The 87 press gb (157 resultados)

Paperback. Condición: New. 'Kerf' are the sawdust, particles or pieces irrevocably extracted from wood by the blades of cutting implements. Failure to calculate blade thickness when cutting wood can throw off project measurements exponentially. Thin-kerf blades are most accurate for fine woodworking, but they can warp and need careful maintenance. Thick-kerf blades are labour saving but are brute and lack finesse. The poems of Kerf write through themes of woodworking, craft and labour, but these poems also analogise 'kerf' as social and cultural remnants and as examples of disjecta membra. Embedded in and around these themes, the poems in Kerf also explore the author's own, as well as others', experiences of autism and neurodivergence, particularly as manifested in feelings of isolation and in experiences of violence and rejection, but also from the angles of positive and negative obsessions, focus and distraction.…

Paperback. Condición: New. 'Kerf' are the sawdust, particles or pieces irrevocably extracted from wood by the blades of cutting implements. Failure to calculate blade thickness when cutting wood can throw off project measurements exponentially. Thin-kerf blades are most accurate for fine woodworking, but they can warp and need careful maintenance. Thick-kerf blades are labour saving but are brute and lack finesse. The poems of Kerf write through themes of woodworking, craft and labour, but these poems also analogise 'kerf' as social and cultural remnants and as examples of disjecta membra. Embedded in and around these themes, the poems in Kerf also explore the author's own, as well as others', experiences of autism and neurodivergence, particularly as manifested in feelings of isolation and in experiences of violence and rejection, but also from the angles of positive and negative obsessions, focus and distraction.…

Paperback. Condición: New.

Paperback. Condición: New. The Pharmacy is an extended exploration of family, loss, and the indignities of British medical institutions. Building a landscape that is at once influenced by autotheory, life experience of care, and a fervent critique of austerity, this is a fiery second collection from Kat Sinclair.The poems of Kat Sinclair's The Pharmacy 'cannot write through / as (they) are supposed to', but struggle to stand, love, grieve, wriggle, spit jokes from within brutal desiccated infrastructures, learning machines, the last things left to be stolen away from us. Where 'the hospital is a factory', out of the deadness of memeified language and bloodied pop-cultural dreck, these side-eye-lyrics don't just transcribe addictive assaults on attention but hold to our aftermaths, without healalls. They bring on an interruptive headrush to run ungoogleably with the sabs, at communism, at 'new ways of speaking', however brokenly, however thickly, however in pain, at what you've been told, lied to for all your life is impossible. - Dom HaleIn these dense, lucid poems, the personal and political intertwine and elegy is reformed, revitalised: now lyrical, now stubborn, now taking you by surprise with their humour. The Pharmacy shocks and soothes, jars and lulls: this is a collection deeply of and defiantly against its time. - Helen Charman.…

Paperback. Condición: New. Rimming the Event Horizon gyrates a mutinous poetics of revenge, purposing contingency as a major mechanism of racialisation but also as a source of resistance and refusal, of material and imaginative possibility. It is not really a punitive poetics but rather, 'a constant, experimental exercise of antagonism,' a brutally disruptive 'xenogenerosity' (Harney and Moten).This is a collection of many rotations, revolutions and revolts, from the lick of the cyclone to the whirl of a dervish; the flick of a dragon's tail to the ultra-slow swirl of galaxies or precarious life circling the drain. Traversing metastable topologies of gender and race as complicitly mattered but also 'out of control,' Rimming the Event Horizon intra-venes in a universe(s) that must simultaneously avenge, and take revenge on itself. Looping the line between life and death, it dangles us over the edge headfirst, tongues out."Sabeen Chaudhry's Rimming the Event Horizon is an index of "oracular horrors," both "asymptomatic" and "vicious animal". This is a work of devastation in the present but also "one of many aftermaths." Chaudhry invites a reading of the poem as "bruised verticality." A livid ghost shares space with wrecked daughters at the rim of a well. Is this the portal? "LICK CYCLONE" is the instruction. In this way, a reader's opacity weakens. There's nowhere not to look." -- Bhanu Kapil"Sabeen Chaudhry's Rimming the Event Horizon reads like the liner notes to a new PAN record. Which is to say that this is word-sound-power emanating from inside a limestone cave where you can't quite tell if the stalactites are dripping water or sweat. Chaudhry's secret though is that this cave is no arid zone, no non-place. Instead, Rimming the Event Horizon contains enough of the historical mess of empire, nation and memory to let us know." that this brilliant poet is 'screaming through the flag'. - Dhanveer Singh Brar (writer, research, teacher / member of Le Mardi Gras Listening Collective and Lovers Discourse)For Fans Of: Momtaza Mehri, Jen Calleja, Lola Olufemi.…

Paperback. Condición: New. gestalt is a poetic enquiry of the Panchayat, a collective of South Asian and Black artists/practitioners involved in communal archiving, artmaking and activism in Britain from 1988-2015. gestalt consists of visual poetry, drawings and instructions which provide an alternative documentation of the materials and ephemera from the Panchayat Collection. It is a score for performance holding a spotlight on questions of race, class, gender, colonisation, erasure and collective memory.…

Paperback. Condición: New. Debut collection of mistranslations of Petrarchan love poems by Kat Addis, a Shakespearean scholar attuned to the hidden erotic energies of the Renaissance. Each poem speaks through character, bringing dramatic, theatrical, ritual and gestural performance to the page. These experiments in form and translation ask the reader to stay for their erudition and ceremony. …

Paperback. Condición: New. In the search for a true home, what does it mean to be confronted instead by an insurmountable sense of otherness? This question dwells at the center of Saba Keramati's Self-Mythology, which explores multiraciality and the legacy of exile alongside the poet's uniquely American origin as the only child of political refugees from China and Iran. Keramati navigates her ancestral past while asking what language and poetry can offer to those who exist on the margins of contemporary society.…

Paperback. Condición: New. The Pharmacy is an extended exploration of family, loss, and the indignities of British medical institutions. Building a landscape that is at once influenced by autotheory, life experience of care, and a fervent critique of austerity, this is a fiery second collection from Kat Sinclair.The poems of Kat Sinclair's The Pharmacy 'cannot write through / as (they) are supposed to', but struggle to stand, love, grieve, wriggle, spit jokes from within brutal desiccated infrastructures, learning machines, the last things left to be stolen away from us. Where 'the hospital is a factory', out of the deadness of memeified language and bloodied pop-cultural dreck, these side-eye-lyrics don't just transcribe addictive assaults on attention but hold to our aftermaths, without healalls. They bring on an interruptive headrush to run ungoogleably with the sabs, at communism, at 'new ways of speaking', however brokenly, however thickly, however in pain, at what you've been told, lied to for all your life is impossible. - Dom HaleIn these dense, lucid poems, the personal and political intertwine and elegy is reformed, revitalised: now lyrical, now stubborn, now taking you by surprise with their humour. The Pharmacy shocks and soothes, jars and lulls: this is a collection deeply of and defiantly against its time. - Helen Charman.…

Paperback. Condición: New.

Paperback. Condición: New. Debut collection of mistranslations of Petrarchan love poems by Kat Addis, a Shakespearean scholar attuned to the hidden erotic energies of the Renaissance. Each poem speaks through character, bringing dramatic, theatrical, ritual and gestural performance to the page. These experiments in form and translation ask the reader to stay for their erudition and ceremony. …

Paperback. Condición: New. gestalt is a poetic enquiry of the Panchayat, a collective of South Asian and Black artists/practitioners involved in communal archiving, artmaking and activism in Britain from 1988-2015. gestalt consists of visual poetry, drawings and instructions which provide an alternative documentation of the materials and ephemera from the Panchayat Collection. It is a score for performance holding a spotlight on questions of race, class, gender, colonisation, erasure and collective memory.…

Paperback. Condición: New. Dean Blunt is the most important British artist of the current century because he fundamentally does not care about Britain. His importance makes it shocking that such little critical attention has been paid to his work. His indifference explains it. Dhanveer Singh Brar's Beefy's Tune (Dean Blunt Edit) looks to initiate a conversation that needs to be had about Dean Blunt, about Britain (through Blunt's indifference to it), and about Blackness in Britain (through the depth and complexity of Blunt's feeling for it). Using the 2016 album 'BBF Hosted By DJ Escrow' as a means of navigation, Brar hears Blunt in order to access the long contested dream of Britain's disappearance that was conducted under the name of Black British Arts. Partial (in the sense of his relation to Blunt) and partial (in the sense of unfinished), Beefy's Tune (Dean Blunt Edit) see's Dhanveer Singh Brar give the dream a grammar, if not a name.…

Paperback. Condición: New. dove / Chris Kirubi's WILDPLASSEN is a finely-wrought debut collection. The weather surrounds, as subjectivity is carefully interrogated through typographic gesture and image. Thinking with Sembéne, Glissant, Nourbese Philip and others, we are ushered into a space of translation and study reflecting on dispossession, native informants and racial categorisation. "Wildplassen" is a legal term for public urination in which wildness is invoked as an inappropriate occupation of public (urban) space. This collection transfigures the borders of air, city and landscape; language, lyric and page with instability and waywardness.…

Paperback. Condición: New. Rimming the Event Horizon gyrates a mutinous poetics of revenge, purposing contingency as a major mechanism of racialisation but also as a source of resistance and refusal, of material and imaginative possibility. It is not really a punitive poetics but rather, 'a constant, experimental exercise of antagonism,' a brutally disruptive 'xenogenerosity' (Harney and Moten).This is a collection of many rotations, revolutions and revolts, from the lick of the cyclone to the whirl of a dervish; the flick of a dragon's tail to the ultra-slow swirl of galaxies or precarious life circling the drain. Traversing metastable topologies of gender and race as complicitly mattered but also 'out of control,' Rimming the Event Horizon intra-venes in a universe(s) that must simultaneously avenge, and take revenge on itself. Looping the line between life and death, it dangles us over the edge headfirst, tongues out."Sabeen Chaudhry's Rimming the Event Horizon is an index of "oracular horrors," both "asymptomatic" and "vicious animal". This is a work of devastation in the present but also "one of many aftermaths." Chaudhry invites a reading of the poem as "bruised verticality." A livid ghost shares space with wrecked daughters at the rim of a well. Is this the portal? "LICK CYCLONE" is the instruction. In this way, a reader's opacity weakens. There's nowhere not to look." -- Bhanu Kapil"Sabeen Chaudhry's Rimming the Event Horizon reads like the liner notes to a new PAN record. Which is to say that this is word-sound-power emanating from inside a limestone cave where you can't quite tell if the stalactites are dripping water or sweat. Chaudhry's secret though is that this cave is no arid zone, no non-place. Instead, Rimming the Event Horizon contains enough of the historical mess of empire, nation and memory to let us know." that this brilliant poet is 'screaming through the flag'. - Dhanveer Singh Brar (writer, research, teacher / member of Le Mardi Gras Listening Collective and Lovers Discourse)For Fans Of: Momtaza Mehri, Jen Calleja, Lola Olufemi.…

Paperback. Condición: New.

Paperback. Condición: New.

Paperback. Condición: New. Three generations of women: Téta, the grandmother, Fadwa, the mother, and Emné, the daughter who captures the tenderness of her fore-bearers. The poems in this collection recall and restore a family lineage broken by war, death and exile.This translation of the 2021 Émile-Nelligan Prize-winning collection will attract readers interested in Middle Eastern literatures and those who value poetry written with the urgency of survival, memory, and longing. These short lyric poems weave a narrative that registers one of the primary concerns of the 21st century: migration.…

Paperback. Condición: New. Home Radio brings together 75 poems written between 2011 and 2020. These are weathered forms of attention: pocket songs and daybooks, odes and longer workouts, bitter little lyrics and sweet generalisations. It's all staked on the seasonal, whatever the edge is, where poetry ends and history muscles in.…

Paperback. Condición: New. This is 'a roots rave manifesto / to free literature'. The second installment in Oscar Guardiola-Rivera's Night of the World trilogy, Out of the World continues Hoodoo Girl's adventures, alongside the trickster Ix. This mythopoetic narrative-told in three episodes-is inspired by the Mayan epic Popol Vuh, where 'plot is overrated' and musicality abounds. Lay your ear to the ground and follow these unearthly threads, the syncopated beats where the colonial encounter animates the Angel of History to reveal the masquerade that surrounds us all.In this second installment of Night of the World, Oscar Guardiola-Rivera elaborates in kaleidoscopic poetic form his ongoing, multi-scalar inquiry of how the open veins of the Americas are a burrow or cave from which emerge so many critical monsters, creative motions, moral ironies, and cosmos-shaking events. Intertwining touchstones of the Americas (such as the Popol Vuh) with the contemporaneity of their historical crises (colonialism to current trade zones and migrations), this book puts the root-work of the creation of the Americas in front of its legatees, beginnings poised to be instantiated. Black Legend be damned. Guardiola-Rivera's Under the World: Night of the World is a declarative, ambitious encomium for the emergence of historical Latin America as a present-day unified economic, cultural, and political powerhouse on the world stage. -Edgar Garcia, author of Emergency: Reading the Popol Vuh in a Time of Crisis.…

Paperback. Condición: New. Recupera is a book of interwoven essays and autofiction constellating around the complex nature of sisterhood. It follows two sisters as they recover from addiction. With a mix of epistolary form, lyric essay, and art writing, the work hopes to reach beyond conventional narrative towards something hybrid and multivalent. It is about the relationships between two sisters across Catalunya, Colorado and London- a bond which unravels and exposes its multifaceted nature through their narrative of addiction and recovery.…

Paperback. Condición: New. White/ Other is a strange hybrid beast - part poetry, part polemic, part sectarian graffiti - a long lyric essay that grapples with the complexities of writing and living from the position of the absent subject: that is the white working-class "other" within neo-liberal culture. White/ Other is memoir remixed, cut up and spliced with passages of cultural analysis and moments of feral lyric riff to ask what it means to be politically reviled, socially abjected, and economically disenfranchised, alive at the sharp end of everything, language included.'One of the unique joys of being a "white, other" is that you present an opportunity for nice, white middle-class people to comfortably indulge both their racism and their classism without ever having to admit to the existence of either. They don't see your class because you do not present to them like a "typical" working-class person according to the tropes they themselves invented, or because they do not believe the class system exists. They filter class out of their world-view in ways that remove the experience of class-based oppression from black and minority ethnic people, while refusing to acknowledge the roll racism plays in the perception and treatment of white working-class others.'.…

Paperback. Condición: New. Ed Luker's hotly anticipated collection Heavy Waters and is a mixture of poetic and prosaic workings on the sea, borders, and border violence.This edition comes with a foreword from Verity Spott, in which she writes that the book is: "[a] collection of poetry that has resolved to speak of the terrifying crossings; the depth weighed up, the air weighed down - human lives pushed and pulled, fleeing and returning in the crisis who longs for our silence, in lyric refusal.""The poems in Heavy Waters brilliantly register the smooth functioning of social force, the way it hangs on the literal incorporation of power as it is internalized, embodied, and contradictorily experienced. In a world in which 'loss' has become a hardened economic category, Luker returns 'loss' to the affective animation of the body, attuning our corpus to avert the local and global catastrophes that are crushing it." - Rob Halpern.…

Paperback. Condición: New. Written between the Spring Equinoxes of 2016 and 2017, this is a collection that moves between forms: from poetry to manifesto to essay. A unique blend of avant-garde rhetoric, utopian politics, and elemental alchemy.

Paperback. Condición: New. The twenty-seven untitled poems in Bird me turn upon four recurring symbols, timeless images akin to those found in a dream state: pebbles, a river, a chestnut tree, and a bird. This final image, the most central to the collection, is one which haunts and inspires the poetic voice. This voice may or may not be Azam herself, or else a hybrid, lyrical 'I', as unfixed as the haunting bird of the collection's title. This bird, referred to as 'Hannah', is addressed in each poem. The eponymous palindrome takes on different rôles and guises: there are moments in which Hannah is celebrated as muse, love object, mediator between the poet body and the natural world; at other times, she is an all-consuming force, deadly and destructive to a point where the poetic voice is afraid even to say her name out loud.…

Paperback. Condición: New. dove / Chris Kirubi's WILDPLASSEN is a finely-wrought debut collection. The weather surrounds, as subjectivity is carefully interrogated through typographic gesture and image. Thinking with Sembéne, Glissant, Nourbese Philip and others, we are ushered into a space of translation and study reflecting on dispossession, native informants and racial categorisation. "Wildplassen" is a legal term for public urination in which wildness is invoked as an inappropriate occupation of public (urban) space. This collection transfigures the borders of air, city and landscape; language, lyric and page with instability and waywardness.…

Paperback. Condición: New. Dean Blunt is the most important British artist of the current century because he fundamentally does not care about Britain. His importance makes it shocking that such little critical attention has been paid to his work. His indifference explains it. Dhanveer Singh Brar's Beefy's Tune (Dean Blunt Edit) looks to initiate a conversation that needs to be had about Dean Blunt, about Britain (through Blunt's indifference to it), and about Blackness in Britain (through the depth and complexity of Blunt's feeling for it). Using the 2016 album 'BBF Hosted By DJ Escrow' as a means of navigation, Brar hears Blunt in order to access the long contested dream of Britain's disappearance that was conducted under the name of Black British Arts. Partial (in the sense of his relation to Blunt) and partial (in the sense of unfinished), Beefy's Tune (Dean Blunt Edit) see's Dhanveer Singh Brar give the dream a grammar, if not a name.…

Paperback. Condición: New.

Paperback. Condición: New. "This major new work is thought, spirit and sense (in every sense) 'fleshed out' in 'all the corners' by being unmade - as poetry, as music, as (black and white) images, and as attention to the interconnected circuitries the One has with the social, historical and environmental 'to / link us outside'." - Emily CritchleyFor fans of: Nathaniel Mackey, Fred Moten, Will Alexander, D. S. Mariott This is a book of poems and an essay infused with the tempos of Grime music and black radical thought.…

Paperback. Condición: New. Call centre agents and migrant workers, soldiers and charity workers, fresh university graduates and street children - they all navigate the myriad of avenues in which their desires are entangled within the Philippines' harsh and unforgiving conditions of migration and labour in Rogelio Braga's collection of stories, Is There Rush Hour in A Third World Country? Now translated by Kristine Ong Muslim into English, the collection offers a glimpse of the lives of ordinary Filipinos, told amidst coup d'états, active conflict areas, late-night convenience store rendezvous, and bumper-to-bumper Manila traffic, given a considered dignity and nuance by one of the Philippines' celebrated playwrights.…