Sun stone press (15 resultados)

Hardcover. Condición: Fine. Estado de la sobrecubierta: Fine. 1st Edition. Hardbound. First edition. First printing. Fine/fine. Defect free, smoke free. Comes with mylar dust jacket protector. NOVEL. FERRY.

paperback. Condición: Very Good. May have light to moderate shelf wear and/or a remainder mark. Complete. Clean pages.

Cloth. Condición: Near Fine. Good+ (in mylar). 1st Ed./1st Prtg. Very clean and tight; jacket has a few small stains, and light edge wear. Inscribed By Author. Hard Cover.

Paperback. Condición: Very Good. 105 pages. inscribed by the author on the title page.; 8 1/2 x 11 "; Signed by Author. Illustrated by Gene Dloss Etchings By (ilustrador).

Condición: Fine. Inscribed, 1st Ed., fine condition, DJ fine condition.

Condición: Fine. Inscribed, 1st Ed., fine condition, DJ fine condition.

No Binding. Condición: Fine. 30 x 23cm stiff card sheet folded in half to create 4pp booklet. Designed by Gerald Giampa of Cobblestone Press and published in an edition of 300 copies. Translation by Karl Siegler, erstwhile publisher of Talonbooks.

Hardcover. Condición: Near Fine. Estado de la sobrecubierta: Very Good. 1st Edition. Artist Book by Sculptor Lenore Thomas Straus. Poem on the creative process & spirituality of a sculptor. Limited Edition, Number 507 of 600 copies signed by Straus and with her personal stamp on the limitation page. Illustrated with color prints and black & white photos. Cover, binding, and inside pages are Near Fine. Paper dust jacket has scuffing and a tear at spine as shown. Signed by Author(s). …

Large Hardcover. Condición: Very Good. Estado de la sobrecubierta: Good. Limited Edition. Limited edition, #490 of 600 copies. Three closed tears to jacket along top corner, jacket lightly rubbed and toned. 1969 Large Hardcover. [62 pp.] An attractive multimedia production mixing the author's experience as a sculptor with poetry, photography, illustration, and letter press bookmaking. The book was printed on Kilmory Text laid paper, the tipped in photos were made by Straus, and the printing and copper-plate engravings (some of which are overstruck in color with wood blocks) were produced at the author/artist's private press. Straus was somewhat of a controversial figure. A self-proclaimed communist, she was vocal about immigrants' rights and the working poor, and much of her art was made possible by New Deal programs encouraging the independence of women artists in ways that had up to that point not been possible. Signed by author. Signed by illustrator.…

Hardcover. Condición: Fine. Estado de la sobrecubierta: Fine. First Printing. 128 pages with index. bibliography, exhibition list, notes. Profusely illustrated with the artist's work. SIGNED by artist on title page. Signed by Artist.

Blue cloth lettered in white. Pictorial end papers. This book, except for the binding, was made entirely by the artist, including two copper-plate engravings, fifteen engravings reproduced as half-tones overprinted with color woodblocks, and a tipped-in half-tone plate of a sculpture which she erected in the Lofoten Islands of Norway in 1967. This is number 346 of 600 copies, signed by the author on the front half-title leaf. (There was a linen-bound deluxe issue of 60 copies issued as well). Small ownership stamp on the inner front cover, a very nice clean copy in a very good dust jacket, with some short tears to hinges and at edges. Unfortunately, one page of text has a tear halfway across the page. See photographs.…

Hardcover. Condición: Near Fine. Estado de la sobrecubierta: Near Fine. 1st Edition. Devil's Hatband: A Story About a People's Struggle Against Land Theft and Racism BOOK INFO Inscribed, dated and signed by Daniel Aragon y Ulibarri on FFEP. Published in 1999 by Sun Stone Press in Santa Fe, New Mexico. First edition, first printing as designated by "First Edition" statement on copyright page with complete 10-1 number line. OVERALL Condition: NEAR FINE Historical novel about early New Mexico and the "mexicano's" struggle within the American legal system circa 19th century. The "Devil's Hatband" refers to the barbed-wire fences used to prevent the mexicanos from entering lands granted to them. CONDITION REPORT The book is in NEAR FINE condition. Tight spine with firm hinges and joints. A few small stains and a few dog-eared pages else FINE. The dust jacket is in NEAR FINE condition - unclipped, complete, colorful and glossy with minimal edge wear, and no tears or chips - a light horizontal crease line on bottom of rear panel else FINE. Presents excellently in its new archival mylar wrap. Signed by Author(s).…

Hard Cover. Condición: Very Good. Estado de la sobrecubierta: Good. First Edition. Poem on the creative process & spirituality of a sculptor. Born in Chicago in 1909, Lenore Thomas, though she studied at the Chicago Art Institute, was a largely self-taught sculptor, creating large-scale public works for New Deal programs. Living in Maryland in the 1940s, she married Robert Ware Straus; both were involved in social justice issues and Lenore was investigated by HUAC in the 1950s. Later she moved to Maine, where she taught, continued to sculpt, and became active with a zen community until her death in 1988. This, her second book, was made entirely by the artist (except the binding), including two copper-plate engravings printed with hand-set type, fifteen engravings reproduced as half-tones overprinted with color woodblocks and a tipped-in half-tone plate of a sculpture she erected in the Lofoten Islands of Norway in 1967. This is number 541 of 600 printed (there was a smaller edition with a more elaborate binding, better paper, and original engravings), SIGNED by the artist on the half-title (with her stamped seal in red) and additionally INSCRIBED on the endsheet to a Wisconsin social psychologist, child welfare advocate, and activist. Hardcover in jacket, as pictured. Light wear to book; jacket shows light edgewear & minor creasing, but most of the front panel is cockled & lightly waterstained, the rear panel shows a faint waterstain, small smudge, tear to the flap hinge. Text clean; [64] pages, color & b/w illustrations, photo endsheets. Size: Quarto. Lenore Thomas Straus (ilustrador).…

Hardcover. Condición: Fine. First Edition. First edition, signed issue. Quarto. [78]pp. Illustrated with sixteen full-page copper-plate engravings, printed intaglio on a Meeker and McFee etching press, each numbered, signed and dated by Straus and inserted with hinges, plus two engravings on copper relief-printed with the type on the same pages. Also reproduces black-and-white photographs by the author. Publisher's linen with morocco spine label gilt. Nicely printed from hand set type on J. Perrigot Arches Special MBM, France paper. A fine copy issued without dust jacket. Deluxe issue on Arches paper limited to 50 numbered copies of a total edition of 60 including "about ten" marked "artist proof and not for sale.Signed by Lenore Thomas Straus. Signed.…

Hardcover. Loosely printed sheets gathered into folds, photographically illustrated wrap-around cover to contain the whole, with ample tissue guards around everything, contained in a blue cloth prtfolio cover with printed title in gold, author's name, all housed in a printed and illustrated cardboard slipcase. Contains 16 copper plate engravings, each signed "Lenore" and marked "Artist's Proof" with tissue guards, two other hand-printed illustrations within the text (hand-set type by the artist/author and one more handprinted illustration on the paper cover which is also signed-in-full by the artist. A spectacular publication of this sculptress' etched work and poetry. The entire run of this edition (which precedes the 1970 edition, which was limited to 600 copies) was hand-printed on a 12x18 Chandler and Price platen press, treadle and power. Printed on J. Perrigot Arches Special MBM Paper, the entire production crafted by the sculptress, with the exception of the box. Exquisitely done. "Issued in a portfolio in a case./ "Sixteen copper-plate engravings were printed intaglio."/ "This edition is limited to fifty copies, numbered and signed, plus about ten signed copies marked Artist's Proof, which are not for sale." What is unique about this offering is that there is an additional, slightly different, Artist's Proof (with all the etchings marked as such), as well as a third printing variant and then a fourth mock-up copy. A rare opportunity to see the creative process of an Artist's Book through to it's final edition. More information available upon request. Soiling to cardboard case, some very faint spotting to front and rear cover of portfolio; contents are Fine 1 of appx. 10 (in addition to 50 signed and numbered).…