Sunstone press mai 2008 (5 resultados)

Taschenbuch. Condición: Neu. This item is printed on demand - it takes 3-4 days longer - Neuware -The year is 1928. Forty-four Octobers have come and gone since Elfego Baca earned top ranking as a gunfighter. Few now remember that on a fall day in 1884, in the village of Frisco, New Mexico, Baca ducked some 4,000 bullets fired by eighty cowboys aiming to kill him. Fewer still recall that the reason for the shoot-out was Baca's obsession with rescuing Mexican settlers from abuse by Texans in days before 'civil rights' became a catch phrase. The reputation of the Hero-now turned-lawman-lawyer-politician is sorely in need of repair, for despite his boasts of possessing one of the best law practices in the state, things have not gone well for Baca. Elfego has been declared a bankrupt; he's been humiliated by an untidy divorce; and neither political party in the state seems to want to run him as a candidate for much of anything. So, what's a man of action to do What Elfego does is to make a pre-emptive strike to repair that tattered reputation. He finds a biographer to tell his story just like he wants it told, including his meetings with Billy the Kid and the opera star, Mary Garden. He finally settles on Kyle Samuel Crichton, but only after William A. Keleher, the respected journalist-lawyer, has said, 'No.' Keleher introduces Baca to Crichton, who has few writing credentials though he would later author popular books and a successful Broadway play. Crichton has escaped from the smoke stacks and slag heaps of the Pennsylvania mining country to the pure air of Albuquerque, not to repair the reputation of those like Elfego who have fallen from grace, but to repair his own health. While Elfego is as short as Napoleon, Crichton is taller than Gary Cooper. While Elfego is rotund, Crichton is thin and muscular. While Elfego is bold, Crichton is cautious. But Crichton, who later wrote a biography of the Metropolitan Opera star Risë Stevens ('Subway to the Met'), brings a wild sense of humor that was to be reflected in all his books. And, while Baca is long on yarns that boost his heroism, Crichton insists on balance. The narrative of the book the pair produced remains open to question: How much of it is fact, how much is flights of fancy Whichever it is, it's a whale of a story about a life lived to a fullness rarely experienced. 284 pp. Englisch.…

Taschenbuch. Condición: Neu. This item is printed on demand - it takes 3-4 days longer - Neuware -No composer in the history of music has undergone so many makeovers in the portrayal of his facial features or the interpretation of his cultural legacy as Ludwig van Beethoven. The myth began during his lifetime when few verbal or visual portrayals of the composer adhered strictly to his physical appearance; instead his mannerisms, manners, and moods prevailed. Promoted from peevish recluse to Promethean hero, he was pictured early on as a 'genius inspired by inner voices in the presence of nature, with leonine hair writhing wildly in symbolic parallel to the seething turbulence of creativity,' according to the author. In this unique study of the myth-making process across two centuries, Alessandra Comini examines the contradictory imagery of Beethoven in contemporary verbal accounts and in some 200 paintings, prints, sculptures, and monuments. With a witty yet penetrating narrative, she moves through these images to construct a collective image of the composer that reflects the many differing impressions left by devoted 'myth makers' ranging from Wagner, Nietzsche, Berlioz, and Brahms to Rolland, D'Annunzio, and Jenny Lind. University Distinguished Professor of Art History Emerita at Southern Methodist University, Alessandra Comini is the author of eight books, one of which was nominated for the National Book Award ('Egon Schiele's Portraits'). The Republic of Austria extended her its Grand Decoration of Honor in 1990, the National Women's Caucus for Art gave her a Lifetime Achievement Award in 1995, and a Comini Lecture Series in her honor was founded in Dallas in 2005. She is associate producer of Museum Music's recording 'Klimt Musik,' featuring composers from Beethoven to Alma and Gustav Mahler. 496 pp. Englisch.…

Buch. Condición: Neu. This item is printed on demand - it takes 3-4 days longer - Neuware -No composer in the history of music has undergone so many makeovers in the portrayal of his facial features or the interpretation of his cultural legacy as Ludwig van Beethoven. The myth began during his lifetime when few verbal or visual portrayals of the composer adhered strictly to his physical appearance; instead his mannerisms, manners, and moods prevailed. Promoted from peevish recluse to Promethean hero, he was pictured early on as a 'genius inspired by inner voices in the presence of nature, with leonine hair writhing wildly in symbolic parallel to the seething turbulence of creativity,' according to the author. In this unique study of the myth-making process across two centuries, Alessandra Comini examines the contradictory imagery of Beethoven in contemporary verbal accounts and in some 200 paintings, prints, sculptures, and monuments. With a witty yet penetrating narrative, she moves through these images to construct a collective image of the composer that reflects the many differing impressions left by devoted 'myth makers' ranging from Wagner, Nietzsche, Berlioz, and Brahms to Rolland, D'Annunzio, and Jenny Lind. University Distinguished Professor of Art History Emerita at Southern Methodist University, Alessandra Comini is the author of eight books, one of which was nominated for the National Book Award ('Egon Schiele's Portraits'). The Republic of Austria extended her its Grand Decoration of Honor in 1990, the National Women's Caucus for Art gave her a Lifetime Achievement Award in 1995, and a Comini Lecture Series in her honor was founded in Dallas in 2005. She is associate producer of Museum Music's recording 'Klimt Musik,' featuring composers from Beethoven to Alma and Gustav Mahler. 496 pp. Englisch.…

Taschenbuch. Condición: Neu. This item is printed on demand - Print on Demand Titel. Neuware -No composer in the history of music has undergone so many makeovers in the portrayal of his facial features or the interpretation of his cultural legacy as Ludwig van Beethoven. The myth began during his lifetime when few verbal or visual portrayals of the composer adhered strictly to his physical appearance; instead his mannerisms, manners, and moods prevailed. Promoted from peevish recluse to Promethean hero, he was pictured early on as a 'genius inspired by inner voices in the presence of nature, with leonine hair writhing wildly in symbolic parallel to the seething turbulence of creativity,' according to the author. In this unique study of the myth-making process across two centuries, Alessandra Comini examines the contradictory imagery of Beethoven in contemporary verbal accounts and in some 200 paintings, prints, sculptures, and monuments. With a witty yet penetrating narrative, she moves through these images to construct a collective image of the composer that reflects the many differing impressions left by devoted 'myth makers' ranging from Wagner, Nietzsche, Berlioz, and Brahms to Rolland, D'Annunzio, and Jenny Lind. University Distinguished Professor of Art History Emerita at Southern Methodist University, Alessandra Comini is the author of eight books, one of which was nominated for the National Book Award ('Egon Schiele's Portraits'). The Republic of Austria extended her its Grand Decoration of Honor in 1990, the National Women's Caucus for Art gave her a Lifetime Achievement Award in 1995, and a Comini Lecture Series in her honor was founded in Dallas in 2005. She is associate producer of Museum Music's recording 'Klimt Musik,' featuring composers from Beethoven to Alma and Gustav Mahler.Libri GmbH, Europaallee 1, 36244 Bad Hersfeld 496 pp. Englisch.…

Buch. Condición: Neu. This item is printed on demand - Print on Demand Titel. Neuware -No composer in the history of music has undergone so many makeovers in the portrayal of his facial features or the interpretation of his cultural legacy as Ludwig van Beethoven. The myth began during his lifetime when few verbal or visual portrayals of the composer adhered strictly to his physical appearance; instead his mannerisms, manners, and moods prevailed. Promoted from peevish recluse to Promethean hero, he was pictured early on as a 'genius inspired by inner voices in the presence of nature, with leonine hair writhing wildly in symbolic parallel to the seething turbulence of creativity,' according to the author. In this unique study of the myth-making process across two centuries, Alessandra Comini examines the contradictory imagery of Beethoven in contemporary verbal accounts and in some 200 paintings, prints, sculptures, and monuments. With a witty yet penetrating narrative, she moves through these images to construct a collective image of the composer that reflects the many differing impressions left by devoted 'myth makers' ranging from Wagner, Nietzsche, Berlioz, and Brahms to Rolland, D'Annunzio, and Jenny Lind. University Distinguished Professor of Art History Emerita at Southern Methodist University, Alessandra Comini is the author of eight books, one of which was nominated for the National Book Award ('Egon Schiele's Portraits'). The Republic of Austria extended her its Grand Decoration of Honor in 1990, the National Women's Caucus for Art gave her a Lifetime Achievement Award in 1995, and a Comini Lecture Series in her honor was founded in Dallas in 2005. She is associate producer of Museum Music's recording 'Klimt Musik,' featuring composers from Beethoven to Alma and Gustav Mahler.Libri GmbH, Europaallee 1, 36244 Bad Hersfeld 496 pp. Englisch.…