The gallery press dublin (201 resultados)

Trade Paperback. Condición: Near Fine. No Dust Jacket. First Edition. A Near Fine copy of this large-format photo-illustrated paperback on the philosopher George Berkeley. Book.

Paperback. Condición: VG+. First edition. Paperback minor wear, soiling, well bound; contents bright clean and unmarked. A very nice copy.

Paperback. Condición: Very Good Plus. First edition. Paperback with light wear, clean, well bound, contents bright, clean and unmarked.

Trade Paperback. Condición: FINE. Near Fine. (1st edition*). Dublin, Ireland: Gallery Press, 1979. "Published simultaneously in paperback and in a clothbound edition." Book is as new with white, unprinted covers. Dust jacket is tan with black printing, has light age soil and a light smudge on the back cover, with faint shelf wear to top edge and sticker shadow on front flap. 98 pages. 8.5" X 5.5" Desmond O'Grady (1935â"2014) was an Irish poet, teacher, translator and memoirist. He was a native Irish speaker and had a PhD in Celtic Studies from Harvard. He was a member of the Aosdána, 'people of the arts') is an Irish association or academy of artists, each of whom must have produced a distinguished body of work of genuine originality. It can only have 250 living members at a time. The Desmond O'Grady International Poetry Competition is named after him. This collection of poetry is in English, with a scattering of Irish words.…

First Irish edition. 53 pp. Fine in glossy illustrated wrappers.

Hardcover. Condición: Near Fine. Estado de la sobrecubierta: Near Fine. 1st Edition. Dublin: Gallery, 1987. 1st edition, NF/NF. Book and dust jacket have some wear to upper corners. 29 poems. Nice copy, 68 pp. BP.

Wraps. Condición: Very Good+. With French flaps. Catalog of 21 oil paintings.

Softcover. Condición: Fine. Near Fine. First Edition; First Printing. Stiff unmarked book in crisp clean white card covers; in illustrated dust jacket faintly sunned.; 92 pages.

First Edition. 41pp. The first poetry collection of Nuala Archer. Born in New York in 1955 of Irish parents, her poems are unlike anything written by her contemporaries in Ireland. She has won several prizes including a First at Listowel Writers Week and The Irish Distillers/Patrick Kavanagh Award. Paperback. Overall condition Very Good in Very Good - wrapper. …

Soft cover. Condición: Good. 4pp. Exhibition open Daily 10 a.m.-5.30 p.m. Saturday 10 a,m,-1p.m. until Saturday 24th September 1960. Minor wear, stains and creases. Rare. Sheridan, Noel (1936?2006), artist, actor, and arts administrator, was born 12 December 1936 in Dublin one of three children (two daughters and a son) of Cecil (Brinsley) Sheridan, entertainer, and his wife Ann ('Nan') (née Doyle). His son, (Cecil) Noel Sheridan, attended Synge Street CBS but left without a clear career plan. While working as an office boy and then clerk in the circulation office of the Irish Independent newspaper, he studied for four years at night in TCD for a B.Comm. degree, and took a diploma in public administration in 1958. During that time he began acting with Trinity Players, and also wrote satirical pieces for revues; his first performances received good reviews, as his father's son but also on his own account. For a number of years, up until 1963, he continued to act semi-professionally. He was also, however, interested in the visual arts, though he lacked formal training; his early work appeared from 1958 in the annual exhibitions of Living Art (winning the Carroll prize for painting in 1965 and 1969), and in the Paris Biennale in 1960. Encouraged by this success, and by winning a prize of £50 in an art competition, the young man left his job in the newspaper to become an artist. His abstract landscapes attracted the attention of Leo Smith, of the Dawson Gallery, who put on a show of his work in 1960. (Sheridan was one of the five young artists who in 1959 founded a group called Independent Artists, risking thereby the displeasure of established, influential figures such as Smith.) In 1961 Sheridan was awarded one of the first Macaulay fellowships (established by William J. B. Macaulay (qv) in 1958), and with his new wife, Liz (née Murphy), moved to London for a year to develop as an artist. He exhibited again in the Dawson Gallery the following year, appeared as a lead character in an RTÉ television drama by Thomas Coffey, The long sorrow (1963), and continued a collaboration with his father's colleague, the actor and writer John Molloy (1929?99). They wrote and performed in several versions of a revue, 'Tete at eight', which enjoyed enthusiastic press comment and long runs in the Gate and Eblana theatres from 1959 to 1962. The show was produced at the famous jazz festival in Newport, Rhode Island, in 1963, and moved to the Strollers Theatre on Broadway, but was not a success, as its opening coincided with the assassination of US President John F. Kennedy. At this point, Sheridan decided to stop working in the theatre to concentrate on his painting. His father's eminence and local popularity in Dublin was a difficulty for him, and he believed that professionalism demanded specialisation. Moreover, he wanted to stay in New York, an exciting place for a young artist. He took a job as gallery attendant in New York's Museum of Modern Art, painting by night, and with the assistance of a scholarship entered Columbia University in 1967 to study for a master's degree in fine art. Thereafter he was strongly influenced by the conceptual art movement which was developing in the New York art scene, effectively changing the definition of art; for years he felt it was no longer worthwhile to paint, and instead concentrated on art events, performance art, video, and what would come to be called multi-media. His skills as performer and writer underpinned his new departures. He died at his home in Fremantle, Western Australia, on 12 July 2006, survived by his wife Liz, four daughters and a son.…

Card Wrappers. Condición: Near Fine. Estado de la sobrecubierta: Very Good. First Edition. 31pp. 1000 copies. A couple of spots of foxing on ffep. Dust jacket has a short closed tear at head of rear panel.

Card Wrappers. Condición: Fine. First Edition. 93pp. Name & date in small neat hand on inside cover.

Card Wrappers. Condición: Fine. First Edition. 68pp.

First trade paperback printing. 38 pp. Fine in wrappers and very near fine illustrated dust jacket. Harvey's first collection of poems.

First trade paperback printing. 55 pp. Fine in wrappers and near fine illustrated dust jacket. One of 775 (of 1000) copies.

First trade paperback printing. 119 pp w/note. Fine in illustrated wrappers.

Condición: Good.

Hardcover. Condición: Very Good. Estado de la sobrecubierta: Very Good. Hardcover with unclipped dust jacket in very good condition. Jacket is slightly scuffed and sunned. Binding is sound and pages are clear. LW. Used.

Hardcover. Condición: Near Fine. Estado de la sobrecubierta: Near Fine. 202 pages, 8vo. Out of Print. Jacket unclipped. Minor shelfwear to DJ: light scuffing and fading along edges. DJ in mylar. Tightly bound, no marks. Volume is in Near Fine condition.

Condición: Good. Good condition. (poets, irish, ireland, exhibitions ) A copy that has been read but remains intact. May contain markings such as bookplates, stamps, limited notes and highlighting, or a few light stains.

Soft cover. Condición: Near Fine. 1st Edition. 58 pp. Book/dust jacket condition: Fine/NF(moderate sunning to spine, top of front; paperback with french flaps). 1st PB Ed., 1st Printing/First Paperback Edition, First Printing (published simultaneously with limited-edition, numbered, signed hardcover edition). This copy has the publisher's price sticker at the bottom of the inside flap. All orders are processed and shipped from MI or WI, USA.…

Paperback. Condición: Fine. Estado de la sobrecubierta: Fine. Poetry by the Irish poet & translator (1935 - 2014). White soft covers with green illustrated jacket in protective sleeve 49 pages.

Soft cover. Condición: Very Good. Estado de la sobrecubierta: Near Fine. 1st Edition. first edition, softcover issue, a clean unmarked copy.

Paperback. Condición: Very Good. Estado de la sobrecubierta: Very Good. Book condition: VG with browning to edges of cover; faint spots to front blank end-paper. Jacket: VG/Fine with slight browning to spine and front top edge; price intact. First paperback edition, issued simultaneously with hardback. A bright copy.…

Hardcover. Condición: Very Good. Estado de la sobrecubierta: Very Good. Hardcover with unclipped dust jacket in very good condition. A few marks to the jacket, and edges are a little creased. Board corners and spine ends are slightly rubbed. Binding is sound and pages are clear. LW.

Hardcover. Condición: Very Good. Estado de la sobrecubierta: Very Good. First Edition. First edition hardcover with unclipped dust jacket in very good condition. Board and jacket corners and spine ends are slightly bumped. Binding is sound and pages are clear. LW. Used.

Condición: Good. Good condition. Owner's name on inside. (Johannes Vermeer, Dutch Genre Painting, Art History) NOT AVAILABLE FOR SHIPMENT OUTSIDE OF THE UNITED STATES.

Soft Cover. Condición: Very Good. No Jacket. Reprint. second printing, inked marginal marks on first two pages of scene 1, else generally fine copy. Size: 8vo - over 7¾" - 9¾" tall.

First edition, first printing. Signed by the author. Fine paperback original.

Hardcover. Condición: Fine. Estado de la sobrecubierta: Fine. 1st Edition. Fine hardcover book in fine dust-jacket. Signed by Louis Simpson on the colophon page. Colophon states: "limited to an edition of 300 copies, each of which is signed by the author.". Signed by Author(s).