art Institute of Chicago. Uncommon and especially signed. This is a heavy and oversized book and will require extra shipping. Signed.…

Cloth with a Cloth Slipcase. Condición: Near Fine. No Jacket, As Issued. 176 pages. [SIGNED BY THE ARTIST] Folio sized hardcover, bound in black cloth covered boards, issued without a dustjacket, and cased in a black cloth covered board slipcase. Signed by the artist in pencil on the page before the half title. Mild wear, rubbing, and faint sunning to the spine of the book and slipcase. Else, the binding is tight, and interior is clean and free of other markings. 75 of the artist's drawings reproduced full sized and printed majestically. From a limited edition of 500 copies. Signed by the Artist.…

32 x 25cm. Hardcover with dustjacket, unpaginated [approx. 80pp]. Inscribed by the artist on the rainbow endpapers to art collector Babs Thomson (widow of John Altoon and Paul Thomson). A well-produced artist's book containing colour prints, concluding with a short essay on the Jasper Johns' work by Judith Goldman. Small closed tears to top of jacket, which is slightly rubbed, otherwise internally very good condition.…

Boxed Loose Sheets. Condición: Fine. Limited Edition. Limited Edition. Boxed Loose Sheets. This work is widely considered to be Rauschenberg's magnum opus of book illustration. "Long enamored of French literature and language, [publisher] Tatyana Grosman attended a lecture by Alain Robbe-Grillet in April 1972. When the writer mentioned Robert Rauschenberg's work, Mrs. Grosman, already aware of stylistic similarities between the two, felt that a collaboration was fated. Two days later, it was underway. During the next four years, Mrs. Grosman sent offset plates to Paris and proofed and translated Robbe-Grillet's text in West Islip; Rauschenberg added images one chapter at a time. The completed pages were sent back to Robbe-Grillet with plates for the next chapter. It soon became clear that Robbe-Grillet was not working in the spirit of sympathetic collaboration but providing a massive text that presented great problems in page design. Rauschenberg responded with images that are much more aloof than in previous books yet responsive to the elegance of the text." [Esther Sparks, Universal Limited Art Editions, pp. 447-459] Put another way: "Alain Robbe-Grillet, the French author and filmmaker, and Robert Rauschenberg have collaborated on an "image-text." The collaboration was difficult, in part because of the procedure (Rauschenberg blocked out where the text would be, Robbe-Grillet wrote it in longhand on plates, and Rauschenberg set the image down on stones) and in part because of one-upsmanship (the images, all taken from French magazines, referred to the text but had a visual logic that often intruded upon it and Robbe-Grillet would complain. Page by page this went on, mostly by mail, for six years. The tension of image and text and of the two artists is evident, and the result is extraordinary." [Foster, Hal. ArtForum] Portfolio with 36 lithographs by Rauschenberg with text by Robbe-Grillet. Printed on unique Twinrocker paper, the work consists of 31 pages plus a title page and 4 colophon pages, printed from 37 stones and 27 aluminum plates. Each of the 31 pages is signed and dated by Rauschenberg and signed and numbered by Robbe-Grillet, with each carries the embossed folio number and publisher's seal. Box shows minor shelf/edge wear, else bright and clean. Red cloth dropspine box, loose prints laid in. fo. [52 x 69 cm. folded] Illus. (color plates). Numbered limited edition of 36 plus 7 AP copies. This is AP 5/7. Signed by artist and author.…

First edition. Portfolio with 36 lithographs by Rauschenberg and text by Robbe-Grillet. Printed on specially made Twinrocker paper, with the watermark of the artist's and author's signatures, it comprises 31 pages plus the title page and 4 colophon pages, printed from 37 stones and 27 aluminum plates, numbered [1],1-31, I-IV. 20-1/2 x 26 3/16 inches (52 x 69 cm.) folded. Copy 34 of a total edition of 36, plus 6 A.P. copies (the colophon calls for six, but they are numbered through 7). Signed and dated by Rauschenberg and signed and numbered by Robbe-Grillet on each of the 31 pages, each carries the embossed folio number and publisher's seal. Fine condition in original red cloth clamshell box, designed by the artist, as issued. With two of the original aluminum offset plates on which Robbe-Grillet wrote the text, a set of ten proof pages on Twinrocker paper for the text before illustrations, and a sheet which Robbe-Grillet used for practice, before writing out the manuscript on the plates. The plates were returned to ULAE by Robbe-Grillet, and proofed before Rauschenberg responded to each group of text pages by creating his iluustrations. "Long enamored of French literature and language, [publisher] Tatyana Grosman attended a lecture by Alain Robbe-Grillet in April 1972. When the writer mentioned Robert Rauschenberg's work, Mrs. Grosman, already aware of stylistic similarities between the two, felt that a collaboration was fated. Two days later, it was underway. During the next four years, Mrs. Grosman sent offset plates to Paris and proofed and translated Robbe-Grillet's text in West Islip; Rauschenberg added images one chapter at a time. The completed pages were sent back to Robbe-Grillet with plates for the next chapter. It soon became clear that Robbe-Grillet was not working in the spirit of sympathetic collaboration but providing a massive text that presented great problems in page design. Rauschenberg responded with images that are much more aloof than in previous books yet responsive to the elegance of the text," Esther Sparks, Universal Limited Art Editions, pp. 447-459. "The title is police jargon, loosely meaning that things are not as they seem.To Robbe-Grillet's mysterious story of lost romance and murder in the city, Rauschenberg responded with a portrayal of everyday life, with supermarkets, underwear, and bicycles. Mrs Grosman saw both contributions as equally nostalgic and sad. 'The effect was a Last Year at Marienbad quality,' she said," Mary Lynn Kotz, Rauschenberg / Art and Life, (1990), p. 148. Rauschenberg, Robert (ilustrador).…

Condición: BUONO. West Islip (NY), Universal Limited Art Editions cm.28,5x37,5, pp.n.n.(176), 75 tavv.a col.+ frontesp. impresse solo sul recto, legatura ed.in tutta tela, titoli al piatto ant.e al dorso, cofanetto telato. Ediz.di 500 esemplari. Dedica autogr. Dell'Artista al recto della II c.bianca. Dorso e margini del cofanetto un po' insolati ma bell'esemplare. Text by Roberta Smith.…